Leo Conway

okay thank you guys. I'm going to act as you've directed. layers of personality and politics have made this tricky, but I've got a film to think about and need to put this behind me. thanks to everyone for their advice.

guys thank you very much for the feedback. I have some tough decisions to make. it's all the more confusing because DOP 1 used DOP 2's lighting plan on one day of the four-day shoot and shot 2 time lapse shots for the final edit! he was a aargh! very frustrating situation! might an 'additional photography' credit be appropriate? off-topic, but David, Jennifer's Body is a great-looking film with a very sassy script! congratulations.

very tricky scenario i need advice on: just shot promo material for a feature film with good commercial potential. one experienced DOP shot it. another experienced DOP graded all the material and pushed it miles further than the original DOP was capable of (the 2nd DOP is a master colorist and had creative control over the grade, according to my visual design) the original DOP also made several big mistakes on set that DOP 2 fixed in the grade. now DOP 2 (the colorist) has asked for co-DOP credit, with his name second. he didn't set foot on the set, but the material after his grade is like day and night. please help, I'm stuck Ian very tight spot. thanks in advance. Leo.