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We have 2 Arri Alexa Mini packages available email carson.lori61@gmail.com

Up for sale a BP3 and a BP5 kit, includes All Arri parts; Baseplate, Baseplate and Rods used a handful of times one is 15mm the other 19mm. $1,000.00. In LA buyer pays shipping

Shot on Super 16. Kodak Vision3 Stocks. 200T and 50D.

Tongal is a community that primarily caters to the advertising industry by using social media to allow registered users to come up with the next great idea or production. Tongal has both a production category and an Ideation category. It is free to join and the prizes on the production side are usually into the thousands of dollars. On the Ideation side, not as much prize money but there is some money and prestige in having your idea selected as a winner as there are usually 500 to a 1,000 entries on the ideation side. Anyways, for those of you who use ARRI cameras, check out the Tongal / ARRI Contest, you could win an incredible prize package and there are multiple prizes. Since the pitch phase has already passed, you can still enter as a wildcard which basically means you read the rules and see if you have already worked on a production that would fit well with the goals of the contest. I could see a few members from this forum being among the winners, The contest closes Nov. 3, 2017 at Noon, so there is time to submit an entry.

Hi, I haven't worked with one of these but interested in getting one for my lighting kit. I am used to renting 2k Mole Richardson Fresnel but for my own kit want something that is light weight and more compact. I love Fresnels, but for my needs with a 2k tungsten is to soft bounce or shoot through 4X4, 6X6 and 8X8 most of the time so an open face is just fine. Also I have a limit to how much gear I can have for my own kit to store and transport in my car so I have to be smart about every piece of gear I buy. My main concern older homes with a 15amp circuits with a 2k light and I don't see a lower wattage bulb for this light? Any solutions for this? Also does anyone have some suggestions of another tungsten light that is light weight and compact and 2000 watts?

