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Showing results for tags '4K'.
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For Sale: Red One MX 4K Digital Cinema Camera Package / PL & Nikon Mount RED ONE MX CAMERA Body Serial#1899 1679 HOURS Model Number: Mysterium MX Version: 32.0.3 - Second Generation You can make me an offer and purchase it directly from ebay: http://bit.ly/2bFy54M EQUIPMENT LIST RED ACCESSORIES Top Handle Top Handle Extension Red Top Mount Red Cheese Plate Red Bottom Plate Red 5.6″ LCD Hoodman TL56 5.6″ LCD Hood RED EVF Element Technica BNC Video Breakout Box 18″ Rods 12″ Rods Red AC power Block & Cable RED Shoulder Dovetail 24″ LCD Cable 24″ EVF Cable 18″ Drive Cable Cavision Viewfinder Mount for Red One Camera with bracket to attach to Red 19mm Top Rods Cavision Dual Handgrips & Connector which accepts both 15mm / 60mm rods and 19mm / 104mm Rods Redrock Micro microOmni Mount 19mm/15mm Studio/15mm Lightweight Rod Converter Wooden Camera Rod Clamp, 19mm Flashpoint 7″ Adjustable Double Articulating Arm (Israeli arm) PELICAN DESICCANT SILICA GEL 2x Pelican 1650 Case BATTERIES, CHARGERS & BATTERY MOUNTS (4) Switronix – XPL-90S V-Type 14.8VDC Lithium Battery Brick Switronix GP-2LSJ 2-Position Simultaneous Charger Switronix GPTS V-Mount Hot Swap Adapter Switronix P-Tap Male to P-Tap Female Extension Cable – 36″ Battery Charger AC Cable RED Cradle (Battery & Drive Holder) Switronix RED Battery Mount Quick Plate RED Battery Belt Holder MEDIA 640GB RAID Drive 320GB RAID Drive 16GB CF Cards (6) 8GB CF Cards (3) Lexar Professional CF Card Reader
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As an AC or DTI what is the best way you manage your captured data? Are there any standards or protocols? Is there a key device that is must have for backing up data? I guess this bridges into on set workflow which I'm sure differs from set to set, but in general how does everyone handle this? It seems that the growing size of memory cards (and their falling prices) make shooting on fewer cards easier, but does any one run backups while on set? The last film shoot I did was on film, the last digital shoot I did was still in the land of 7D and 1080p which was decently manageable. I've been out of the loop a bit and I'm curious going forward how I can prepare for a more modern workflow. Thanks!, Zig -
Phantom Flex 64gb w/ PL Mount (2) VRI 2TB Cinemag IV Phantom Cinestation for Cinemag IV Only PL Lens Mount Anton Bauer Standard Gold Mount Cine-Style Riser All Cables Pelican Case Email sales@broadcastsolutions for pricing. -
Just a quick spin around Australia using mainly the Sony A7S with Canon L series lenses, also used is the Red Rock Micro OMC slider.
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I've been told the information in a 4k image from a 4k sensor is anything from 33% to 70% on a bayer sensor. I am so confused with so much misinformation around. I've looked through the forums and learned a lot about this topic. But it never answered this question. - Is 422 from a 4k sensor real 4k 422? - Exactly how much real color information is in a 4k sensor at 4k resolution (pixels)? You get the jagged edges when trying to key a 420 image... Why would a 4k 422 sampling from a 4k sensor be any different. If its not enough information there will it look like 420 even at 422?
