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Found 2 results

  1. According to Larry Smith's interview on American Cinematographer : Kubrick framed Eyes Wide Shut in the standard 1.85:1 format, primarily using a set of Zeiss Superspeed T1.3 spherical prime lenses, but occasionally opting to employ Arri’s T2.1 variable prime lenses or a zoom. (...) The results of the two-stop force-development are clearly evident in the film’s FIRST major setpiece (...) The scene was lit almost entirely with a huge wall of ordinary Christmas lights (...) " They were very low-wattage (...) The effect is obviously enhanced by the force-developing, which made the lights ap
  2. I´ve got a SOM Berthiot ZOOM M 20-100mm 2,1. It used to be mounted on a cine-x-ray camera, so it has the focus fixed at 12 feets. Does anyone knows how and where to loosen the focus? It has a C-mount, where there is printed "17-85/1:1.8" Does those values complies when mounted on 16mm film camera and or old school 1 inch tube videocamera? (I'm not cinematographer...only still photographer) And finally, is it possible to mount some sort of tripod collar on the beast?
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