Jump to content

Erdwolf_TVL

Basic Member
  • Posts

    104
  • Joined

  • Last visited

Everything posted by Erdwolf_TVL

  1. Thanks a lot! Do post more if you can.
  2. My budget is nil. I am not shooting for money, just for fun! Any advice in this regard would be most appreciated! --- Super-8 at 24 PFS. Sound from a parallel mounted mini-DV camera (constantly running). --- Once telecined, the video will be presented at 25 fps. So, there will be a significant sync gap between the audi and video signals from square one. --- I intend to use the rattle from the 8mm mechanics to synchronise the sound and video start / end points. Once I have calculated the length difference in millisenconds, I will squash the sound digitally to match. I will at this point also apply a digital noice reduction filter to the audio track to reduce the rattle. --- I will end up with video running 1 fps faster than it should and sound that is slightly higher pitched. But at almost zero cost, it can't be too bad?
  3. Thanks for the feedback! Well, I guess the only real way to find out is to have it done... I'll post some samples and comments when done!
  4. I have seen what this film looks like in TeleCine and I love it! What does this film look like when printed to positive? I am not sure which exact stock / process the lab will be using, but I am willing to spend a bit of money to get this done properly. --- I have an up coming project that I would shoot in either Ektachrome 64 or Vision 200. I prefer the less noisy colour negative, since I am not too bothered about the "film look". BUT I would still like the option of projecting it. If the on-light print from Vision 200 are on par with shooting straight reversal, I don't mind spending extra cash to get it done this way. Any thoughts?
×
×
  • Create New...