Jump to content

sinisa.kukic

Basic Member
  • Posts

    38
  • Joined

  • Last visited

Everything posted by sinisa.kukic

  1. I've just moved to NYC recently from San Francisco and would love to meet up. If anyone is interested please reply. Sinisa
  2. Thanks for taking a look. I appreciate the feedback. I've been contemplating for a while now if I should increase the video size. I guess that's what I'll be doing this weekend. Thanks a bunch Sinisa Kukic Cinematographer San Francisco - Los Angeles www.sinisakukic.com
  3. Hello All, I've recently reworked my website and reels. I would love to have some feedback on how everything looks. Any and all comments and suggestions are appreciated. Here's the site - www.sinisakukic.com thanks Sinisa Kukic
  4. Hi. Can some one recommend a camera rental house in Taiwan? Thanks Sinisa www.sinisakukic.com
  5. Hi. I have a used Gossen Ultra Spot 2 meter that I don't use much. It's in mint condition and it includes a leather pouch with a belt loop. They sell for about $650 I think. All reasonable offers will be considered. If interested email me at sksprocket(at)gmail.com and I'll send you some pictures. Best, Sinisa Kukic LA
  6. a great film. have you seen I Am Cuba (1964) shot by sergei urusevsky? photographically, i think, la haine was influenced by it a great deal.
  7. hi. i'm shooting a documentary next month in brasil and trying to figure out which stock to shoot on. we're shooting super 16 and ending up on 35mm. we are only shooting exteriors during the day but there will be a lot stuff in the early morning and late afternoon as the sun is fading. my main concern right now is shooting with a faster stock during lower light conditions in the early morning and late afternoon and how well it blows up to 35mm. i'm thinking about shooting on the 250D or the 320T. anyone have experience blowing up these two stocks? and recommends? thanks sinisa
  8. Hi. I have a Shure FE32 mixer. The right channel keeps dropping out. I'm looking for someone who knows how to repair these mixers. If you have any recommendations please let me know. Thanks Sinisa sprocket@resinifilms.com
  9. Is it still available? If so can you email me your asking price? sinisa(at)resinifilms.com Thanks Sinisa
  10. So it took me longer than I expected to recut my reel. But here it is. http://www.resinifilms.com/narrative_reel.html I would greatly appreciate some feedback. Best, Sinisa
  11. Thanks for the feedback. I'll have another cut in a few days. Sinisa
  12. that was fun. i guess its time to dust of my 20D and have some fun.
  13. what's your HDR workflow? thanks sinisa kukic
  14. i would recommend shooting on a simple 35mm camera, like a AE-1 or something. you can get those for $50 these days with a normal prime on it. you would learn more about reading light when you have to think about it and not just look at a picture on the digital camera back to see the light. here's my deviant link. http://www.resini.deviantart.com best sinisa
  15. a cause for this could be that the pressure plate wasn't in its forward position. on the bolex you can pull back the pressure plate to clean it. when shooting with a bolex i always check that it's in the forward position after loading. i hope this helps. sinisa.
  16. Hi. I recently moved to LA and updated my DP reels. I would love some feedback. Narrative http://www.resinifilms.com/narrative_reel.html Documentary http://www.resinifilms.com/doc_reel.html Experimental http://www.resinifilms.com/experimental_reel.html Beside working as a DP I gaff and AC. If anyone needs any help with anything please let me know and thanks for the critiques. Best, Sinisa
  17. Thanks for the clips Tim. I just saw a set go for $560. should of snapped them up.
  18. I have my first decent budget feature. We're shooting in December for four weeks. The toss up is between 35mm and Super 16mm. As the DP I believe that the aesthetic of Super 16mm will fit the film and the director agrees with me. At this point I am planning on using Fuji F400 stock. I am also testing in pulling the stock one stop in developing. It's a look that I really like but I am worried about possible complications with the pull and the blow up to 35mm. I haven't done the blow up test with the super 16, pulled a stop and blown up to 35mm. I am hoping to do this in a few weeks. Since most of you are more experienced with this than me. Is there anything that I should prepare for with so many variables. Is there a lab that you can recommend to use for this. Thanks Sinisa
  19. what's a set of cooke 16mm primes in good condition worth?
  20. Hi. Can 16mm Cooke Kinetal lenses be converted to cover Super 16mm? Thanks. Sinisa Kukic
  21. Hi. I'm working on a experimental film using a lot of optical effects with a JK 103 printer. I'm planning on printing from Kodachrome 40 Super 8 to 16mm 7272. I've heard that the blues really pop out on the 7272 and i'm worried that it might be too much since I'm originating from Kodachrome. I'm going to do some tests later this week an am looking for suggestions with color correction while I'm printing. Or anything else to look out for or should include in my test. Thanks Sinisa
×
×
  • Create New...