Evan Samaras

Thank you for the information Tyler, it's very helpful. I definitely plan on using the BL4. Is there a specific manual or book that you would recommend? When I first purchased my SR3 I read John Fauer's book front to back. I don't plan on changing the belts myself, although I would like to take a look at their condition. Replacing projector belts has been easy enough, but I definitely don't plan on touching camera belts! From my understanding, Andrew of AZ Spectrum gave them a thumbs up for Bill of Health, but I would like to take a closer look myself. I hope to find some short ends to run through the camera for testing purposes. I could probably even develop it in my lomo tank. Any specific recommendations on your part otherwise? Thank you again.

Attached is a picture of "BL3," although that may just be the Mag and not the body. It is also NOT with PL mount.

Hi Everyone, I just bought a set of ARRI BL's with the following serial numbers: 35407 & 36141 I am hoping to learn which BL models they are, as they were advertised as a III & 4 although the seller may have made an error. I believe one of them may be an original model BL. Is there a website I can use to find the models? All help is appreciated! Thank you!

Thank you Evan, I spoke with Andrew from AZ a few times. Unfortunately I would need the Optic Elbow to connect his video tap unit. Funny enough, while he had a used CEI Color 6 for sale, it is not covered for repair,, and he wouldn't consider looking at my own. His used CEI unit was also priced higher than his new HD tap, which confused me a bit. So, still on the hunt!

Hello again all, If I can't find an Optic Elbow for my SR3 I will need to find a replacement CEI Color Six. Any working units for sale at a reasonable price? Please PM me. Thank you! I would ask for an Arri IVS but they are probably out of my price range. Thanks again

Hi, I'm looking to buy a Video Optic Elbow for my Arri SR3 shooting in S16. My Color Six had an extra piece that tapped straight into the split viewfinder and did not require the elbow. Since my CEI is not working I am considering finding the optic elbow and a cheap Sony B&W tap & monitor. If anyone has a better idea, or an optic elbow for sale, please pm me. Thank you!

After tearing it down and inspecting each piece my best guess is that the ccd is shot.

some more pictures in case anyone decides to chime in... You can see the tap running here. The monitor is shooting back some distorted image. I can make out my hand and each finger when it is placed in front of the lens. My own tap does not have the same lens as the one in the manual's image above. Has mine been replaced, or is it totally missing and may be to blame for the lack of quality image I am describing? I've been considering finding an elbow and purchasing a cheaper b&w tap and monitor. Thoughts?

Hello all again. I decided to open my CEI again just to see what was going on. There was a loose screw I had to put back in place since it was jingling around. Here is a picture of the inside of the CEI.. Nothing stands out as odd to my everyday eye. There is some tape with a note, which only makes me believe it may have had some servicing or work in 2002. One thing that stands out to me on the CEI vs. the few pictures I have seen elsewhere, is what I believe to be the lens on my tap. It appears different compared to ones I have seen in pictures online (and in the manual), and it makes me wonder if I am supposed to have some other lens over this piece. I have included a picture of mine (laid out and open) and a picture from the manual that shows this other lens. Any and all information and suggestions are appreciated!

Hello, I am looking for a video assist tap for my Arri SR3. If you have something available please pm me. Thank you.

Hello all, i recently purchased the S-3 shoulder mount for my SR3 and had a question about the need or lackthereof for counterweights, since I could not find any manuals or information online. While I assume that on one end this shoulder mount has been designed for a balanced use, it does not take into consideration any additions on the camera unit itself. Is it normal to add counterweights to the rods with this setup? If so, any suggestions as to the amount of counterweight to try, as well as specific weights or places to purchase? Thank you for reading.

Hey Charles! I did not take the feedback as a denigration! I actually appreciate the time you have taken to provide feedback, and I just hoped to pick your brain on the statement. I have not had a chance to work on many projects as DP, and am thoroughly interested in other's thoughts, feelings and opinions about the work. I am only hoping to continue to learn and grow. Thank you again!

Hello everyone! First, I'd like to thank everyone who took the time to watch the film =D I worked along side George in producing this film. George and I wore many hats in bringing this film from dream to reality, and I believe I speak for both of us when I say that we are proud, and happy with the results. That being said, we are always open to learning where we could improve, as well as the specific ways we can grow. Charles, Since I had the role of cinematographer on this film, I hoped you could elaborate for me the statement "The lighting might be considered controversial." As the DP I felt the choice in lighting was appropriate to the subject matter and environment. Being in my own mind, and having my own reasons, I may be missing other interpretations and hope you could fill those in! Thank you!

Thank you for the response Dom. I believe all internal and external settings are set as described in the manual. I used an appropriate external monitor for testing. Additionally the Color Six also uses its own monitor to project the image. Both the onboard and external monitor showed the same image, and on both output A & B. I suppose I have nothing to lose by having someone local inspect the electronics for me, but it sounds like I may need to consider finding another tap. Thank you again.

Hi All! I posted my concern in another section without relpy, so here with go again! Perhaps this is the appropriate subsection. I have a tap on my SR3 that I believe is in need of repair, and I was hoping someone could point me int he right direction. I have a CEI Color Six Tap on my SR3. I am only seeing a black signal outputted to the monitor. When I hold a flashlight to the subject in front of the lens I am able to see some sort of image, but still a very dark and odd looking one. I know this is very little information, but I was hoping to learn if others have any suggestions, or can even offer any reliable repairmen. I called Duall who stated that repairs may cost as much as buying a new HD tap that is being designed by one of their employees (~2k if I recall correctly. Although I believe that number is not an exact quote as of yet). I am not looking for HD output specifically. I am fine with the SD tap and would love to get it up and running if possible, and within an affordable range I hope! Thank you!