Duncan Brown

Another ebay treasure, whose link will be lost to the sands of time for future readers of these posts, but might be just what someone is looking for right now: https://www.ebay.com/itm/266652201046 Title is "16mm Film Camera Eclair Npr Working Condition converted to s16 by Les Bosher" - it's got 3 mags, the Alcan motor, PL mount and Arri mount (Arri-S I presume) and he links to several Vimeo uploads of movies shot with it. $2300 opening bid (nobody has bid yet), ends in a few days. He says one of the mags has a stuck counter, but if you've been following along on my NPR mag thread you already know how to fix that ? I guess one way to avoid the legendary waits for Les Bosher to work on a camera, is to buy one he's already done! Duncan

Well that at least explains why they were such Eclair experts. From the May 1973 Journal of the SMPTE: George Zorzoli has been appointed West Coast Service Manager for Eclair Corp. of America, 62 W. 45 St., New York, NY 10036. He has been with Eclair since 1969 as an electronics and camera technician. He was formerly with Birns & Sawyer. Duncan

Optical Electro House seems to have been quite the group of Eclair experts back in the day. I have a Super 16 NPR (that seems to have been converted by OEH), with a Tobin-clone sync motor (that seems to have been made by OEH), that came in cases plastered in OEH stickers, with the last shipping labels showing it came back from OEH. I haven't dug too deeply but haven't found any obvious evidence of what happened to them. Sure would be nice if someone could track down whatever might be left of that operation or its people and find answers to questions like "Wait, you CAN adapt an NPR finder to an ACL?!" Duncan

Here are the additional photos. The questions I've asked in my post up there could possibly be answered with detailed close photos (like some you've already done!) but of those parts - lens mounts, focusing screen, etc. I've had decent luck aiming a smartphone camera into 16mm camera viewfinders, with the camera having no lens and pointed to a light source, resulting in a picture of the focusing screen markings. It can be tricky to get the camera lens aimed straight into the VF so there's no vignetting but it can be done. Duncan

Clearly that is worth $5. Where do I send the check? ? I've never seen one of those Tobin NPR motors before, that's really cool. I have a motor which looks and works much like it (even takes the same external speed controller!) but is probably a clone by Electro Optical House rather than an actual Tobin. I've often wondered how they deal with the added distance with the video tap - is there some sort of compensating lens in the straight (non-beam-splitting) path to make the optical distance end up correct again? What do the lens mounts look like in detail? How did they carve away the body to fit the PL mount? How did they recenter the C mount? What does the focusing screen look like? The eternal question: what, exactly (if anything) was done to make the mags work better with S16? I'd love to finally hear the definitive answer on that, even if it's only inferred from looking at some mags that come with a S16 camera. SO, you should have no problem selling that, even if you don't fall for my $5 scam. But we'd all love more detailed pictures of stuff before it leaves your hands. (Or once it gets into the hands of some lucky other person here.) If you're hitting the picture limit on posts, you can email them to me (PM me for the address) and I'll post them here, since I'm a subscriber and have a higher limit. Thanks! Duncan

Here's a trail of breadcrumbs to follow... https://my16mm.com/eclairacl/list_topica/msg00937.html I wonder if super16@aol.com still works?? Duncan

I don't own this VF myself, but I believe that is the mount for the much-harder-to-find Kinoptic fully orientable viewfinder. (The Angenieux VFs are much more common.) Duncan

What are those red pull-knobs for then? I've only ever seen those on cheap-but-hey-they-work Arri-S mounts. Duncan ETA: Oh I see maybe they're cheap-and-ugly-but-hey-they-work knobs for grabbing the PL mount ring and spinning it?

#2 looks like it natively accepts both PL and Arri-S. Nice! Where do I get one of those?! Duncan

That I can confirm. I had a CP-16R viewfinder on one of the NPRs I sold. And both my NPRs accept both the Kinoptik (non-orientable) and Angenieux (magically-orientable!) viewfinders. So I think NPR is the easy world of interoperability with all NPR and CP-16R viewfinders... while ACLs are the land of frustration, where even the two choices of VF don't interchange with each other, and none of them interchange with NPR. Darn you, Eclair! Duncan

OK so wait, I have an Angenieux VF on my ACL, and the mount looks exactly like that (well, flipped 180 degrees but I guess it doesn't matter.) It's the reorientable VF. None of my CP or NPR VFs fit it. The inner barrel is too big to fit in the hole of that mount. Are there more than two kinds of removable VF mount for the ACL? Duncan

I have checked, and the standard NPR viewfinder (exact same mount as CP-16R) does not fit up to the original ACL mount. The tube is too big and doesn't even mesh into the hole. Duncan

