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Charlie Piché

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  1. i just recently saw Touching The Void, Kevin McDonalds Docu-Drama about an ill fated mountaineering excursion. I found the film-making to be particularly strong in this all around flawless film. The epic shots of the mountains, with these long zooms that make you feel how truly small we are in this huge world. Also excellent steadicam use really makes us feel like a horribly unlucky climber. go out and see it if you havnt already! charlie
  2. . No offense taken by the feature business, just my wrong word usage, the film should be approx. 40-45 minutes ( could be way off with cuts and whatnot). it had not even dawned on me that having multiple cameras would pose lighting problems, but i realise the nightmare that would lie instore. exposure is something that im definatly goiong to have to look into. im sucha know-nothing, but i guess everyone has to start somewhere. thanks for the push in the right direction lightwise.
  3. Hi, as you can tell, my name is Charlie Piché. Im a 17 year old high school student in Montreal. Me and some friends are collaborating on a feature film project roughly based on Peter Pan. We are blessed to have decent equipment (3 Sony DCR-101 and Final Cut pro). The thing we lack (and cannot afford to rent) is adequate lighting equipment and experience. I have chosen to be the DP on the project because of my undying love for the visual aspect of film-making, and it is infact my aspiration to go to film school after graduation. I need advice on how to light certain locations with perhaps makeshift equipment. Most of the film will require a dark and grainy look (perhaps comparable to Rodrigo Pietro of Amores Perros fame) however i'm not sure this is possible to acheive on DV by a group of teenagers. One of the locations I need to light is a dark basement full of clutter (the key location to become Neverland), it is fairly open and already very dark, i need to light it so the actors will appear on camera when i film but the place still should look pretty dark. I have tried a combination of different lights to no avail, it is either too bright or too dark, the exposure has been boggling my mind as well. i understand that its hard to ask a cinematographer for lighting advice when he himself has not seen the situation, but im open to any suggestions at all! thanks a lot. Charlie
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