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Leo Garcia

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Everything posted by Leo Garcia

  1. Thanks for all the replies, everyone! I'm a little mixed on the Afga/Wittner because I like its grain but the colors are quite desaturated... I feel like I'd be better off sticking with Kodak and waiting to see what the Ferrania stock looks like. Thank you for all the sample clips, too. I think I'll stick with 200T and 50D! I'm still wondering if 500T would be usable at all with all the overexposure my camera would do to it. Maybe under extremely low light...? Also, if anyone has any input on processing and scanning, I'm all ears! Thank you!! I drew it myself.
  2. Hello, everyone! I know there's probably a bunch of "I'm new" threads on here every so often, but I'd really appreciate it if I could get some help from the people who know this format way better than I do. I recently purchased a Canon Autozoom 518 as my first Super 8 camera. I admit that I might not have done as much research as I should have, because only now am I finding out that it only goes as high as 160 ASA. I don't think it will be a big deal to overexpose 200 ASA film by 1/3 of an f-stop, but then again, I don't really understand much about exposure and film speed. I'd be filming mostly in daylight, with some interior shots added here and there. As far as I understand it, Vision3 50D works best for natural light, while 200T is better suited to bright interior lighting (though it can also be shot in daylight with the camera's filter). I plan to scan all the footage I shoot. With this in mind, my questions are: 1. How much would the overexposure on 200 ASA films (Vision3, Wittnerchrome) affect the footage? 2. Would it be possible at all to shoot 500 ASA film on the camera? Should I get an ND filter if I choose to do so? 3. Would I be better off letting the camera set the exposure automatically or should I look into manual exposure? 4. Would I need to notch hack any of the cartridges? I plan on buying Kodak's 50D and 200T, in addition to Wittnerchrome 200D. In addition, I'm kind of lost when it comes to the camera's Tungsten and Daylight filters and what they do. 5. What film stock would give me the best results in my scenario? I'm looking for a fair amount of grain (though maybe not quite as much as the Wittnerchrome stock has) and vivid colors. I'm looking to stay away from a flat image as much as possible. 6. What processing and scanning service provide the best results? I was planning on having the reversal stock developed at Dwayne's Photo or Pro8mm, the color negatives processed at Cinelab and the scanning done at Gamma Ray Digital @ 2K, but if there are better options I'd love to know about them! 7. Is there any general advice I should know before shooting my first roll? Despite having read a lot about the format, I feel like you can never be too careful when trying out something new and unfamiliar. Thank you!
  3. Super 8 cartridges hold 50' of film, which equals to about 2:40 mins at 24 fps and a little over 3 minutes at 18 fps.
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