Evan Samaras

I always felt onboard batteries would be my preferred method, but everyone is different. Some people don't like the extra weight on the shoulders. I guess I'll find out! Thank you everyone! I might lean towards elbow adapter and onboard batteries, but still contemplating

Hello all, I am looking for a battery belt for a new acquired Arri 16SR3 HS. I was hoping to see if anyone has something they are willing to part with, or even any recommendations on any specific battery belts. Thank you!

There is a Vinyl record shop in Astoria Queens. I haven't been in, but I've been meaning to stop by as it is close to my place. It is not very big. I've visited a couple of places in Brooklyn that I would categorize as huge. Crates behind crates, basement, etc. This one in Astoria should be around Steinway street, between 23rd avenue and Astoria Blvd if I recall correctly.

Hi Gareth At first I though a CP-16R would be the camera that would meet my needs. However, after further research and talking with others I concluded what Tyler suggested. I have been saving a little more in hopes of finding a fairly priced ARRI 16SR package. Don't mean to stray from your topic. However, since you mentioned having to repair Super 8 cameras, would you happen to have any disassembly info on the Canon 1014 XLS? I have one that was working well. Now the pull down claw seems to work when it wants. Sometimes it operates. Sometimes it moves and stops almost immediately, and won't start up again for a while.

Hi everyone! I am hoping to find a flatbed editor within decent driving distance from NYC. Steenbeck? KEM? Moviola? I passed up on a free one a few months ago due to lack of space. I have been beating myself up over it ever since. I tried following up with a number of schools in the area. They either don't have any, or are unwilling to let them go. I eagerly wait to see if anything is available! Thank you all!

Thank you Greg. That was my assumption, but I wasn't sure why you brought that up at first. I'll keep researching.

I guess there is no rush, as I will have to wait patiently for a flatbed editor anyhow. I assume that not every 16mm recorder will run at a constant rate. I read somewhere that most recorders made after a certain period of time should run constant, but I guess I will have to investigate models as they show up. I hope they are all not as big as that Tyler! haha! Will sprocketless mag tape run on a flatbed editor? If so would it stay in sync even without the perforations?

I may be misunderstanding, or using the wrong terminology. By magnasync unit, I meant a a recording unit that will allow me to transfer my audio to magnetic tape. From there, I should hope to align the start points, in order to allow me to edit at that point. I think the unit Tyler referred to was a magnasyc. Am I wrong? Are there alternatives to a Magnasyc? It seems like I am getting myself into quite a bit of work/fun, but it will be a great way to keep me busy.

Thank you for all your help Tyler, I appreciate it very much. I am determined to have some fun, so I will keep an eye out for a flatbed editor. It sounds like I will need to acquire a reel to reel magnetic tape recorder as well as magnasyc (assuming the flatbed won't have one). Could I ask for recommendations on a specific magnasync unit? I've seen a few on ebay, but also hope to also find one I know is reliable and working. How about suggestions on a magnetic recorder? Is it wrong to assume that most recorders should run at a constant speed?

Okay, so I THINK I got it now, haha Even though it is possible, it would require much work and really doesn't make sense.. Meaning, every time a physical cut is made for the image, a corresponding audio cut would have to be made in the DAW. Now, please correct if I'm wrong, but for something like a music video it seems like less of an issue to me. I could see how it would become very painful for other matters. However I guess this is also based on whether I was correct in my statement regarding sync drift. Do I have to worry about sync drift? If I edit my film according to the song, could I then send out a digital track to have an optical track made, and would I have to worry about drift if I were to marry it to a print? If i don't have to worry about drift, I feel as though it may be a decent way to start with physical film editing. This gives me some time to work on smaller projects, practice, and learn my way around the table before throwing in magnasync.

