Evghenii Fraifeld

ARRI PL mount Super16 Krasnogorsk-3 16mm movie camera K3 K-3.Meteor 5-1 17-69mm f1.9 zoom lensThe camera is converted to Super16 (1.66:1 ratio) or Ultra16 (1.85:1 ratio)An PL mount was attached to the camera. Loop formers are removed. The viewfinder is adapted to the Suepr16 or Ultra16 frame. Camera is serviced. Mechanically checked. Price 785€. Worldwide shipping 55€.

https://www.tirasphoto.com/shop/movie-cameras-16mm./arri-pl-mount-krasnogorsk-3-super16-converted-1.66-1-16mm-k-3-k3-arri-aaton-red/

NEW ! NEVER USED ! K3 K-3 Krasnogorsk-3 16mm movie camera Meteor 5-1 17-69mm f1.9 zoom lens Three versions are available: 1. Converted to Super16. 2. Converted to Super16. 3. Converted to Arri PL mount(lens and camera body will be converted). Used K3 M42 mount Super16 or Ultra16 $600 + shipping. Used K3 PL mount Super16 or Ultra16 $800 + shipping. NEW K3 M42 mount Super16 or Ultra16 $700 + shipping. NEW K3 PL mount Super16 or Ultra16 $900 + shipping.

LOMO OKC lens set with OCT-19 mount. OKC1-18-1 18mm/2.8 T-3.3 OKC7-28-1 28mm/2.0 T-2.3 OKC11-35-1 35mm/2.0 T-2.3 OKC1-50-6 50mm/2.0 T-2.3 OKC6-75-1 75mm/2.0 T-2.3 OKC1-150-1 150mm/2.8 T-3.3 OKC1-300-1 300mm/3.5 T-4.0 OKC1-18-1 18mm/2.8 T-3.3 high-aperture eight-lens anastigmat. High aperture ratio, high resolving power, large depth of field make it possible to use the lens for filming high and stretching architectural ensembles, landscape photography, indoor shooting, for shooting sports, newsreels, genre moments, etc. The optical parts of the lens are mounted in a special frame. OKC7-28-1 28mm/2.0 T-2.3 has an elongated rear focal length of 32 mm, which makes it possible to install it on SLR cameras in case of alteration or the presence of a special adapter. Including cameras of the CANON family. The optical scheme of the lens is a complex nine-lens optical system consisting of seven components. In terms of image quality, the lens is at the level of the OKS4-28-1 produced before it, but has a longer focal length and a larger number of aperture blades. LOMO OKS11-35-1 35mm/2.0 T-2.3 is a high-aperture prime lens for professional film cameras working on 35mm film. Produced OKS11-35-1 in OST-19 frames (for Konvas and Kinor) and for Rodina. Versions of this lens were also produced under the late Kinor-35. The main difference is the presence of a gear on the focus ring with a module of 0.8 (pitch 32) under the Western standard. Glasses of this block have multilayer coating. 10 aperture blades provide a near-perfectly round aperture for beautiful background blur. OKC1-50-6 50mm/2.0 T-2.3 is a fast film lens for professional film cameras working on 35mm film. Additional Information: FR = 50.34 mm angle 30°30' diameter 41 mm resolution 55/30 lines/mm OKC6-75-1 75mm/2.0 T-2.3 The depth of field is shallow enough to clearly separate an object from the background, which makes an excellent impression and gives a cinematic feeling to a video shot with such a lens. Combine all these factors, and you will understand why so many people are looking for such lenses to customize them for their DSLRs and camcorders. OKC1-150-1 150mm/2.8 T-3.3 high-aperture four-lens anastigmat. A large focal length and high aperture allow the lens to be used in various conditions: for outdoor shooting of distant objects, architectural details, hard-to-reach areas of the terrain, for filming indoors, for shooting small objects close-up, for filming sports events, newsreels, etc. OKC1-300-1 300/3.5 T-3.8 lens is a high-aperture four-lens anastigmat of the "Tair" type. The objective lenses are chemically coated. The lens is designed for professional film cameras using 35mm film. Produced for cameras such as "Friendship", "Moscow", "Mir", etc. A large focal length and high aperture allow the lens to be used in various conditions: for outdoor shooting of distant objects, architectural details, hard-to-reach areas of the terrain, for filming indoors, for shooting small objects close-up, for filming sports stories, newsreel moments, etc. The lens is applicable in all cases when it is required to obtain a large-scale image from a long distance. The optical parts of the lens are mounted in a special frame.

The price is $450 + shipping.

Price is 200USD + shipping

Thx. I totally agree with you )

Hello, the price is 525 euros + 35 euros shipping. https://www.tirasphoto.com/shop/movie-cameras-16mm./super16-krasnogorsk-3-16mm-k-3-movie-cine-camera-meteor-5-1-17-69mm-f1.9-zoom-1/

Here are a couple of pictures from OKC7-28-1 om Sony a7r.

