Simon Averin Markström

interested aswell!

prices? Could you ship? :)

No worries! And i do not only recommend them because i'm swedish ;) they got some solid stuff. Always happy when the rentalhouse got their cages.

check out videoassist sweden, they got a lot of cages for tv-logic :)

manchester_dp @ instagram was selling one the other day i'm pretty sure. maybe dm him?

He is a very experienced DP / 1AC so he knows what he's doing, but i think he was maybe thinking of fujifilm when the filmstock was fresh maybe... what does printing down mean?

I recently got the film back from the lab, since i wrote this post a bit late i did not have time to get your opinion before shooting! My mentor told me that he loves the look Fuji gives underexposed and told me to experiment. Since i trust him i decided to, not underexpose, but just expose it according to the ASA (250), because i had a feeling older filmstocks = less sensative so i figuered it would give a nice look. What i did think was that age and recans would affect it that much! i think some shots is atleast 2-3 stops underexposed, thank god its film so it still works! It gives quiet a moody look to the film which suits the work well, i only have a problem with a close up which is a bit on the darker end (the eyes). In hindsight i would have over exposed maybe 1 stop and push it down in the DI. Oh well, it was fun, it works, and I have shot my first project on film! :)

Hi! I recently got back my first scanned 35mm footage from the lab. i have never worked with DPX files before, yet with scanned film, does anyone have any tips on how to go ahead? i have both Premiere and DaVinci Resolve. /Simon

Hi! I'm shooting a musicvideo this sunday on 35mm Fujifilm eterna 250D Shortends (i got a bunch with the camera). They have been fridgestored since they were used so im not really that affraid of the film degrading (or is there anything i should consider? i shot tests and they were ok). I'm wondering; was there any known exposure "hacks" when this film was used? Similar to how Porta 400, in stills, is suposed to be over exposed 2/3 of a stop to get a denser neg. Thank you in advance, this forum is really amazing!

Thank you for you respone! Alot to think about. I had no idea 8mm usaly is this funky with sync! ill pass on s8mm this project then since i already is way over my head dp/dir this project hehe. What do you think about Bealieu? Does that camera have the same problems? im thinking for a future project.

Maybe. But since i own a 35mm camera and a super8 camera, going 16mm will ramp up my rentalcosts by a large amount... Thanks for the input though!

thank you for your detailed response! I will go ahead and do what you sugested and just try to find a s8 camera that does 24/25fps. feels like the most convinient solution! Thanks again, Simon

Hi! This is my first post, so im sorry if it is not formated like it should! This weekend i'm shooting a musicvideo on my Arriflex 35, since 35mm is expensive i figured that i should shoot the lip-sync on s8mm. But my 8mm camera is only shoots 18fps. My question is then, should i make a version of the song that is x% slower that the singer will lip-sync to or could he just lip-sync to the song normally? Thanks! /Simon