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Steven James 87

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  • Occupation
    Film Loader
  • Location
    United Kingdom
  1. Thanks for the input everyone. The 50D seems like a good way to go, so thanks David! My knowledge of stocks outside of Kodak is pretty poor i'm afraid :unsure:. To clarify - I'm not trying to ape Kodachrome exactly. I was just keen to know what the closest option would be. The film itself is set in a near future England that is suffering from drought. Grass is dying. The air is dusty. It doesn't have to feel vintage - but it certainly shouldn't look too clean. I actually found this still from 'Wake In Fright' which could be a good aesthetic to approximate. I suppose this might be more to do with using the right gels and filters.
  2. I feel lucky to have shot on Kodachrome (super 8), although at the time I probably didn't realise how much i'd miss it. Finding myself working in digital now make me think about it even more. Im going to be doing a short soon, set in a hot, dusty landscape. I wondered if there was a good stock available to help me mimic Kodachrome? I realise there will be a fair bit of grading needed - so this is just a springboard essentially. I'd have to shoot on 16mm/S16 - due to the budget. Thanks guys!
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