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Borja Llorens

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Everything posted by Borja Llorens

  1. Hello, i have one i am looking to sell! But it is located in Spain
  2. Selling a set of four Zeiss Standard Prime 2.1, lenses 16mm, 24mm, 32mm and 50mm. With and old case included. Got a revision here in System Grip Madrid, and have been used recently a couple times, they work perfectly. Located at the moment in Barcelona, Spain. But i can ship them here in Europe. Priced at 19,500 Eur. Here is a link to some pictures of the lenses. https://drive.google.com/drive/folders/1aX6kXelMjIUWCXw3sHoST8GZJjrG2ehs?usp=sharing
  3. I have managed to get some 35mm Fujifilm Eterna Vivid 160 (8543) supposedly well refrigerated and stored. I will be doing soon a proper test but i would like to know what things should i be aware off and what things should i test. I will be doing exterior and interior test with tungsten and daylight and sub and over exposing the film from -3 up to +3, and also using a color chart. What else could i try to have a rigorous test? I have also read the problems of getting rid off the remjet during fujifilm processing but this is another chapter. I will be sharing here the results after the test! Thanks in advance.
  4. Hello fellow cinematographers, i am looking to buy a single Zeiss Standard Prime 85mm or a 100mm T2.1. Any information get in touch with me!
  5. I just recently got an old Arriflex III 35mm camera without Crystal Sync Base and got a flickering problem on most of the footage. Before buying it i rolled some film to test it, connecting the camera to the domestic current, with an electric conversor (which right know i dont know what voltage outputs). After the test, i went out to film a project, plugging the camera to a 14.4V Vlock battery, with the 4 pin XLR connector, apparently the camera was working and sounded allright, but i got a red dot on the viewfinder all the time. And when i got thhe footage i had this non-constant flicker, which seems a problem related to the voltage and the power of the camera motor. I heard a 16V ground battery could do better to the camera. What could have been the problem? Should i get a Crystal sync base, or it is not related to this problem? Thanks. https://vimeo.com/739738366/c36e2b67e8
  6. A week ago we released this shortfilm we shot on just one day on location, filmed near Barcelona on Spain. We were using a Ronin 2 with an Arri SR3, with 50D stock on exteriors and 200T on the interiors. The sequence soon inside the locker room was illuminated with mirrors and one big Nanlite source, and some Nanlite led tubes on the showers. Looking for constructive Criticism! Thanks!
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