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Luisa Madrid

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  • Occupation
    Cinematographer
  • Location
    New York

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  1. Thank you so much! Much appreciated, - to you and the time put in! ?
  2. Thank you for posting this Tim. When I saw it, I applied. Received notification of acceptance this week. ? Thank you once again!
  3. Thank you so much for the replies. Definitely helped me save money as I was eyeing a set on Ebay. Dan - I honestly still need to learn how to make my own LUTs. I'lll try to do that before I start filming my thesises. (if you happen to know of any good resource on creating professional LUTS, I'll gladly accept!) At school, we started with the Sony FS7, then Red Dragon 6k, and our final year will be on Arri cams. Arri LT & XT. @David- TY for that. Would these type of filters be more suitable for when shooting on film? Is that still a thing? I just have found it so interesting to see over hundreds of different types of filters that I just can't help but wonder how and when would they be used.
  4. Hey There, Nice to meet ya'll! Cinematography student here at Brooklyn College's Feirstein Graduate School of Cinema. (Approaching year 3 of 3.) Quick question: Is it worth investing or using filters that help establish looks- For example: Coral, Tobacco, Antique Suede? Or should one just keep it simple with NDS, Haze, Contrast etc and use LUTS more for looks? I mean, I understand that it depends on what one is filming and how filters can work- but if looks can be made via LUTS, are these type of filters (coral/tobacco/antique suede) still relevant, especially with digital cameras? Thank you! -Luisa
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