Jump to content

Search the Community

Showing results for tags '35MM'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • Cine Marketplace
    • Cameras Systems and Formats
    • Lighting for Film & Video
    • Camera Operating & Gear
    • Camera Assistant / DIT & Gear
    • Grip & Rigging
    • Visual Effects Cinematography
    • Post Production
    • Students, New Filmmakers, Film Schools and Programs
    • Lenses & Lens Accessories
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • Directors and Directing
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Business Practices & Producing
    • Camera & Lighting Equipment Resources
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Cinematography News
    • Sound
    • Off Topic
    • Accessories (Deprecated SubForum)
    • Regional Cinematography Groups

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Occupation


Location


My Gear


Specialties

  1. Looking to buy the complete shoulder set and handle grips for the 435. Let me know!
  2. Eclair Cameflex CM3 35mm 2-perf techniscope camera for sale. I'm asking 2400USD for it. This camera is one rare 2-perf techniscope modified CM3 with PL mount. For those not aware of 2-perf, it basically is a modification which allows you to shoot Cinemascope directly on the neg reducing the stock cost to about 50%. I bought the camera from Film-camera-kit UK in 2011, and have never used it. I bought it from them in good working condition and maintained. I have only unpacked the camera and since then it has been stored, since I did not have time for my original intention of shooting shorts with it. Now I figure it's better to sell this beauty to someone who will have more time for it. Included: Tobin crystal sync motor Tobin Time Lapse motor (Originally for Bolex, but works with CM3) 2 400ft mags 2 200ft mags 2 100ft mags 15mm rods Batteries not included. Can ship it anywhere for additional cost. Not sure about the shipping fee's. But will check it out for the buyer location if interested. Item located in Sweden Mail me at erik@luminante.com if interested. Best Regards, Erik
  3. Hi there, Recently I made some very low light tests with a new camera, and when I got the material back from telecine, I noticed a light spill of some sort on the left edge of frame. I framed it in black so it's easier to see. Don't mind the poor quality of the transfer (plus the image is kinda grainy, because it was exposed intentionally under limiited light conditions). Couple of things come to mind. Could it be light spill from the sprockets on the telecine? One other thing is that, the door and viewfinder I was using has a kind of a mirrored double image on the left side which I can see in the viewfinder beyond the black frame. I have other doors that don't have this "problem" (if it is a problem...I really have no idea...). So I was thinking, what if the light of the mirrored image somehow going back through the groundglass? Any opinions would be most appreciated. thanks
  4. specs: https://www.ducloslenses.com/collections/classiczf2/products/zf-2-35mm-f-1-4?variant=3828538117 pictures of my actual lens: https://www.dropbox.com/sh/rn01f5muzjw50dj/AABYC5EIkO4XLeeJp6vmFH6Xa?dl=0 - Excellent / near new condition - Duclos Full Cine Mod - EF Mount Leitax Conversion - Original Boxes / Packaging / accessories $1500.00
  5. Dear Cinematographers I just shot a roll of Fuji 1600 Natura film and was exceedingly pleased with the texture and color-contrast. The muted colors were prominently mute and the bright colors prominently bright; and on account of this and the high granularity the photographs almost resembled watercolor pictures. And so my question is - is there any way to replicate this effect on modern motion-picture stock, especially 16mm stock? Sincerely Grateful, Kurt Cassidy-Gabhart
  6. This post is long, but please bare with me as I need help. I'm in the early prep stage of my first feature, everyday I'm in awe of how much I still have to learn. My project will be about only 60min long that consists of quite a few Steadicam shots. I'm hoping to raise about $60K for my budget. My strength: I have a well prepped script and I designed every single shot as precise as it can be. My weakness: Everything as of now is till on paper. I have never shot anything on high end digital (e.g. RAW) nor on film of any kind, 16mm, 35mm. My debate: Because my lack of real experience, I initially wanted to go with RED for its flexibility in post production in case I messed up something. But as I learn more and more about digital. 1) it looked "too good" for my story. I barely need a 2k res for my story. 2) the data management is a nightmare. I don't have the connection to hire a DIT on set, and then source a high end computer to process the large files. So I thought about shooting on film. Seeing from other people's footage it offers the look and color I wanted, the downside of noting being able to playback gives me worries that my lack of experience will underexpose or mess something up big time. With digita,l I can use the DJI ronin for steadicam shots, and the DJI OSMOS alike for some occasions to shoot in public where it may be very hard to obtain permission and costly for hiring extras. But if I shoot on film, a few camera I looked Arriflex IIC, and Arri SR2, have scarce resources for power sources, e.g. batteries that work. So I don't know how to complete a long steadicam shot with a Super 16mm camer. Even if I can complete a work steadicam setup with my budget, there is no way I can get away with it shooting in some of the public locations, even if I obtain the permits, every pedestrians will turn their heads and look at the camera. Which means more $$$ to hire extras. What should I do?????
  7. Dear Friends, i am Michel From india and i would like to SHOT with mini DV and then covert into TELECINE into 16mm / 35mm kodak stock.
  8. Thousands of feet of 35mm film for trade. 16 rolls. Most of it is 400' rolls and a couple 1000' rolls. The film was handled and stored correctly by a studio and always refrigerated before I acquired it a week ago. 5 Canisters 400' Stock 5279 500T 3 Canisters 400' Stock 5218 500T 2 Canisters 400' Stock 5248 100T 3 Canisters 400' Stock 5246 250D 2 Canisters 400' Stock 5277 100D 1 Canister of 400' High Speed Color Reversal Daylight 7 rolls unopened 4 rolls are re-canned 5 rolls opened for clip test I'm looking to trade it all for a 16mm camera.
  9. Midnight Special "A father and son go on the run, pursued by the government and a cult drawn to the child's special powers." Trailer Imdb Link http://www.imdb.com/title/tt2649554/?ref_=ttfc_fc_tt Director Jeff Nichols Cinematographer Adam Stone After working together on Shotgun Stories, Take Shelter and Mud, Jeff Nichols and Adam Stone got even bolder in Jeff's new movie, "Midnight Special" If you have followed Jeff Nichols' career you might have noticed that he has a thing for small sci-fi stories where there are a lot of emotions and feelings being unfold in very strange ways. Small stories, simple plots and really amazing actors are constant in Nichols' movies and "Midnight Special" has all of that which might attract a lot of people but also put aside a lot of people too. "Midnight Special's" plot is super simple, a father and a son must escape from somebody in order to bring the son to a point at an exact time and day. Now, the whys are being intercut in the story so well that when the viewer is thinking about "why is this happening?" the story tells you exactly what you need to know in order to continue being engaged by the movie. The opening sequence is one of the best opening sequences I have seen this year so far and Jeff Nichols is so smart that gives you the right amount of information in the first five minutes so you know exactly what is going on.. without the actors telling anything about it! Adam Stone's work is definitely one of the best this year, creating the right emotions for the story but super discreet and yet imaginative, building up the tone scene by scene until the end. There is nothing else to say about all the actors, Edgerton is as fantastic as always, you can feel Shannon's emotions all the way through.. and the last shot is just mind-blowing! All in all, go to the cinema and enjoy a really simple sci-fi story where the actors act really well :) Have a good day.
  10. Jane Got A Gun Trailer Imdb Link http://www.imdb.com/title/tt2140037/ "A woman asks her ex-lover for help in order to save her outlaw husband from a gang out to kill him." Director Gavin O'Connor Cinematographer Mandy Walker As a movie, "Jane Got A Gun" has a very interesting plot and a fantastic start. Natalie Portman as Jane is a great cast and she plays the role in a really great way. However, once we start to know what has happened to her and the reasons behind the "bad gang" and why they want to catch her, it becomes a very dull story. It is a pity that the screenwriters didn't spend more time portraying the ambitions and hopes of "the bad guy", played by Ewan McGregor, because we don't even get to see that he is "that bad". Although in the movie we see 4 or 5 times a banner which reminds us that he is "really bad" as he is the boss of a very dangerous gang. Other than that we don't see anything bad about him, and even his search for Jane is very well justified as in "I have some business left with you" On the other hand, Mandy Walker did her most beautiful job ever, even better than "Tracks"! Gavin and herself introduced a couple of "arty" sequences which are really well thought and the overall look of the movie is just gorgeous. Obviously she is used to shooting in really harsh environments, like "Australia" or "Tracks" but the naturalistic approach yet perfectly photographed frames on 35mm anamorphic creates the right mood for the movie. The night sequence is a little bit of a shock at the beginning being that blue, but after one second watching it you forget about the colour and you see that she made the right choice! and the blacks in the movie are so dense!!! Gavin O'Connor did a great job in the directing part and everything works super flawlessly and the interactions between the three lead characters and how they are told is first class. I suppose it really helps that he is a great director anyways! :D Definitely a movie to watch in the cinema because of the cinematography and the directing skills! Have a good day.
  11. There are two questions I'd like to more about. Links, images and lengthy explanations are welcome. 1: In film or digitally what would be the benefits of changing Super 35mm aspect ratio to 35mm aspect ratio or any ratio that is smaller than super35mm? 2: What if I shoot digitally HD on super 35mm at 16:9 AR, then what are the pros&cons of aspect ratio changes & if lowering an aspect ratio originally shot at a higher higher AR & resolution would result in supersampling the master copy or render? thnks, SP
