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Paul-Anthony

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Everything posted by Paul-Anthony

  1. There is also a big difference between independent films and Hollywood films shooting 35. When you go around the world in film festivals and see independent features shot in 35mm, they just pop out from all the other films shot in digital. The skintones, the highlights, the colors, the vibration in the image, when its not completely erased in post-production, nothing else looks like this, and the big screen reveals all the beauty and unicity of modern 35mm.
  2. Hi. We just ordered our NC400 roll to be tested. I'll post here the footage scanned with our LaserGraphics Scanstation
  3. Hi. We have several mags for sale if you need. 2500€ for the Arricam 1000ft - Great shape - serviced Best Paul FILMANTIQ
  4. Hi. Here is our 535B unit for sale. Camera located in Paris at Filmantiq. 3perf mouvement inside the camera, 4perf mouvement un a box included with the package. Camera works perfectly, IVS is perfectly working with all electronics. Perfect silent camera for indie 35mm films. It had done a couple here in France these last years with absolutely no issues. Asking 20K€ 3 months warrantee. Open to offers, trades against vintage lens sets (in correct PL housing) 2x 400 feet light weight magazines (more possible) 2x 1000 feet magazines (more possible) 1x long viewfinder 1x medium viewfinder 1x color IVS arri CCD 1x IVS optic 1x IVS cable 1x power cable 2x 15mm rods 1x 15mm bridge 1x Arri Base plate (no dovetail)
  5. I've been looking for the 2P mouvement for Arricam since a long time now, I know where they are (at least in Europe) and nobody wants to sale them for now, its becoming impossible to find.
  6. I am interested if there is any around in good shape at reasonable price. www.kafardfilms.fr
  7. Hi. We have many in stock here. We are located in Paris France. Please make a proposal at contact@filmantiq.com Thanks Paul
  8. Hi Nicolo. We have 435 and Arricam 3P for rent in Paris if you need. www.filmantiq.com Best. Paul
  9. Hi. Looking badly for a receiver for the BOLT 500 system or Sidekick. Thanks for any help. Paul FILMANTIQ PARIS
  10. Hello. I'm gonna add my experience to this, here in France, no more Fuji can be processed since two years now. Beware when you shoot tests on the first 100ft of a 400ft roll, the remjet in that part of the roll will sometimes not be a problem, but the problem occurs later on the roll, the closer you get to the core and the highest chance you will have remjet problems. We have done tones of tests in our lab here since we had feature films productions buying big stocks of Fuji for cheap. Best result was by pushing temperature in the baths at one point that the gelatin of the film became very fragile. In that case, all the remjet went off. But that is playing with fire when you are handling the footage of a proper production, so please no Fuji, I know that's sad, but its like that ... PA
  11. Hello . I'm looking for these lenses. Please send me a MP if any around. Thanks. Paul-Anthony
  12. For sale very nice Kinoptik 9.8MM in PL mount. Original Arri STD mount. Everything runs smooth, i've made the inside of the lense repainted black a year ago. Please feel free if you have any questions. 2300€ in Paris France. No paypal, wire transfert only, and safe shipping provided. Paul-Anthony PHOTO 1 PHOTO 2 PHOTO 3
  13. Hi guys. Just discoverd this thread, thanks a lot Matej for your kind messages. We are having lots of demands for processing and scanning these last years, we just purchased the new LaserGraphics scanstation with the new sony 6.5K sensor. The dynamic of this sensor makes it to be one of the best on the market right now. We also provide 4K scans now for 16mm. We deliver worldwide and fast ftp transfers, lots of demand in Europe, we just opened also our camera rental company in association with Danny Van Deventer from Amsterdam. Keep shooting film, especially with those amazing scans we can have now !
  14. Hi. I still have 2 available. Cheers. P.A
  15. Hi. I'm selling my beloved Angénieux zoom 20-120 in perfect shape. Beautiful vintage zoom with a unique look. contact me at contact@kafardfilms.fr located in Paris france - price 4000€ below footage shot with this lens.
  16. Hi guys, thanks for your answers. I would prefer shooting 2302 black and white then 2383 color. So if I understand, there is no problem processing 2302 in ECN-2 ? It will not pollute the baths ? The film can be bleached, It does not really matter, I want it to be as simple as possible for the lab and me. Thanks.
  17. Hi all. I've got questions Kodak couldn't answer and my labs neither. I have a project upcoming, I want to shoot the flashback scenes on print stock. Rather the 2383 for color, and 2302 for b&w. The reason of this is taking advantage of the unique look of these stocks, meaning High contrast and ultra sharp image. I know I will be rating the film around 6 asa. The thing is, in Europe, we principally process color negative in ECN-2. I was wondering what will come out if I process the 2302 normally processed in D97 with ECN2 and the 2383 normally processed with ECP-2D with ECN2 ? With the 2383, I know here in Paris experimental labs did process it in ECN-2, and it came out good, how can we explain this technically ? Did it pollute the baths ? And what about the 2302 ? Thanks for you kind advices. Paul-Anthony.
  18. Hi folks. I'm looking for an hand grip motor for an arriflex 2C crystal sync 24fps or 25fps or both ... Please send your proposals to contact@kafardfilms.fr Thanks for the help. P.A
  19. If you come to Paris France we can do it also here. Cheers. P.A
  20. Hi somebody can explain what does FPN mean ? Here in Paris we have the LaserGraphic Scanstation since two years, and we have great results, some issues with the stability of the film that is less stable than the Scanity for example after our tests, especially in 16mm sometimes clients are complaining about that and purple noise in the highlights. We do not have the HDR unit, probably thinking about getting that soon.
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