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Everything posted by Reggie A Brown
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Pool lighting from "Kiss Kiss Bang Bang"
Reggie A Brown replied to Ryan Emanuel's topic in Lighting for Film & Video
I saw this a while ago on YouTube. There may be some tips/tricks in it that you could use. -
Often over-looked, I keep a small flash light, a multitool, a small led light panel, and some lens wipes (a blower or micro cloth would suffice).
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Does a Filmmaker NEED to watch Citizen Kane in 2018?
Reggie A Brown replied to Max Field's topic in General Discussion
Hi David! Is there a link you can provide to the article you're talking about? I did a Google search and it provided a lot of different links to articles written by other people, but I didn't see one written by Gregg himself. I'm interested in reading it. Thanks! -
Thank you David!! This was very helpful, especially, "A lot of it came down to memory and re-reading things, repetition"; because sometimes I feel guilty about re-reading things that I already know, during the reading I be feeling like I should be reading/learning about something new. What you said put it all into perspective.
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Thank you David, I'll be looking forward to it!
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Yes, I know. But as I stated "other dp's can chime in also". There my be other ppl with the same questions, we can all learn from David as he have a wealth of knowledge that he don't mind sharing. I didn't want this to be private, hence the reason I asked publicly.
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Hi David! I've read just about every page of Ask David Mullen Anything on reduser. I would have asked these questions there, but for some reason my membership hadn't been accepted yet (after creating an account about a yr ago). If I missed these q&a's on there I apologize. My questions are: when you study other cinematographers, how exactly do you study them? When you're looking at their work, what are the things you're looking for and paying close attention to? How do you do a film analysis of their work? Do you take notes? If so, what kind of things are you writing down? If you have questions about something, how do you get those questions answered? And if you have questions about something, generally, what are those questions? I know this is a lot that I'm asking but I'm trying to get a deeper understanding (and a different/new approach) on how to study the works of my favorite cinematographers, and just break down some of my favorite movies in general. I already look at a ton of bts and buy dvds and blurays that offer bts. Other DP's are welcome to chime in also. Thanks!
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I usually agree with Tyler, but idk about agreeing with him on saying canon c series isn't good for docs. All of the Oscar nominated docs for 2019 was shot on c series cameras. I think they're more than capable of shooting docs. https://www.cinema5d.com/oscars-2019-all-nominated-documentaries-shot-on-canon-cameras/
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You can use dedolights (dimmed w/ snoots attached) and specifically direct the beams of lights into the eyes. A similar trick was used on The Addams Family whenever they showed the momma witch. I can't say for sure exactly which lights were used, and I believe I read they used barndoors just to get a steak of light across the eyes. I tried to upload a file, but every file was too big. You can Google and see screenshots of her.
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Which 70-200mm f/2.8? Does it REALLY make a difference?
Reggie A Brown replied to Samuel Berger's topic in General Discussion
Don't forget about Sigma 70-200 2.8 art lens! -
I was reading this interview:" https://mattmulcahey.wordpress.com/2014/09/22/deep-fried-interview-the-one-i-love-cinematographer-doug-emmett/ " and in it he made this statement: Did your choice of the Red Epic as your camera spring from budgetary considerations or did you need the camera’s 5K capability for the effects work? Steven Soderbergh had just retired and he donated two Epic cameras to our shoot. He has his own Epics that have his name laser-engraved on the side of them. We were really geeking out over those cameras. They were the cameras he used over the last couple of years to shoot his films so we knew what movies had been shot on them. So this makes me wonder, do he really use an iPhone to make his movies or is it just a marketing thing?
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I believe you can create dcps with resolve. Resolve is free, albeit I'm not sure if the free version offer dcp export..something to look into tho, if you wanna save some money.
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There's several tutorials on YouTube that shows how to create dcp's. You may find one that can help you save some money.
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Good topic. I've always wondered what's substance is used when actors sniff a line of powder? And do they really sniff it or is there some type of vacuum prop that's used as the straw? I think I've read somewhere before that they use petroleum jelly inside the straw, but I've never read what substance is used. But I don't what the legitimacy of that is. Anyone have any idea?
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Diffusion frame sizes and uses + fabric sizes
Reggie A Brown replied to Joshua Miner's topic in Lighting for Film & Video
Thanks Adrian -
Diffusion frame sizes and uses + fabric sizes
Reggie A Brown replied to Joshua Miner's topic in Lighting for Film & Video
Adrian or David, can one of you guys explain what a "T Bone" frame mean, or is? Never heard or read that term before when talking about gels, frames, etc. Thanks. -
Short Film Critique - from a writer/director
Reggie A Brown replied to Dan Hasson's topic in Please Critique My Work
The aesthetics of this looks really good. -
Christmas Crap
Reggie A Brown replied to Reggie A Brown's topic in On Screen / Reviews & Observations
Dom Jaeger thanks for the feedback! And I added the link to the other thread. I intentionally had her out of focus to take the attention off her, but I'll be sure look for the jarring effect in shots like this in the future. -
For some reason the link in the post above don't work, so here's the link.
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Christmas Crap
Reggie A Brown replied to Reggie A Brown's topic in On Screen / Reviews & Observations
This can be deleted, it was posted in the wrong section. The post is now under "please critique my work". -
Hello guys. I wouldn't mind some feedback on a short film that I recently shot. It's a short that we were going for a "Hallmark" movie look and feel. I asked about shooting Hallmark/Lifetime movies in this post: http://www.cinematog...l=&fromsearch=1 I definitely appreciated the feedback and used the info that was provided while I was on set. We started preproduction in Oct and I shot through Nov and Dec. I was pretty much a one man band; shooting (except for drone shots), lighting, sound, editing, and color. My current goal is to DP and/or camera operate a Lifetime Movie Network movie. So during this shoot I was trying to give a feel of both Hallmark mixed with a Lifetime movie type of look and feel. Feedback is wanted and appreciated. Thanks. (Link below) https://www.youtube....h?v=dAen6e8z4Ok
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Christmas Crap
Reggie A Brown replied to Reggie A Brown's topic in On Screen / Reviews & Observations
FYI: I'm not a director! I'm a DP & camera operator (job dependant) that's looking to work with directors. -
Hello guys. I wouldn't mind some feedback on a short film that I recently shot. It's a short that we were going for a "Hallmark" movie look and feel. I asked about shooting Hallmark/Lifetime movies in this post: http://www.cinematography.com/index.php?showtopic=78303&view=&hl=&fromsearch=1 I definitely appreciated the feedback and used the info that was provided while I was on set. We started preproduction in Oct and I shot through Nov and Dec. I was pretty much a one man band; shooting (except for drone shots), lighting, sound, editing, and color. My current goal is to shoot a Lifetime Movie Network movie. So during this shoot I was trying to give a feel of both Hallmark mixed with a Lifetime movie type of look and feel. Feedback is wanted and appreciated. Thanks. (Link below) https://www.youtube.com/watch?v=dAen6e8z4Ok
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I've had to do a couple of whip pans recently. I used a fluid head without any resistance, instead I used my hand for the resistance, squeezing the head tighter as I got closer to the stopping point. I did a few trial runs to practice and then I was ready to shoot. It's a lot easier on wide angle lens. Depending on the camera you're using, on longer lens you may get rolling shutter. And exactly what David said, it's easy to over shoot so I stopped a little earlier than anticipated...once again, I practiced it before rolling.