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Looking For To Purchase: Preowned Arri 416 Camera Packages Arri Alexa XT Camera Packages Vision Research Flex 4K Camera Package Sony PMW-F5 Leica Summilux -C 18/25/35/50/75&135mm Lens Set Leica Summicron -C 18/25/35/50/75&100mm Lens Set Super Baltars TLS Re-Housed Zeiss Master Primes Set Of 6 Arri Ultra Primes 16,24,32,50,85 & 135mm Arri Superspeed MK3 Lenses Zeiss 15.5-45mm T2.6 LWZ.2 Lightweight Zoom Lens Fujinon Alura 45-250mm Lens Fujinon Alura 15.5-45mm Lens Sony RCP750 Remote Control Panel Fujinon WCV-L85 Wide Angle Converters Contact : sales@broadcastsolutions.com
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I have some questions about how Blu-ray Disc video differs from VOD available on various streaming services. What are the main differences between a Blu-ray video and a video from any of the streaming-services ones? What changes the most? Is it the amount of colours? Is contrast lower? How much less sharp are the streaming videos? Do the same differences apply whether it be 1080p HD content vs. Blu-ray or the 4K UHD Blu-rays and UHD streaming? Are there any differences in quality between various streaming services? Is the same film on, for example, Amazon Video in the same format and of the same quality as it is on Netflix? Are the codecs used by various streaming Web sites the same? For example, I see that Vimeo, YouTube, and iTunes Store use H.264. If both a Blu-ray Disc and a streaming service use H.264, why is streaming video of lower quality? I presume it’s because of the compression scheme. Are the compression schemes all the same on various VOD Web sites? So a single-layer Blu-ray Disc can contain up to 25 GB of data and the dual-layer one 50. If you were the download a 1080p streaming video, how much storage would it occupy? Is the problem with the difference in quality a problem of internet speeds or does it lie somewhere else? A Blu-ray Disc can have a bitrate of up to 40 Mbps. What are the bitrate of streaming services? What kind of speeds will you need for uninterrupted, smooth streaming of 4K UHD video? Or, more generally, how do you calculate the speed needed for a content with a particular resolotion, given that this will change a lot in the future? Will we eventually have even the true Blu-ray Disc audio experience in streaming, too? Will streaming services eventually replace Blu-ray Discs and what are some of the things that need to happen for that to occur? I forgot a lot of what I was going to ask, and one thread got lost when I accidentally shut down my browser, but I think I’ve managed to recover the gist of what I was going for. -
Yes, another 16mm question :) I have two 16mm color double-perf Kodachrome prints (less than 400' each) that I've been storing at the Academy archives in Hollywood. These prints from 1965 & 1968 document two world premieres here in Los Angeles and the color & condition of the both rolls are stunning. I don't think they've ever been projected. When we found them, we originally screened them on a flatbed Moviola and thought we had color reversal film. Closer inspection of the film over the light table revealed it was, in fact, Kodachrome. My question is: what is the best way to both archive this & digitize it for use in Final Cut Pro? There is lot of discussion on the forum regarding 2K vs 4K 16mm scans, but I'm presuming this refers to NEGATIVE, not print. Any tips, pointers or advice? Many thanks :)
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Currently a cinematography student at the Northern Film School in Leeds, I'm in the process of researching for my dissertation the subject of 4k, and what this means for film. Specifically, I'm studying the impact that 4k is having on producers/studios, consumers, and the production process itself. To aid in my research in the latter section, I'd like to know whether shooting on 4k causes any changes for camera operators in terms of shooting requirements, extra research/learning or a change in operating style etc. Any information or guidance would be greatly appreciated! Thankyou! -
dear fellow(more experienced) cinematographers if you had the choice between buying the fs7 or fs5 with the Atmos for external 4k what would be your choice(price would be about the same at least here in Switzerland) I mean for just hd the fs5 is perfect when it comes to size(I own a ronin and a drone) and the picture is stunning but 4k is not acceptable. Fs7 is the whole package fot its price range. What would you recommend for someone that wants to be able to deliver very good 4k but also has to consider size and shoots a lot of project in HD? fs5 with Atmos, Fs7 with GH4 or... Thanks for your input Dan
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Blackmagic Production Camera 4k ef mount Like new with original box. Only 1 day of use. Perfect condition MAKE AN OFFER (usd) 4K Super 35mm Sensor with Global Shutter Records 4K (3840x2160) & HD (1920x1080) ProRes 422 Codecs (HQ, 422, LT, & Proxy) Compressed CinemaDNG RAW (4000x2160) Canon EF Lens Mount Built-In SSD Recorder 6G-SDI Output for Ultra HD via One Cable 5" Touchscreen LCD (800x480 Resolution) In the box: Blackmagic Design Production Camera 4K (EF Mount) Sun Shield Camera Strap Turret Dust Cap 12V AC Adapter Possibility of buying a Kingston HyperX Savage - Solid state drive - 240 GB with the camera. Buyer pay shipping cost. I live in Montreal Canada. email me @ js.francoeur@hotmail.com
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https://vimeo.com/155044768 Few shots from California, Arizona & Nevada take with DJI Phantom 3 Professional. Editing: FCPX + Color finale. Cinematographer - Oleg Zayanov Season: January - February 2016. -
PHANTOM Flex 4K Package For Sale (Pre-Owned) 1x AstroDesign Electronic Colour Viewfinder 2x 1TB Vision Research CineMags 1x CineStation Mag Reader 240v Power Supply 1x Travel Case email sales@broadcastsolutions.com for pricing and details.
