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Jimmy Jib

Basic Member
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    48
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About Jimmy Jib

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Profile Information

  • Occupation
    Other
  • Location
    Australia
  • My Gear
    Sony Cinealta, Panasonic P2
  • Specialties
    Cinematography, Post-Production, Lighting

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3414 profile views
  1. Just occurred to me that focus might get incrementally trickier as you increase resolution. Could this be true? Focus never seemed to be an issue with SD, then HD came along and Focus became an issue. Focus assist, follow focus, peaking tools and all sorts of things came into the market to help attain precise focus. As resolution is increased, all the way up to 4K and beyond... does pulling focus become much harder?
  2. Not every project can afford a crew of skilled technicians these days. For a smaller project like a promo ad, a music video, or even an indy short film, there might be just the director ,the cinematographer and a couple other key people as crew. I see a lot of young directors / filmmakers with some really good ideas at this level but lacking the technical knowledge to execute them properly. This music video presents a funny depiction of a small production crew by the way ( producer, director, cinematographer, agent? ) Well actually it's a realistic depiction in a funny scenario. :P
  3. I would respectfully disagree there Joshua, I believe the technical side of filmmaking can sometimes take months or even years to master. A simple thing like color, is something young cinematographers get wrong all the time because they aren't skilled or knowledgeable enough in the use of matte boxes, filters, color correction software, lighting or even camera settings. There are so many different ways to move the camera, so many variables and so many different technical skills ( and knowledge ) involved in cinema, that one can easily find it overwhelming. I guess it can be similar to playing
  4. Always a good idea, but some of us live away from the big cities where all the action is happening. Here in Australia that is Sydney and Melbourne. I might relocate to either of those in the future but for now I live in one of the smaller cities where the film industry is kind of small. There are a few talented cinematographers around but not always willing to share. One of them referred me to a Steadicam Workshop in a different state when I asked him if he could share some tips with me ( I was learning Steadicam at the time ) He refused even though he was not particularly busy at the time, ev
  5. Thanks Macks. I'm almost ready to sign up for the Inner Circle, even if only to get discounts on the excellent training DVDs he sells. Do you know of any other DP who offers something similar ? I've only found "training DVDs" which cover the basics of cinematography, and a lot of these are being packaged as " DSLR Cinematography " these days <_< By the way, I think you can get access to past content on Shane's Inner Circle, you just have to pay extra for it. And it's not bundled, you pay for each of the tutorials you want.
  6. Just wondering if anyone found this beneficial. It seems packed with excellent information, but your subscription does not grant you access to past content, only current. https://www.hurlbutvisuals.com/blog/shanesinnercircle/ I'd like to know if Shane answers specific questions from subscribers like a real mentor would. And not only "sometimes" of course. So even if you have to pay for additional content once you are a subscriber, I think it could be worth it based on the samples I've seen.
  7. We went back and forth with the issue, apparently they thought the F3 did not record all this metadata... which is of course incorrect. Anyway here is part of my last e-mail to them... Persistence pays off!
  8. SONY replies!! An update may follow...
  9. Sony support never answered my question!! Nearly one month has gone by!! Shame on you Sony... other companies answer questions within 24 hours... sometimes even within minutes if you're lucky! ( Convergent Design ) The fact Sony Reps don't even get involved on this section of the forum speaks volumes of the commitment they have to their loyal customers, most of whom have spent a small fortune on their products.
  10. The F3 is still very capable. Once you have the CBK-RGB01 upgrade installed and the PIX-E5 setup, your "outdated" Cinealta becomes 10 bit ProRes 4444 XQ capable... and some of the other recorders can even let you get uncompressed dpx out of it. I don't think enough people got to play with these features because there's new cameras coming out all the time and people want to believe they can "future proof" themselves by buying the latest. Here in Australia most TV channels are still SD, and Blu-Rays are still not out-selling DVDs... so I don't see a need for 4K. Besides that, the F5 is listed on
  11. Thanks Robin. Well it seems the best way to create a subclip is to go into Catalyst Prepare. I am impressed with the results I got here, and the ease of use. Acquisition Metadata was still missing though, and it seems there is indeed a lack of support for cameras like the PMW-F3. This reason alone may put me off paying the annual fee for this software.
  12. What is the correct way to create a sub-clip in Catalyst Browser? I tried Mark In / Out points, then Export and it rendered the subclip but ended up with a low resolution crap version of the original clip. Not at all what I wanted.
  13. I've tried the Sony Facebook forums, unfortunately not a lot of discussion going on there.
  14. Sony reps ever post on this forum? On dvx-user they have a Panasonic Rep answering questions sometimes.
  15. Bummer. Never had these kind of limitations with Panasonic P2 Browsers. XDCam EX Clip Browser V 2.6 was supposed to work with the F3, but once I updated to the latest firmware ( I can record to 10 bit ProRes 4444 XQ now ), my F3 became unsupported by XDCam EX Clip Browser. So it seems my F3 is " too new " for XDCam EX Clip Browser and " too old " for Catalyst Browser ? <_<
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