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Khalil Zanika

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  • Occupation
    Producer
  • Location
    Chicago, IL

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  1. Any of you guys familiar with this brand adapter? It has an awesome looking bracket that attaches it to the cage. https://www.adorama.com/vo09000031.html
  2. Thank you all for all the great and helpful responses. Here is the camera cage I am using with my Komodo https://www.amazon.com/gp/product/B08MWS76XJ/ref=ppx_yo_dt_b_asin_title_o08_s02?ie=UTF8&psc=1 I am going to look for a PL adapter that I can get a support that attaches to the cage as Matthew suggested.
  3. Thank you, that was a great response. My next question is what is the best adapter? I rented a Metabones last time we used PL and it worked good, just wondering if there is better? I saw that red introduced an adapter but it's $1500, is that the best option for an adapter?
  4. Thank you for letting me join this forum. I look forward to participate in many of the discussions and learn from the experts. I own a Red Komodo, I already shot 3 short films. I am a producer/writer and I normally hire a DP to do the filming. I have have rented both PL and RF cine lenses and to be honest I see little to no difference, yet every DP/AC I talk to wants me to invest in a PL adapter and only uses PL lenses, yet no one can tell me what the advantage is of using a PL lens on a Komodo. The RF lenses (Angenieux EZ) I used on the last short film worked amazingly well. My question is, would I have seen better result if I used the same lenses in a PL model with an adapter?
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