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hello guys! I've got a question, it might be a stupid question for some of us, still it bothers me right now! I was browsing some Canon Cinema Prime lenses, and I read: "they offer brilliant 4K image quality" my question is: what does that mean? I mean, how do they calculate that the lens offers a 4K image quality and not for instance a 2K? thank you so much :) -
Hello everybody, I’d like to share with you the first 4K SUPER 8 FILM IN 3D. It’s one of my 5 submissions to the KODAK SUPER 8 FILMMAKING CHALLENGE. Click on the link below to go to the Audience Awards website to watch the film. FAIR WARNING: You MUST use anaglyph (Red / Cyan) 3D glasses to experience the 3D effect, otherwise the image looks just blurred. Headphones are also recommended. Don’t forget to vote please. Thank you, MOY Link: http://theaudienceawards.com/films/4k-super-8-in-3d-by-moy51613#
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Just found this gorgeous video on Vimeo and I thought I'd share it. Maybe we could use an "Online" sub-forum within this one?... Anyway, enjoy. https://vimeo.com/146534283
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I'm thinking about buying a camera at the end of the year. I've been assessing what I can afford and what's available. So far, I've narrowed it down to either the Panasonic GH4 or the Sony A7s. I like the GH4's native ability to shoot 4k but I'm concerned about the 4/3" sensor size. I'm impressed with the Sony A7s' shooting capability especially in low light but disappointed that shooting 4k requires an expensive peripheral. I'd appreciate any advice, opinions and first hand intel anyone can give me. If there's another camera system that anyone would recommend, by all means. Mind you I cannot afford anything that's over $5000. Thanks.
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With the advent of the 4/3 mount system a wide variety of lenses are now availble for use in HD and 4K acquisition. Lenses produced prior to the digital era may provide a specific look but for general production may not provide adequate resolution for HD or 4K production. Is there a standard suggested minimum resolution for lenses used for 4K acquisition? Are lower end lenses such as the Bower series and still lenses such as the Canon EF series of significant resolution to meet the requirements of 4K?
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With the advent of the 4/3 mount system a wide variety of lenses are now availble for use in HD and 4K acquisition. Lenses produced prior to the digital era may provide a specific look but for general production may not provide adequate resolution for HD or 4K production. Is there a standard suggested minimum resolution for lenses used for 4K acquisition? Are lower end lenses such as the Bower series and still lenses such as the Canon EF series of significant resolution to meet the requirements of 4K?