Did this ever go up on ebay? I didn't see it. Duncan

I hate posting links that are sure to be dead when someone finds these posts in the future, but someone here might be interested now, so: https://www.facebook.com/groups/8mmand16mmfilmmakersgroup/permalink/10159536948615671/ It's a lot of NPR gear, some of which might be interesting to someone. To my mind, the risk of it being utterly valueless due to mold/corrosion is too high (based on both the pictures and the descriptions) but for the right (lower) price, it might be worthwhile to someone here. I'll try to cut and paste in the entire descriptive text. Duncan ************************************************************************************************************************ Some work has to be done to make these cameras and accessories work again, I advise a full servicing of all the equipment listed below even if some elements are in working condition. The full kit is sold for 2200€. Located in Cannes, France. - 1x Eclair NPR (n°2183) + lens and film gate caps Good and clean condition, sometimes made a strange noise when motor is running, otherwise fluid and clean mechanics. Belonged to Hélène Routchenko (french AD). - 1x Eclair NPR (n°271) Show signs of use and oxydation on some parts but mechanics runs well and fluid. Intended to be used for parts. Belonged to a french documentarist who worked for FR3 and later become film teacher in Nice. - 3x 120m french magazine (1x ORTF and 2x standard) Mags are clean but need servicing, mechanics seem to run well. - 1x Angénieux dove prism viewfinder + cap Some dust and fungus inside, quite clear but dirtyness shows when a light is pointed straight. - 1x Kinoptik viewfinder Some dust and fungus inside, some signs of oxydation on some parts. - 1x Perfectone Compact motor Good working condition. - 1x Perfectone MC1500C 24,25fps motor Runs slow with low torque, need servicing. - 1x Angénieux 12,5-75mm + caps and follow focus gears Very good mechanical condition, serviced in 2021 but fungus made its way back on some elements since the servicing. - 2x Angénieux 12-120mm One is good optical condition except fungus, needs servicing, the other is in bad shape, mostly for parts or paper weight. - 1x Ergonomic handle + trigger for Perfectone Compact motor Good working condition. Middle rosette needs lubing. - 1x Normal handle - 1x 3*3 mattebox + 25-50 matte - 1x XLR cable + trigger - 1x custom sound blimp Made to fit the Eclair NPR with all the accessories, good condition. - 1x 16mm test film + core - 1x 16mm core - 1x metal case Leather handle needs to be replaced - Lens caps for Angénieux lenses - 3x Eclair screws Since I gathered them, the cameras are stored in a dry and cool environnement at my shop, with silica gels inside cases. Don't hesitate to contact me for more informations.

Oof, that's a bummer about the prism. I've seen something somewhere that makes it look not-awful to pop the prism out of an NPR. How is it on the ACL? (I mean, ignoring the fact that there are likely no replacement prisms to be had...) Duncan

That's my interpretation of what he's saying. Of course it also has to adapt the different mounts, but that should be...straightforward? They're the same idea, but different sizes, and I think different orientations of the nub. Duncan

If someone wants to sell me cheaply one of those legendary CP-16R fully self-orienting viewfinders, I'd be happy to try it on my NPR ? In general, it looks to me like the CP-16R finders put the eyepiece a little too far forward to be comfortable when operating an NPR, but that's just a guess. By the same token, I think adapting an NPR VF to an ACL would put the eyepiece farther back then the standard VFs... but that could possibly be a good thing in some cases? I guess someone needs to come up with a 3D-printed design for that mythical adapter! Duncan

OK old man, and you probably walked to the set and back, uphill both ways, barefoot in the snow, too! (I kid, since I think I'm actually older than you are...) Duncan

<mind blown> Duncan

The standard Angenieux VF on the ACL spins the image as you rotate it, but then there's another ring you can turn to put it back where it needs to be again. That's perfectly fine, as you don't generally rotate your viewfinder mid-shot or anything. But this one that does it automatically is like magic! I can't even wrap my head around how it works. Very happy to have found a loose one. Duncan

Well a motor that needs work is much closer to being a working motor than no motor at all! (Or one that needs 3-phase power, yikes!) If I had to guess, I bet the 12-27V upconverter is the problem. Most of these old motors need a whole bunch of amps, and little converter boxes like that are rarely up to the task. I bet a real 27V battery belt would have that thing flying. But, as you say, a lot of money to risk on a guess,. Duncan

I know nothing at all about this era Eclair, but is this a suitable motor for your camera? https://www.ebay.com/itm/145044427703 (Not mine, just saw it in passing and remembered this thread.) Duncan

Some more pictures:

Now for the much less often seen Angenieux fully orientable always-upright-image viewfinder. The basic functionality is the same as the Kinoptik, but without the goofy image spinning. In this case rotating it fore and aft does NOT spin the image in the VF - it's always upright! Also, no detents. And there's a lock ring instead of a little lever - turn it towards the S to lock it; the other way to allow it to rotate. I thought it was weird that there are two slots in the mount, so it can be put on the camera one of two ways but if you think about it, it makes sense. The standard way to mount it is with the red dot upward. Then the image is always upright. But if you were to spin it 180 degrees, then stand in front of the camera and look into it the image would be upside down! (Well, strictly speaking, you are looking into it upside down compared to where it started.) So if you absolutely have to operate the camera in that position, you could mount it with the red dot down, and be all set. Just like the Kinoptik, the rear part can spin around 360 degrees for matching up with where you want to put your eye, and doing so does not change the orientation of the image through the finder. It has the same little lock knob and diopter adjustment as the Kinoptik. But the eyepiece shutter is opened and closed with a big skinny ring right behind the eyecup, and is not done automatically for you as you press your eye to it. Some pictures: .

Some more Kinoptic VF pictures: