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Uli Meyer

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Everything posted by Uli Meyer

  1. I’m selling my Arriflex ST Super 16mm camera, the only example I have seen and know of. ARRI made 25 of these cameras for the Super 16mm format back in the 70s. They were offered to their clients but there wasn’t much interest. No others were made. Arriflex ST Super 16 Arriflex ST Super 16 camera serial number 25 1x 12 Volt 400ft magazine serial number 14337 1x TCS T/M-17 Crystal Motor 1x Arriflex ST constant speed 24fps motor 1x Arriflex ST constant speed 25fps motor 1 Tobin Vary speed motor 1x angled viewfinder 1x coiled power cable to XLR-4 pin 1x power cable with a instant start/stop switch 1x original Arriflex ST matte box 1x original matter box support arm 4x spare mag throat covers 2x 3x3 85 ND.9 filter 1x 3x3 85 ND.3 filter 1x 3x3 ND.6 filter 1x original Arriflex ST transport case 1x Tilta shoulder rig 1x leather carry strap £7500 (UK buyers please note that VAT will need to be added) Only the items in the above list are included. I am also selling seperately a full set of Zeiss Superspeeds Mk1, the lenses that I used with this camera. Contact me if you are interested. The camera is in excellent condition and works perfectly. I have shot ca. 1500 feet with it, you can see some footage here: Since I prefer shooting on 35mm I am not using this rare camera any longer. The price is based on the fact that there is only one of these ARRI-built S16 versions remaining (as far as I know). It is a fully functioning camera that is also a collector’s item. I can issue a company invoice. Buyer pays for shipping and fees.
  2. Thank you @Dom Jaegerand @Robin Phillips! Your insights are very much appreciated!
  3. Thanks Robin! You may be right in regards to the blue rendition. I'm planning a short film and would have a complete set of the focal lengths I need if I mix my UPs with my Standard Speeds. Just wondering if that would be noticeable.
  4. Apart from the obvious difference in size, built and mechanics, is there a big difference in character between a Zeiss Standard Speed and an Ultra Prime. I’ve recently shot footage with both and couldn’t really spot any. What do you think?
  5. I was looking for away to use a modern lightweight matte box on my 2perf 2C PL mount. With the help of @David Sekaninaq this 15mm rod system for upside down mounting was designed and printed. It currently only works with the 200 ft mags. You also need a matte box that allows you to turn the rod mount upside down.
  6. Great, thank you! Good to know it's possible, yay!
  7. Frame 24 in London: https://www.frame24.co.uk/online-store/16mm-Film-100ft-c27233489
  8. Understandable. Good luck with it!
  9. I've got an Arriflex 435 Advanced 3perf complete kit for sale. It is in London, originally purchased from ARRI UK.
  10. if you click on the pictures, you can see the camera.
  11. Thanks Dan, glad you liked it. I am amazed that you can shoot a feature film for $7600 in 16 days. That's $475 per day for everything, actors, crew, locations?! I'm currently planning a 15 minute short film, can you please put me in touch with your producer? ?
  12. Hey Dan, very interesting article, thank you for sharing your experiences. Can I ask what the entire budget of the film was? How many shooting days? Hats off for making your own feature films!
  13. I’ve shot plenty of footage on my 235 with a CP.3 25mm lens. Excellent all round lens for wide and tighter shots.
  14. Still available. Recently checked by Optical Support in London.
  15. The days are getting longer! This is still available ?
  16. That's what I would suggest. This test was shot at box speed ASA 250. I used an ND .6 for the exteriors and no filter for the interior. The light that day was particularly beautiful.
  17. This is a camera I love but I am just not using it. Serviced when I bought it from ARRI UK and has only been used to shoot a couple of slow motion tests. It is ready to shoot and comes with the following: ARRI 435ES Advanced (3-Perf) Camera Kit Case for ARRI 435 Camera 1 ARRI 435ESA 3-Perf Camera Body 1 ARRI Lens Cavity Cover (PL Port Cap) 1 ARRI 435ES Camera Aperature Cover 1 ARRI 435ES 12V On-Board Splitter (Fitted) 1 ARRI 435ES 24V On-Board Splitter (Fitted) 1 ARRI 435ES Dovetail Shoe (Side Mount) 1 ARRI 435ES Carrying Handle 1 ARRI Camera Handgrip (Run/Stop) 1 ARRI AVF-2 Anamorphic Viewfinder for 435ES Camera 1 ARRI 435ES Wide Angle Eyepiece 1 ARRI Rubber Eyecup for 435ES and Alexa Studio 1 ARRI BP-8 Bridge Plate for 19mm Rods 1 ARRI Bottom Dovetail 300mm / 12" (Balance Plate) 1 ARRI 440mm Ø 19mm Support Rods (pair) 1 ARRI KC-20 24v 2m/6.6ft Cable Power - Straight 3 ARRI 120m/400' Magazine for 435ES 3 ARRI 435ES 120m/400' Magazine Loop Protector 1 ARRI 300m/1000’ Magazine 1 ARRIflex RCU-1 Remote Control Unit 1 ARRI KC-39 1.5m / 5ft Cable for WRC-2/RCU 1 ARRI 435/235 ANSI 2.35 Ground Glass 1 ARRI FEM-2 Functional Expansion Module 1 ARRI MB-20 Mattebox kit Not included is the Hi-Hat and the Miller head. Please DM if you have any questions. £21k with matte box kit or £20k without. (+VAT for UK buyers only) Shipping costs and import fees to be covered by buyer. Slomo test:
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