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Please email for pricing @ sales@broadcastsolutions.com Includes : 1 - Sony PMW-F55 Hours: 487 1 - DVF-EL100 OLED Viewfinder 1 - Microphone Holder 1 - Sony Stereo Microphone for the F5/F55 1 - Switronix S-JP-A-Base 3-Stud Jetpack for F5/F55 1 - FOS-100 Compact 100W 14.4VPower Supply 2 - 64GB SxS Pro Plus Cards 2 - 128GB SxS Pro Plus Cards 1 - SBAC-U20 USB SxS Memory Card Reader 1 - AXS-R5 RAW Recorder for F5/F55 Hours: 36 1 - AXS-CR1 Card Reader for AXS-R5 Memory Recorder 2 - AXS-512S24 512GB Memory Cards 1 - Anton Bauer 2702 4 Position Battery Charger 4 - Dionic HC Batteries 1 - Arri Pro Set For Sony PMW-F5/F55 (Top Plate, Base Plate, Shoulder Pad, Viewfinder Adapter, Plug Protector) 2 - Arri Handgrips with extensions 1 - Innerspace case For F5/F55 w/Desipack
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Film stock kodak 7203 50D. Processed and scanned to a 4K Log by Pro8mm. This film has been downres to 1080p for Vimeo purposes. It has not been edited or processed in any form other than the color change to B&W, the sound is the wild production track with no processing. This sound test was performed in a single take using double system, the Logmar Super 8 film camera and the Sennheiser MKH 416 directional shotgun microphone. The audio was recorded with the Tascam DR-70 Linear PCM recorder. https://vimeo.com/136780122 Enjoy, MOY
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Hi guys, Selling my F55 kit. Hours are around 1050. I'm looking for £20,500 (+ 20% vat if applicable) for the list below. All beautifully boxed by Case Design. Photos attached, although I don't have the Arri Pro Support set that you see in the photos anymore. Sony F55 + DVF-EL100 OLED Viewfinder 4 x Sony Olivine Batteries Sony BC-L90 Battery Charger Sony SxS Pro+ Card128GB R5 Raw Recorder (Hours: 370) 2 x Sony AXS Card 512GB AXS Card Reader Rigidised Aluminium Camera & Accessories Case with lazer-cut interior Rigidised Aluminium Battery and Charger Case (can accommodate 6 Olivine batteries) Cheers, Jamie Kennerley jamiekennerley@hotmail.com 07863 180 802
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Sony F65 Camera Package with Media. Please see the list below. Serious inquires only. If you know about the camera, but you are not totally familiar with all of the items below please email me. Sony F65 Body 1 F65 EVF and EVF Mounting Plate 1 Sony Riser Plate 1 Shoulder Pad 1 Sony F65 R4 Recorder 1 AB Battery Plate 1 V-Mount Shoe 1 Control Panel 1 2x 9pL to 9pL Cable 1 Accessory Bracket 1 Solid Camera 1/20 and 3/8” Side Mounted Cheese Plate 1 V-lock Connectors 2 4 2-pin, 4 3-pin accessory breakout box for 24V and 12V Power 1 (3-pin Fisher 24volt – 2-pin Lemo 12 Volt Connectors) Arri BP-9 1 Arri 12-Inch Dovetail 1 512 High Speed SR Memory Card (Black) 3 256 High Speed SR Memory Card (Black) 1 AC Adapter/ Power Cable 1 Frezzi Universal Juice Box 1 2x 10' 8pL(m) to 8pL(f) Power Cable 1 Anton Bauer Hytron 140w Battery 4 Anton Bauer Quad Charger 1 Sony PC4 Downloading Station with 10GigE Option 1 AC Adapter/ Power Cable 1 Sony SRD-1 1 **All Equipment is provided with hard cases or Pelicans System Hours: 697 Continuous 145 Periodic Please see images of the camera package with the link below: http://bit.ly/1FDvexT sean@3riveproductions.com
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As it looks like I will be getting either a 2K or 4K scan for my 16mm short film (and not doing a traditional A/B negative cut,) my main concern now is preserving the grain structure that I achieved in-camera. I went for a specific look with this film and pushed 7219 2 stops, creating a nice amount of grain. As I read and look online and different clips on Vimeo & YouTube, I see a lot of 2K scans that look too pristine. Not all, but a lot. So my question is will I still be able to retain that kind of gritty look with a 2K scan, or will it defeat the purpose of the original look I was going for?...
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We have several of the new Panasonic Varicam 35 4K Cameras available, Demo units, less then 10 hours, full warranty contact for details bvw@vidgear.com 760-200-3634
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