For sale is my beautiful 2-perf (Techniscope) Arri 3C (IIIC) camera package. This camera was never a rental and it looks like it's hardly ever been used, it's in such beautiful condition. I've owned it since 2009 and during that time I found and bought an original Arri factory 2-perf conversion kit, which was installed by the technicians at Clairmont Camera in North Hollywood. I'm guessing everyone here knows why 2-perf is so great. But just in case... basically you get twice the run time from the same amount of film. A 400' roll of 35mm film running at 24 fps lasts about 8 minutes instead of the usual 4 minutes. A 200' short end is suddenly not a pain to work with since it lasts about 4 minutes. So that means you spend half as much money on film stock and processing since that's paid by the foot, too. The aspect ratio is naturally 2.40:1 at the gate so it's well suited to that cinemascope look, but much less expensive than anamorphic on film stock/processing (not to mention lens rental costs). If you wanted to shoot 1.85:1 on this camera, you could have the ground glass pencilled with two vertical lines to create 1.85 within the 2.40, and you'd still have roughly twice as much negative area than if you shot 1.85 on Super 16. I know of a feature film that just wrapped which did exactly that. Some recent and beautifully-shot 2-perf films: "Hunger", "Shame", "The Place Beyond the Pines", "American Hustle", "The Fighter", "Silver Linings Playbook", to name a few. Includes: - Arri 3C Camera body with PL mount port cap, body (magazine) port cap, in custom shipping case - Custom-made by Shurco 2-perf 2.40:1 Arri-3 style ground glass, with clear plastic case - Panavision (PV) Mount (PL mount currently installed, centered on Academy, not Super) with some shims - Cinematography Electronics Crystal Motor Base (could also be used with an Arri 2C, best motor you can get for these cameras) - Arriflex 3C Crystal Handgrip Motor (12V) with screws and gear (could also be used with an Arri 2C, a very rare item) - Italian Flatbase Motor Adapter Plate for above handgrip motor (ECE - ROME), untested - Custom Samcine Hand Held Support Brackets for IIC/IIIC in small hard shipping case - 2x 400' Arri 3 mags in a 2-hole mag case - 4x 200' Arri 3 mags in a 4-hole mag case. Note, two of the mags need some minor servicing. One looks like it's never been used - 2x 400' Fromm Shoulder Mags with spare rubber belt drives and 1x adjustable shoulder bracket (no case) - Jurgen's Orientable Video Door for 3C with Sony Color CCD camera - Arri Hand Held Door for 3C - Arri Orientable Door for 3C - Arri Straight Door for 3C with 2x Anamorphic desqueeze lever - Flat cover for above Straight Door if anamorphic dequeeze module is to be removed - Wide Angle Deniz Eyepiece with rubber eyecup that has shutter that can close - Spare Arri Eyepiece with rubber eyecup -push eye against eyecup to open shutter type, helps prevent light leaks - 1x Jurgen's Extension Eyepiece - 1x Arri Extension Eyepiece - 1x Arri Right Handgrip (no on/off switch) Arri Rosette style attachment - 1x Rosette to Rosette extension arm (adapter bracket needed/not included to use with above handgrip). Bracket pictured in hand held mode is not included) - 1x Unknown Brand Balance Plate Top A35/S35 switchable, like BP-9 (for 15mm rods) - 1x Van Diemen Balance Plate Bottom (Dovetail) ~12" - 2x 12V 4-pin XLR to 4-pin XLR power cables, one with a pigtail - 3x Power Cables for Jurgen's Video Door - 2x Medium Carbon Fiber rods (15mm) - 2x Medium rods (15mm) - 2x Short rods (15mm) - 1x SR2/SR3 type LWS 15mm bracket with 2x screw-in extension rods (for attaching to front of CE Flat Crystal Motor Base - Arri grease The inching knob (shutter/frame advance knob) has three holes drilled in it which was done to attach a hand-crank module from Clairmont Camera for a commercial (shot before the 2-perf conversion). Due to the 2-perf conversion, the Cinematography Electronics Crystal motor base does not count footage correctly. Simply divide the readout by half for an accurate footage count. I've created an album on Flickr with quite a few photos. On the wide photo with everything, you may notice two smudges. I've erased two items which I realized after the fact have no relevance or use with this package. I've also included some frame grabs from a music video I made with this camera after the 2-perf conversion. It was a joy to shoot with, performing flawlessly with not one instance of a hair in the gate. It was almost entirely shot with short ends of 200' or less. If you're not familiar with the 3C, you could think of it as the final refinement of the 2C before the Arri 35-3 came out, mostly designed as a result of engineering Arri did to the 2C for the German WW2 film "Das Boot". It has an orientable door which keeps the horizon level as you reposition the eyepiece up or down (on the 2 doors here that let you swivel the eyepiece up/down). It has a more sturdy hinged door (not interchangeable with the Arri 35-3 door), unlike the metal prongs which hold the 2C door to the body. That design was never intended for the weight of a Jurgen's video door and I've seen a few 2C bodies that are wearing out where these prongs grip, making it risky that the door could fall off. The 3C came from the factory with a PL mount, and it has a very nice crystal handgrip motor which is often sought after since it works just as well on the 2C. Something else I like about the 3C, they have a variable shutter, something that's hard to find on a 2C. The 3C also has a rosette for mounting accessories, right by the inching knob. The 2C doesn't have that. This is a beautiful example of the very rare Arri IIIC. The 3C movement is the same as the 2C movement and motors, mags and of course ground glasses are interchangeable. It took me many years to assemble this package so at least initially, I won't consider splitting off pieces of it. That said, feel free to get in touch if you're interested in something, and I'll keep you in mind. Available for $6,500 Or Best Offer. Available to see in NYC or Los Angeles, if you cover shipping costs to LA. For convenience, preference will be given if there is a buyer in the NYC (1st) or Los Angeles (2nd) area who will pick up in person and pay cash. I live in NYC but have friends/family in LA who can coordinate a sale in LA for me. Please check out the pictures and shoot me a private message if you're interested or if you have any questions. Thanks for looking! Rich https://flic.kr/s/aHskwM83a3

Tango/Swing Head in excellent condition. This is the preferred "Version 1" and was only used in a studio environment. Price: 4900.00

Hi guys, Looking for a few OBB-2 batteries fior the Arriflex 416 if anyones got or knows of any. Thanks, John

