YuZheng Lim

Thanks guys! appreciate your replies. :)

Sorry, Im unable to edit my post... Wide shot, For this shot, it will be a bit of silhouette and I don't want it to be too harsh on the high lights so I thought of having a 4x4 kino to fill those dark areas around the tables, the sunlight will bounce and fill the cast a little. Mid shot, For this tighter shot, I would use a negative fill (poly) on the left side to have the contrast on the male face. I might have to place a small light in front of them depending on the sun light during that time since I am making use of it.

Hi guys, I will be shooting a kitchen scene next month and I am very curious and would like to know how you guys will light it differently from me. These are the photos of the exact same shot I am going to shoot Wide shot, For this shot, it will be a bit of silhouette and I don't want it to be too harsh on the high lights so I thought of having a 4x4 kino to fill those dark areas around the tables, the sunlight will bounce and fill the cast a little. http://i58.tinypic.com/jry8h2.jpg Mid shot, For this tighter shot, I would use a negative fill (poly) on the left side to have the contrast on the male face. I might have to place a small light in front of them depending on the sun light during that time since I am making use of it. Will be shooting on Sony Fs7 with Odyssey for 2k Prores 422 and A7s with Atomos Shogun 4k Proress 422. Since A7s output only 8 Bits and I am still figuring out that some says by downscaling 4k to 2k, It will increase to 10bit... Both on Slog 3, Still trying to make them match. Any idea? Sorry, Not sure is this the right place for me to post... Regards, Yuzheng

Hi, I am new here and I must say this forum is really great! A little about myself, I'm 21 years old student currently studying at a media related course. I study film together with a close friend of mine. By luck, we both are into poetic film making and I really enjoyed films like Bicycle Thieves by Vittorio De Sica, Turtles Can Fly by Bahman Ghobadi, Tokyo Story by Yasujirō Ozu and most of Hou Hsiao-Hsien's film, his my favourite. The films I liked mostly have their own film movements during their time and it does influence their work somehow. This is a simple short film I done with the close friend of mine, we have totally zero budget on this and was shot on my Canon DSLR 60D. Please critic and be harsh on it! And lastly, I hope to make friends here too! :)