Tyler, Thank you again for the response. After having some time to re-read your detailed explanation I think I have a better understanding. I will try to follow, but please correct me if I am wrong. There are ways to sync a flatbed to my computer/DAW (where i conduct my audio editing). The DAW will act as the slave and chase the flatbed's sync. However, eventually the image and audio will start to drift, even with the sync. Is this correct? I think I recall something on Super 8 re-recordings, that even with the sync, after 400'-600' some drift may start to occur. I assume the same would happen in this case. Now you also stated "theoretically you can slave your computer to a cut film print and play it back from start to finish using the timecode generator on the flatbed. If... and I mean BIG IF, you can make it all work." Here I am assuming you mean only after I've made the magsync transfer to digital?

Thank you for the message Bill! and Thank you for the detailed response Tyler! It seems like a lot to consider. I was recommended to stick with a Steenbeck, but based on what you mentioned, it may be easier to fit a KEM. Although I guess that largely depends on the size of the flatbed as well. I stumbled across the following article that made me believe I should be able to sync to my current setup: http://www.zachpoff.com/diy-resources/steenbeck-with-synced-digital-audio/ I have a Super 8 GS1200 that accepts a pulse sync that will allow it to run at consistent speed. I was hoping for something just as easy. I really don't want to have to transfer to mag, as the film costs are high enough for me as it is. My plan was to eventually create an optical track and then to marry it to a print. I was hoping to go from start to end. I will be filming a music video for a friend in the coming month and I hoped to use this project as a great way to introduce myself to the whole process. I'm fortunate enough to have a lab nearby that will allow me to do most of what I need to do from start to finish in terms of creating a work print and marrying the sound track, etc. I have seen a few old discussions across the web regarding the ability to sync a computer to their Steenbeck. Maybe someone who has had success in the project can weigh in as well? Thanks again!

Hello everyone! I've been shooting some super 8 and 16mm footage. I've recently been contemplating the upgrade to a crystal sync camera. Perhaps a CP-16R, but that's another topic. This brings me to the interest of acquiring a flatbed editor, but preferably one that could sync up to my computer for digital audio. I will be scoring and engineering the audio myself. I've only worked on songs in the past, sound track will be fun! Let me not stray... I was hoping to ask for suggestions. I have read that I might be able to use the interlock port on a Steenbeck to sync to my computer. Does anyone have any flatbed editor recommendations for this use? I found an article online about a KEM Rapid-S with interchangeable picture heads for Super 8 and 16mm. That would be nice since I also shoot super 8, but not necessary. My focus is more on 16mm. Also, even if I found the KEM, i'm not sure I would be able to sync it to the computer. I wanted to ask for flatbed editor recommendations that would allow me to sync to my computer. I am also unclear about pricing. I passed on a free flatbed editor months back in Brooklyn and now I'm kicking myslef. I didn't have the room at the time. Now, I will make the room! Could someone tell me what I should expect to pay, or maybe even refer me to source that might want to pass theirs along? (free or sale). I am in NYC and would prefer somewhere close for pick-up, but I guess since I might be picky in my needs I shouldn't expect miracles. I see plenty pop up on ebay, but i am not sure what to look for, and most seem untested. If I'm paying I would prefer to know the unit is tried and true. Thank you in advance!

Thank you for your help and suggestions everyone. I put in a new cartridge however encountered the same problem. I contacted Du-all in NYC and they quoted me $300-$350 for a CLA, if that's all that it needs. I have also reached out to Bernie at Super 16 (Thank you J.W) but have yet to hear back from him. I will keep the post updated when I hear something back in case it is useful to someone in the futre

Hi Tyler, Yes, I processed the roll and it came out fine. I have a feeling the part moving the claw needs lubrication. When I play with it a little it sometimes starts back up again and runs. I tested all of this without a cartridge in, as I received the END marker even without the cartridge in.

Hi Andries, The tests i performed were with the film cartridge removed, I was able to finish the cartridge in another camera. I tested the claw carefully and It appears to be much more difficult pulling the claw up then it does going down. This is where i drew my assumption that the claw area may need a cleaning.

