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David Pritchard

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Posts posted by David Pritchard

  1. I just installed Unreal Engine after a lot of reading comparisons... It seems unreal engine is a lot more user friendly with a nicer overall, photorealistic result. I actually contacted Ian Hubert, trying to pay him for this exact job but I couldnt get in touch. Looks like he relies on his patreon and youtube and no way to hire him.

  2. Thanks Satsuki, fantastic feedback!

    Firstly for the sun. Luckily I got the wide angles first, closeups are easier to push the key/bounces closer. We had some sun but it went a bit cloudy and lost color in the sky faster than planned so I just had to over saturate in post.

    Totally agree on the script... It's really my weakpoint and for the next video I will encourage the client to make budget for someone to create the story for me to shoot. They also insist on it being 1 minute long but Im going toake a much faster cut for myself and (probably them when they see it). 

    P.s if you happen to know any affordable script writers for this kind of thing, you would like to send a little bit extra work, feel free to message me their details! 

    Oh as for studio style shots... Again totally agree. Wish I'd had more time but it was about 24 shots in 4 hour timeslot. Ended up just shooting everything in the same setup and bringing in a black flag for a couple of closeups. 

    Cheers!

  3. Hi Satsuki. 

    It's mostly shots of the models having fun together, play guitar, chit chat. Some wide then some closeups. The worry about shooting much later in the day is the sun would come into the shot as it sets directly in the background I want to use. I.e the distant palms and horizon. 

    Do you think what I'm proposing won't look good?

  4. Hi guys! So I thought I'd ask some feedback from some of you seasoned cinematography gurus here. This week I'll be shooting a low budget fruit juice TVC on a tropical beach. My plan that id like feedback on is as follows.

    Start shooting at 11am so I can use the sun. 10 foot overhead 1.5 stop diffusion with foam or silver reflector to the left, and negative fill to the right. The 5 models will be sitting on brown towels on the sand. The sun will set directly behind my talent, slightly off to the right. So I'm aiming to shoot from 11 till 2, the shots where I need that scene at least. Oh I'll also have a couple of aputure 300ds with bare reflector for a rim light since that seems to be the TVC style.

     How does that sound? I attached the background that shows sun position. I figure the sky will still be nice and blue at 2. 

     

    Screenshot_20210314_000605.jpg

  5. Great advice as usual! Ah I see I'm confusing the term specular highlights then. I just meant any hard ugly bright spec of highlight that has exploded way out of control. On skin, polarizers do a great job with them when placed 90 degrees approx from the camera. Actually it's too many filters stacked together though, I'd need to use a mattebox or slimmer profile filters to do this realistically. 

  6. Well after that above video and a discussion with another cinematographer who was slating the highlight handling of the Ursa I did a little test... Similar lighting setup to that lovely lady video above and I used a variable polarizer. Without the polarizer, specular highlights are pretty nasty with side lighting like that but a circular polarizer and blackmagic pro-mist 1/8th I personally think looks pretty nice now apart from the fat model/cameraman/me. Not sure if my grade is a little funky, playing with transforming the footage to both arri log and red log before grading.

    Just to add, specular highlights are quite ugly and blown out without the polarizer, I didn't fully engage the polarizer however to leave a slight glow... I think it's a nice combo?  

     

  7. Thanks so much for the feedback!! Actually I had a good few hours to light, it's just they didn't finish the ring until half my shooting time was gone so meant way less time to shoot the main sequence with all those people so didnt get quite a few closeups in the action I wanted but oh well...Also those hanging lights behind the ring were meant to be tungsten/incandescent but they bought none dimmable leds by accident. Far too bright so had to move them quite far back. 

    Totally agree the "story" blows hard. It really fell apart when I had no time and client didnt wanna hire the main people for another day.  So i'm treating it as more an example of lighting lol. Nice analysis of the guy at the desk. Again it was a rush and I decided to just use practical's already there such as an already hanging overhead tungsten par... I just attached some diffusion to soften it a little and probably hazed a bit much ? Was also a lot of daylight leaking in as it was in the corner of a large factory actually.

    As you say onto the next one, nice experience!

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