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Richard Joneleit

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Everything posted by Richard Joneleit

  1. For sale is a rare 75mm in excellent condition. Arri Standard Mount. It doesn't say "Series II" on it, so I'm pretty sure it's a Series I. Serial Number starts with a 5. I also have a 32mm Series II CSP that I'm selling - I think I'll make a separate post for that. I popped this on my Panasonic S1H and unsurprisingly, it covers Full Frame (two pictures attached). Typical of Cooke Speed Panchros of this vintage, it has some very light coating scratches in the front and rear elements, but nothing that would affect the image in any way. This is a very good candidate for rehousing at TLS. If you're close enough in Brooklyn, Manhattan, or Queens, I can deliver by Uber. Or I can ship. Uploaded file size limits here are pretty small, so I'm going to see if linking to a photo album works: https://flic.kr/s/aHsmPjYQy9
  2. I worked in the rental dept at Clairmont from 2006 to 2013 and there weren't any hand crank Arri 3s at that time - only somewhere between two and four 2C hand cranks. You could check with Andree Martin about that port, he'd know what it's for. I think there should be a cap for that port.
  3. Yes, it is Joe. Please send me a PM if you have any questions or if you'd like to buy it.
  4. Hi Alex, Thanks for your message. Yes, it's still available. Want to PM me and we can work out payment/shipping details? Thanks, Rich
  5. Hi Sinisa, I'll give Blaise 48 hours to get back to me but if I don't hear back by then, it's yours. Yes, I tested it on a Red Epic and it worked fine. I'll send you a PM in a couple of days if no reply from Blaise. Thanks! Rich
  6. https://www.geofilmgroup.com/products/cameras/
  7. In the auction there were Moviecam Compacts (none Mk2, Clairmont didn't own any Compact Mk2s). A few sold under $1K each, and the mags were incredibly low as well. I'd hardly call the Compact a boat anchor, Tyler. It's the precursor to the Arricam Studio and very quiet. I'd rather shoot with a Compact over an Aaton 35 (not very quiet for a sync sound camera) or Arri-3 (not great ergonomics) any day.
  8. Update: The ground glass with common sides has sold. The other one is still available for $100, and I found a metal handle for it that I'll include. You'll just need to glue it on.
  9. $2,500 O.B.O. Great 4x5.65 lightweight studio (swing-away) matte box for sale. In good condition. I know a few top-level ACs who prefer the MB-19 over the MB-18 or MB-20. This can mount on 15mm LWS rods, or with the included adapter, on 19mm studio rods. If you want to use with 15mm studio rods, you'd just need to pick up that adapter: K2.66040.0. Includes two 4x5.65 filter trays and it can hold a 138mm filter in the rear. Front horizontal tray holds either a 4x4 or 4x5.65 filter and rear vertical 4x5.65 filter tray is rotatable, great for positioning a grad filter just right on the horizon. Eyebrow and side brows included. Rubber bellows for 110mm included. Also included is plastic adapter to reduce 114mm to 80mm, but you'd need to buy Arri K2.52204.0 in order to use that. But then you'd also have a 114mm option. Case is a bit worn but foam is generally fine. Included hard shipping case has a small impact point near a corner (pictured in linked flickr album). Here are ten high-res pictures: https://flic.kr/s/aHskvKPSRB An excellent pdf technical resource for this matte box can be downloaded here: http://www.arri.com/camera/pro_camera_accessories/products/matte_boxes/studio_matte_boxes/studio_matte_box_mb_19/downloads/ Just click on: 29 May 2017 8.6.0 Matte Box MB-19 4x5.65 Download (pdf, 352 KB) I'm located in Brooklyn, NY. Thanks for looking.
  10. $150 Very convenient item to have if you own an Arri 2C or 3C or 16S or 16M or 16BL or 16SR. The rubber eyecup (in v. good condition) has a spring so when you take your eye away from it, two doors inside the eyepiece close, blocking light and preventing you from accidentally flashing your film while rolling. Diopter adjusts and locks normally. Cosmetics are ok for the age. Glass is pretty clean - a couple of schmutz marks on the inside of the "rear" element as you can see in one of the pictures. Not visible when looking at an image. Located in Brooklyn, NY. Thanks for looking.
  11. $400 OBO. This mount adapter lets you mount an older Arri Standard mount or Arri Bayonet mount lens on a PL mount camera. This is the much more complex type with two spring-loaded push buttons for release, and is compatible with lenses like old Cooke Speed Panchros in Arri Standard mount. Those lenses need the holding tab that this adapter has to let you focus. Very easy to pop lenses in and out by just pressing two the side buttons. Les Bosher was known for making these, although I'm not sure who made this one. I bought this one from Visual Products about 9 years ago. Duclos sells something similar new for $700: https://www.ducloslenses.com/products/arri-standard-pl-adapter Note, this works fine on most film cameras. I used it on my Arri 3C before I sold that last year. It may not be compatible with all PL mount digital cameras like the Alexa - the protruding back can collide with interior baffles. Located in Brooklyn, NY. Thanks for looking.
  12. Two ground glasses for sale. For use with an Arri 2C, 3C, 35-3 film cameras or Kish UDF or other Dir/Find that uses this type of ground glass. $200 for both OR: $150 for the one with the metal handle (in slightly nicer condition) with Academy 1.85 and what looks like Academy 4x3 (common sides). In blue ARRI jewel case. $100 for the one without handle (a couple of tiny blemishes, visible in photos), marked with Academy 1.85 and a "TV" that is not common sides or top/bottom. The 1.85 marking is the dominant marking on this one. Both have tiny chips outside of the picture area. Both have center cross-hair. Located in Brooklyn, NY. Thanks for looking.
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