Hi everyone, I have a Canon 1014 xls, and have run into a concern: I have narrowed down the problem to where I believe it is at the claw. I was shooting a cartridge and then at about 40' it told me END. I tried new batteries but this didn't solve the issue. I carefully had the claw pulled down, and when I run it, it will then shoot up, come down and then stop, again END. Sometimes after doing this the camera will run for a little before sticking at end. Exposure is working, and the shutter even opens and closes when it is running well. I am hoping a simple cleaning and lubrication will do the job. However, this is probably a complicated job (correct me if I am wrong). I have done some work on older photographic cameras, so it may or may not be out of my league. All suggestions welcomed. If someone knows of any camera repairmen close to NY I would appreciate the referral. Thank you!

Rudy! So much information, thank you for the detail! I am going to develop on my own, but was just thinking, how much do I have to shoot where it becomes worth the process of buying chemicals and developing on my own? I am already looking into a projector, editor, and splicer. I have read some good things about the Goko, but am trying to budget and get as many deals as I can. I was able to pick up some random films for a decent price to get started. I got 4 packs of Ektachrome 160 Type A, which from my understanding can be developed in E6. However, for the "remjet" I guess I will try the washing soda method of standing and agitation which should take no more than 2 minutes before development begins, unless I am advised of another process. I will probably shoot a mix of interior and exterior so I will test the different films available and see what works best for me. Sounds like I may need one of those SUN GUNS you mentioned (although I prefer to work in natural light). Anyone have experience with Agfa 200D? It seems like it would be a nice all around film for reverse processing and projection. Can these films be pushed/pulled with decent results like many do with their photographic film? Thanks Mark, I actually picked up a 15m tank with the capability of processing 2x8mm rolls at a time. It set me back $100 shipped but i seems to be the best price I have seen so far. I am familiar with E-6 temperature as I have developed slide roll film many times before. I understand it may be a trickier process considering the film to liquid ratio as compared to a roll of 120 film, but I am willing to see if I can achieve a decent result.

I am just starting my Super 8 (& Cinematography) adventure and am looking for just about anything/everything: Lomo tank w/ reel(s), viewer/editor, projector, film, splicer, etc. I am in NYC if it makes things easier! Thank you!

Hello all, Thank you for having me here. Although I am new to cinematography I have been shooting and developing my own 35mm, Medium Format, and Large Format film over the last few years. I even started printing from my own negatives the last few months. While picking up some darkroom equipment I was also given a Nikon Super 8 zoom camera. I was always interested in trying out Super 8 and here is my opportunity. I know that it's not on the higher end of the cameras but am excited none the less. However, I need some advice. I see places like Pro8mm offer packages for purchasing film + processing. (I have also seen something about Pro8mm being a ripoff? Please correct me if I am wrong) I noticed the same for spectra film packages. This would include film + processing + digitizing. Is this a viable option? I was planning on trying to develop my own film, which opens up more questions. I am looking at the 15m Lomo tanks, which are ridiculously expensive + shipping (which is $$$). If anyone is selling one of these for a reasonable price, at least with reasonable shipping, I am highly interested! I have seen the home made version: http://www.peaceman.de/blog/index.php/inexpensive-super-8-home-processing-tankbut would hate to risk my time and money to mess something up. Any other alternatives? I picked up some ektachrome 160 super 8 film for a decent price but understand the remjet may contaminate the e6 chemicals. Can I just use some sort of filter when pouring the chemicals back into storage? For b&w I was thinking of using Photographer's Formulary for b&w reversal. Will it be worth it for me to develop my own film, or is the cost nearly negligible when taking into account a film + developing + digitizing package I can purchase from one of the other companies? I was thinking of digitizing through DiJiFi not to far from my home in Brooklyn. At least this way I can save on shipping, and I am looking around $25 or so per roll for their HD transfer. Does anyone have any experience or advice regarding their services as well? I'm sure I have more questions, but seem to have typed enough for my first post. Thanks again in advance! P.S. If anyone is seeking to unload/sell any film, editor, projector, splicer, please let me know as I believe these are items I will be needing! Thank you!