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These are unprocessed images from Super16 K3 camera.

Hello, we are a workshop that specializes in repairing and maintaining photo and film equipment. That's why i don't have any examples of the film negative that was shot with this camera. But we have sold several such cameras and our customers are satisfied.

3500 euros for the set. + shipping.

3500 euros for the set.

Movie camera Ultra16 Krasnogorsk-3 16mm K3 K-3 Meteor 5-1 17-69mm f1.9 zoom lens The camera is converted to Ultra16 (1.85:1 ratio) film format(new film gate). The "Ultra-16" format is a production format and differs from "Super-16" in the symmetrical arrangement of the frame to the film. In this case, the corners of the exposed area partially enter the perforation. The usable area of the frame with an aspect ratio of 1.85:1 occupies the entire height between the perforations and is 11.8×6.25mm. It can be used to optically print redeemed film copies as well as to obtain high definition video in 16:9 format.

Movie camera Super16 Krasnogorsk-3 M42 16mm Film Cine Camera USSR K3 K-3 Meteor 5-1 17-69mm f1.9 zoom lens The camera is converted to Super16 (1.66:1 ratio) film format(new film gate and lens recentering). Super-16 is located on the picture field of 12.35×7.42mm (width time height). The image side ratio is 5 to 3 or 1:1.66. In contrast to the ordinary picture on 16 mm film, Super 16 offers more than 20 percent more usable negative image area, and thus a better resolution.

Bakelit LOMO UPB-1A LOMO UPB-1 Universsal Film Developing Tank The absolute classic among film developing tanks. Universal developing tank UPB-1A/UPB-1 is intended for processing of black and white and color films 8, 16 and 35 mm wide, up to 15m long by negative and circulation process. The universal tank coils/heilixes can be placed at different distances from each other. This allows the same photo tank to be used to process different film widths. Maximum film length 30m film: 8mm or 16mm (2 x 15m), about 100 feet. You can load: - one 8mm film (15m); - one 16 mm film (15 m); - one 35 mm film (15 m); - two 8mm films (15m+15m); - two 16mm films (15m+15m); - one 8mm film and one 16mm film (15m+15m).

Very rare version of the universal LOMO Processing development tank. for 16mm or 35mm film 40m/130 feet length. Film developer UPP-1 is intended for processing black-and-white and color films with solutions for direct and reverse development in stationary and field photolaboratories. Allows processing of films with a width of 35mm and 16mm with a length of up to 40m. The working volume of the solution is 1.8l. Film rewinding is carried out by hand by means of handles that rotate the reels. The weight of the device is 2 kg. The weight of the device in the package is 4.5 kg. Dimensions of the device 317x185x170 mm.

Absolute rare LOMO OKC lens set with OCT-19 mount. OKC1-18-1 18mm./2.8 T-3.3 OKC1-22-1 22mm/2.8 T-3.1 OKC7-28-1 28mm/2.0 T-2.3 OKC1-50-6 50mm/2.0 T-2.3 OKC6-75-1 75mm /2.0 T-2.3 OKC1-150-1 150mm/2.8 T-3.3 OKC1-18-1 18mm./2.8 T-3.3 high-aperture eight-lens anastigmat. High aperture ratio, high resolving power, large depth of field make it possible to use the lens for filming high and stretching architectural ensembles, landscape photography, indoor shooting, for shooting sports, newsreels, genre moments, etc. The optical parts of the lens are mounted in a special frame. OKC1-22-1 22mm/2.8 T-3.1 is a film lens for professional film cameras operating on 35 mm film with a frame size of 16x22 mm. OKC7-28-1 28mm/2.0 T-2.3 has an elongated rear focal length of 32 mm, which makes it possible to install it on SLR cameras in case of alteration or the presence of a special adapter. Including cameras of the CANON family.The optical scheme of the lens is a complex nine-lens optical system consisting of seven components. In terms of image quality, the lens is at the level of the OKS4-28-1 produced before it, but has a longer focal length and a larger number of aperture blades. OKC1-50-6 50mm/2.0 T-2.3 is a fast film lens for professional film cameras working on 35mm film with a frame size of 16x22mm. Additional Information:FR = 50.34 mmangle 30°30'diameter 41 mmresolution 55/30 lines/mm OKC6-75-1 75mm /2.0 T-2.3 The depth of field is shallow enough to clearly separate an object from the background, which makes an excellent impression and gives a cinematic feeling to a video shot with such a lens. Combine all these factors, and you will understand why so many people are looking for such lenses to customize them for their DSLRs and camcorders. OKC1-150-1 150mm/2.8 T-3.3 high-aperture four-lens anastigmat. A large focal length and high aperture allow the lens to be used in various conditions: for outdoor shooting of distant objects, architectural details, hard-to-reach areas of the terrain, for filming indoors, for shooting small objects close-up, for filming sports events, newsreels, etc.