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Everything posted by Uli Meyer
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Understandable. Good luck with it!
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I've got an Arriflex 435 Advanced 3perf complete kit for sale. It is in London, originally purchased from ARRI UK.
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FS Arri 435 2 Perf Movement (Clairmont) w/ HD tap (Mothco)
Uli Meyer replied to Mika Altskan's topic in Cine Marketplace
if you click on the pictures, you can see the camera. -
Arriflex 435 Advanced 3perf camera package.
Uli Meyer replied to Uli Meyer's topic in Cine Marketplace
Still available. -
Insight Into Second Feature Film
Uli Meyer replied to Dan Hasson's topic in In Production / Behind the Scenes
Thanks Dan, glad you liked it. I am amazed that you can shoot a feature film for $7600 in 16 days. That's $475 per day for everything, actors, crew, locations?! I'm currently planning a 15 minute short film, can you please put me in touch with your producer? ?- 8 replies
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Insight Into Second Feature Film
Uli Meyer replied to Dan Hasson's topic in In Production / Behind the Scenes
Hey Dan, very interesting article, thank you for sharing your experiences. Can I ask what the entire budget of the film was? How many shooting days? Hats off for making your own feature films!- 8 replies
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Insight Into Second Feature Film
Uli Meyer replied to Dan Hasson's topic in In Production / Behind the Scenes
Oops, sorry, I didn't notice that you could click on it!- 8 replies
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Insight Into Second Feature Film
Uli Meyer replied to Dan Hasson's topic in In Production / Behind the Scenes
Hey Dan, where is the article?- 8 replies
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I’ve shot plenty of footage on my 235 with a CP.3 25mm lens. Excellent all round lens for wide and tighter shots.
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Zeiss Superspeed Mk III 35mm for Super 35
Uli Meyer replied to Uli Meyer's topic in Cine Marketplace
Still available. Recently checked by Optical Support in London. -
Sent you a PM.
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Zeiss Superspeed Mk III 35mm for Super 35
Uli Meyer replied to Uli Meyer's topic in Cine Marketplace
Price reduced to £9500 plus shipping. -
Arriflex 435 Advanced 3perf camera package.
Uli Meyer replied to Uli Meyer's topic in Cine Marketplace
The days are getting longer! This is still available ? -
Increasing the contrast of B&W films eg. 7222
Uli Meyer replied to Samuel Preston's topic in Film Stocks & Processing
That's what I would suggest. This test was shot at box speed ASA 250. I used an ND .6 for the exteriors and no filter for the interior. The light that day was particularly beautiful. -
Arriflex 435 Advanced 3perf camera package.
Uli Meyer replied to Uli Meyer's topic in Cine Marketplace
Still available. -
This is a camera I love but I am just not using it. Serviced when I bought it from ARRI UK and has only been used to shoot a couple of slow motion tests. It is ready to shoot and comes with the following: ARRI 435ES Advanced (3-Perf) Camera Kit Case for ARRI 435 Camera 1 ARRI 435ESA 3-Perf Camera Body 1 ARRI Lens Cavity Cover (PL Port Cap) 1 ARRI 435ES Camera Aperature Cover 1 ARRI 435ES 12V On-Board Splitter (Fitted) 1 ARRI 435ES 24V On-Board Splitter (Fitted) 1 ARRI 435ES Dovetail Shoe (Side Mount) 1 ARRI 435ES Carrying Handle 1 ARRI Camera Handgrip (Run/Stop) 1 ARRI AVF-2 Anamorphic Viewfinder for 435ES Camera 1 ARRI 435ES Wide Angle Eyepiece 1 ARRI Rubber Eyecup for 435ES and Alexa Studio 1 ARRI BP-8 Bridge Plate for 19mm Rods 1 ARRI Bottom Dovetail 300mm / 12" (Balance Plate) 1 ARRI 440mm Ø 19mm Support Rods (pair) 1 ARRI KC-20 24v 2m/6.6ft Cable Power - Straight 3 ARRI 120m/400' Magazine for 435ES 3 ARRI 435ES 120m/400' Magazine Loop Protector 1 ARRI 300m/1000’ Magazine 1 ARRIflex RCU-1 Remote Control Unit 1 ARRI KC-39 1.5m / 5ft Cable for WRC-2/RCU 1 ARRI 435/235 ANSI 2.35 Ground Glass 1 ARRI FEM-2 Functional Expansion Module 1 ARRI MB-20 Mattebox kit Not included is the Hi-Hat and the Miller head. Please DM if you have any questions. £21k with matte box kit or £20k without. (+VAT for UK buyers only) Shipping costs and import fees to be covered by buyer. Slomo test:
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Still available in 2024.
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WTB : Arri IIC or 35-III, with PL mount
Uli Meyer replied to Théo Parent's topic in Cine Marketplace
sent you a PM. -
It was scanned at Dgitall Orchard on Scannity at 5k, neg developed by Kodak London. The camera it was shot on is an Arriflex 2C converted to 2perf by Daniil Nevsky. I used one single lens, a Zeiss Standard Prime 24mm, between f4 and f8, depending on the weather which was mostly pretty awful.
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Love your footage Tyler, I've been watching all your films, they look terrific. But I do disagree with the S16 vs 2perf argument. I shoot both S16 and 2perf and 2perf gives you a much denser and crisper image. I haven't output any 2perf in 16:9 but when you grade your film in a window of the same height, there is a noticeable difference between 2perf and S16. The below was shot on 250D and 50D.
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Kodak Super 8mm camera launched
Uli Meyer replied to Stephen Perera's topic in Film Stocks & Processing
I didn't mean to quote you in that post, how odd. Anyway, Kodak develops it. Creates more customers for their labs. -
Kodak Super 8mm camera launched
Uli Meyer replied to Stephen Perera's topic in Film Stocks & Processing
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Kodak Super 8mm camera launched
Uli Meyer replied to Stephen Perera's topic in Film Stocks & Processing
Everyone is moaning about the price tag but I am sure that if the camera could be offered cheaper, it would be. Back in the Super 8 days, there were hundreds of thousands if not millions of potential buyers of cameras. That market doesn't exist anymore. It probably cost Kodak quite a bit to develop the camera. The target market appears to be professional cinematographers and prosumers and there aren't as many out there. And by the way, I remember looking at some of the top end Beaulieu cameras when I was a kid in the 70s and they cost a fortune too ?