  12. Hello, I purchased film from a studio that was closing. A ton of 35mm and 16mm. I would like to sell all the 35mm in one sale to help finance shooting the 16mm. Here is a list of the 35mm film for sale: 5 Canisters 400' / Stock 5279 / 500T 3 Canisters 400' / Stock 5218 / 500T 2 Canisters 400' / Stock 5248 / 100T 3 Canisters 400' / Stock 5246 / 250D 2 Canisters 400' / Stock 5277 / 100 1 Canister of 400' High Speed Color Reversal Daylight Asking $1,200 for everything. Aloha, Mike mike@alohabigmike.com
  13. Up for sale: Large Harrison Film Changing Bag - $90 - very good condition, there are a couple tiny spots where you may notice the reflective coating has come off (<1mm). Large Harrison Standby Camera Cover - $75 - great condition, only used literally a couple days. Perfect for 3D rigs or a Panaflex w/1000' mag $150 if you buy both I have 100% feedback on the DVXuser.com marketplace and have been a member there for 10 years. More AC gear coming soon (lemo cables, panavision brackets, magliner brackets, etc - ask for details to save $$$ shipping multiple items at once) Large Harrison Film Changing Bag: Large Harrison Standby Camera Cover:
  14. For sale is my personal Lomo anamorphic round front set: 35mm Lomo Anamorphic T2.4, PL-mount 50mm Lomo Anamorphic T2.4, PL-mount 75mm Lomo Anamorphic T2.4, PL-mount All lenses are optically and mechanically in perfect condition with smooth aperture and focus operation. All have stainless PL-mounts, and focus gear rings. No scratches, no fungus, The lenses are ready for shooting. Also included: 2 Cases, front and rear caps. New York City checkout can be arranged. Price: $25,000.00 Contact woftam@erols.com
  15. I have a few random mags for cameras I don't own. They're untested but look to be pretty clean inside. Mechanically everything looks to be in good shape but they haven't been tested. Arri 35 BL-3 400' Mag Arri 35-BL-3 1000' Mag Mitchell 35mm 400' Mag Mitchell 35mm 1000' Mag Photos here: https://www.flickr.com/photos/friolator/albums/72157664038315513 I'm willing to sell them as a lot or separately. Make offers! Shipping would be extra (or if you want to give me your UPS or FedEX account for shipping, we can do that). They're located in Boston so if you're local you can pick up in person or come check them out.
  16. Check this out. A new indie theater is set to open on Manhattan's Lower East Side featuring both digital and 35mm projection. Metrograph
  17. " P I G S " Filmed in 35mm Eastman Color by Glenn Roland Director of Photography/Cinematographer New 2k DCP Restoration was Screened at Cinefamily Silent Movie Theatre on March 12, 2016. Out on Blu-Ray from Vinegar Syndrome - March 29, 2016 Director of Photography Glenn Roland is available worldwide for hire to film Motion Pictures, Television and Television Commercials. For Booking Call: (310) 475-0937 ENJOY THE HORROR! :o
  18. I am selling famous Russian round anamorphic lens 35mm/2,2 35BAC-27-1 ser.870025 made in 1987 PL mount, iris and focus gears. Can be changed to black colour. glass is glean, no fungus, iris clean. more pictures: http://picsurge.com/g/hF1oxN Price is 7400USD + shipping 100USD. Located in Prague.
  19. Hey guys. Brand new to the forum and i joined specifically because i'm trying to find an answer to this question. Film usually runs vertically threw a camera but a few formats have it run horizontally to achieve a much larger negative. IMAX does this with 65mm and VistaVision does it with 35mm. Is there a 16mm equivalent?
  20. Dear Cinematographers, I was wondering if anyone could direct me to a website, or provide me with information of, film screenings in or near Indiana. I have developed an irreversible affinity for film projection, and delight at nothing more than seeing a picture the traditional, and therefore the proper, way, despite this inclination having developed at such a terrible time for the format. (And please - let's not turn this into an imagining debate, as so often happens.) I would thus be extremely appreciative of anyone providing me with information on local screenings. With Warmest Regards, Kurt Cassidy-Gabhart I measured my future with a Surveyor's Staff, And passed through it, as if through the mountains.
  21. To start hello everyone ... my first question would be about 35mm camera ... we see an arm that seems to be made ​​to rotate on an axis on almost every old 35mm camera ... does it means that it must be turned in permanence to make the camera recording or you only have to turn it a little to start the recording process ...
  22. Hello all, I am looking for Kodak 5219/ Fuji 8547 Recans, Short ends and factory sealed. If you have any/know where I can get them please let me know. I've already checked with the major resellers.
  23. Moviecam compact package for sale in working AS IS condition. $8,500.00 contact me for details here: jacobeppy@gmail.com (Cases for camera and mags included.) - Moviecam Compact Camera Body * PL Mount * 4 Perf Pull Down * Sync Sound * Superscope Ground Glass + Multi Format Frame Glow * Shutter Degree Adjustment tool * Color CCD Monitor out - 1 1000' Rear load Camera Magazine w/ film core - 3 400' Rear load Camera Magazines w/ film core - 3 400' Rear load Steadycam Magazines w/film core - 1 Standard Short Eye Piece - 1 Standard/ Anamorphic Long Eye Piece - 2 Male 3pin XLR to Female 4 pin XLR (Use with 24v Battery) - 1 Super Speed Control - 1 Syncobox - 1 Attachable Niner Camera Assistant light - 2 19mm rails/rods - 2 Rail Clamp Spider Grips - 1 Large Tripod Mounting Plate - Spare fuses
  24. Hello all, Anyone have an Arricam ST package for sale? Or know where I can find one? Thanks, James
×
×
  • Create New...