I agree. I think that POV-shot is the only fully subjective shot (besides fantasy and dream sequences). The camera replaces the eyes of the actor/actress and shows what he/she sees. But I like the definition "indirectly subjective", because in cinematic narration there are many ways to create "the feeling of subjectivity", although the shots may be "objective" by nature. John, thank you for the wikipedia-link to narrative modes.