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Uli Meyer

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Everything posted by Uli Meyer

  1. Frame 24 in London: https://www.frame24.co.uk/online-store/16mm-Film-100ft-c27233489
  2. Understandable. Good luck with it!
  3. I've got an Arriflex 435 Advanced 3perf complete kit for sale. It is in London, originally purchased from ARRI UK.
  4. if you click on the pictures, you can see the camera.
  5. Thanks Dan, glad you liked it. I am amazed that you can shoot a feature film for $7600 in 16 days. That's $475 per day for everything, actors, crew, locations?! I'm currently planning a 15 minute short film, can you please put me in touch with your producer? ?
  6. Hey Dan, very interesting article, thank you for sharing your experiences. Can I ask what the entire budget of the film was? How many shooting days? Hats off for making your own feature films!
  7. I’ve shot plenty of footage on my 235 with a CP.3 25mm lens. Excellent all round lens for wide and tighter shots.
  8. Still available. Recently checked by Optical Support in London.
  9. The days are getting longer! This is still available ?
  10. That's what I would suggest. This test was shot at box speed ASA 250. I used an ND .6 for the exteriors and no filter for the interior. The light that day was particularly beautiful.
  11. This is a camera I love but I am just not using it. Serviced when I bought it from ARRI UK and has only been used to shoot a couple of slow motion tests. It is ready to shoot and comes with the following: ARRI 435ES Advanced (3-Perf) Camera Kit Case for ARRI 435 Camera 1 ARRI 435ESA 3-Perf Camera Body 1 ARRI Lens Cavity Cover (PL Port Cap) 1 ARRI 435ES Camera Aperature Cover 1 ARRI 435ES 12V On-Board Splitter (Fitted) 1 ARRI 435ES 24V On-Board Splitter (Fitted) 1 ARRI 435ES Dovetail Shoe (Side Mount) 1 ARRI 435ES Carrying Handle 1 ARRI Camera Handgrip (Run/Stop) 1 ARRI AVF-2 Anamorphic Viewfinder for 435ES Camera 1 ARRI 435ES Wide Angle Eyepiece 1 ARRI Rubber Eyecup for 435ES and Alexa Studio 1 ARRI BP-8 Bridge Plate for 19mm Rods 1 ARRI Bottom Dovetail 300mm / 12" (Balance Plate) 1 ARRI 440mm Ø 19mm Support Rods (pair) 1 ARRI KC-20 24v 2m/6.6ft Cable Power - Straight 3 ARRI 120m/400' Magazine for 435ES 3 ARRI 435ES 120m/400' Magazine Loop Protector 1 ARRI 300m/1000’ Magazine 1 ARRIflex RCU-1 Remote Control Unit 1 ARRI KC-39 1.5m / 5ft Cable for WRC-2/RCU 1 ARRI 435/235 ANSI 2.35 Ground Glass 1 ARRI FEM-2 Functional Expansion Module 1 ARRI MB-20 Mattebox kit Not included is the Hi-Hat and the Miller head. Please DM if you have any questions. £21k with matte box kit or £20k without. (+VAT for UK buyers only) Shipping costs and import fees to be covered by buyer. Slomo test:
  12. Daniil Nevsky has converted my 2C to 2perf with a PL mount. Excellent work. He is based in London at the Unitbag. The technician based in Munich Jon mentions is Georg Bogner and he does SR Super16mm conversions.
  13. It was scanned at Dgitall Orchard on Scannity at 5k, neg developed by Kodak London. The camera it was shot on is an Arriflex 2C converted to 2perf by Daniil Nevsky. I used one single lens, a Zeiss Standard Prime 24mm, between f4 and f8, depending on the weather which was mostly pretty awful.
  14. Love your footage Tyler, I've been watching all your films, they look terrific. But I do disagree with the S16 vs 2perf argument. I shoot both S16 and 2perf and 2perf gives you a much denser and crisper image. I haven't output any 2perf in 16:9 but when you grade your film in a window of the same height, there is a noticeable difference between 2perf and S16. The below was shot on 250D and 50D.
  15. I didn't mean to quote you in that post, how odd. Anyway, Kodak develops it. Creates more customers for their labs.
  16. Everyone is moaning about the price tag but I am sure that if the camera could be offered cheaper, it would be. Back in the Super 8 days, there were hundreds of thousands if not millions of potential buyers of cameras. That market doesn't exist anymore. It probably cost Kodak quite a bit to develop the camera. The target market appears to be professional cinematographers and prosumers and there aren't as many out there. And by the way, I remember looking at some of the top end Beaulieu cameras when I was a kid in the 70s and they cost a fortune too ?
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