Email sales@broadcastsolutions.com for pricing and details. For Sale (PRE-OWNED) : CINEMA LENSES: Leica Summilux-C Lens Set Includes:18/21/25/35/40/50/75/100mm NEW Leica Summicron-C Lens Set Includes: 18/25/35/50/75/100mm Excellent Condition Leica Summilux-C 29mm Lens Leica Summilux-C 16mm Lens NEW Leica R GL Optics Lens Set Includes: 19/28/35/50/80/135 Leica Van Diemen 15/19/21/24/28/35/50/75/100/135mm Rehoused Cooke S4/i 180mm Metric Cooke S4/i 65mm Metric Cooke S4/i 12mm Metric Arri Ultra Prime LDS 16,20,24,32,40,50,65,85,100,135 Metric Arri/Zeiss Ultra Prime 100mm Lens Arri/Zeiss Ultra Prime 16mm Lens Arri/Zeiss Ultra Prime 14mm Lens Arri/Zeiss Ultra Prime 12mm Lens Zeiss CP.2 Set Includes: 15/21/28/50/100/135mm PL Bauch & Lomb Super Baltars 20/25/35/50/75/100/152mm Rehoused By TLS Cooke Optics Speed Panchro Prime Lens Set 18/25/32/40/50/75mm Zeiss 180mm Standard Speed T3 Lens Zeiss 135mm Standard Speed T2 Lens Zeiss 14mm Standard Speed T2.1 Lens Zeiss LWZ-2 15.5-45mm T2.6 Lightweight Zoom Zeiss CZ-2 28-80mm T2.9 Lightweight Zoom Angenieux Optimo 45-120mm Zoom Lens Angenieux Optimo 28-76mm Zoom Lens Angenieux Optimo 15-40mm Zoom Lens Angenieux Optimo 24-290mm Zoom Lens Qty.-2 Angenieux Optimo 16-42mm Zoom Lens Angenieux Optimo 30-80mm Zoom Lens Angenieux Optimo 17-80mm Zoom Lens Angeniuex 25-250mm HR T3.5 Zoom Lens Angenieux 17-102mm T2.9 Lens Arri Alura 30-80mm Zoom T2.8 Lens Arri Alura 15.5-45mm Zoom T2.8 Lens Canon 17-120 Cine Servo T2.95 Lens PL CAMERAS: Arri Alexa Mini Camera Package Arri SXT Plus Camera Package Arri SXT EV Camera Package Arri Amira Camera Package Arri Alexa XT Plus Camera Packages Arri Alexa XT Camera Package Arri Alexa XR 4:3 Camera Package Arri Alexa Plus 4:3 Camera Package Arri Alexa-M 4:3 Camera Package Arri Alexa Plus Camera Package Arri Alexa Classic Camera Package Red Weapon Helium 8K Camera Package Red Dragon Camera Packages Vision Research Flex 4K Package Vision Research Flex 2K Package Sony PDW-F800 Camera Packages Looking For : (Preowned) To Purchase Cooke Anamorphic Lenses Kowa Anamorphic Lens Set Zeiss Master Prime Lens Sets Zeiss MK2 or MK3 Sets Or Singles Arri Ultra Prime Sets or Singles Fujinon HA20x7.5BEVM

For Sale (PRE-OWNED) : RECENTLY LISTED Arri/Zeiss Ultra Primes Lens Set:16/20/24/28/32/40/50/65/85/100/135mm Arri/Zeiss Ultra Prime 24mm Lens Arri/Zeiss Ultra Prime 50mm Lens Cooke S4/i 100mm Lens Cooke S4/i 135mm Lens Elite Anamorphic MK-4 Lens Set: 25/32/40/50/75/100mm Refurbished Like New Condition. Or Can Sell As Set of 25/32/40/50mm. Leica Summicron-C Lens Set Includes: 18/25/35/50/75/100mm Excellent Condition Leica R GL Optics Lens Set Includes: 19/28/35/50/80/135 Leica Van Diemen 15/19/21/24/28/35/50/75/100/135mm Rehoused Bauch & Lomb Super Baltars 20/25/35/50/75/100/152mm Rehoused By TLS Zeiss Uncoated MKI B Speed T1.418/25/35/50/85 DP Selling Personnal Filter Kit 30+ Filters. They Are In Perfect Condition or Were Cutdowns From 6.6” to PSR & PSR Square grads By The Filter Gallery In New York. Email For The Complete list CINEMA LENSES: Cooke S4 Lens Set Includes: 14/18/25/32/40/50/75/100mm Feet Cooke Optics Speed Panchro Prime Lens Set 18/25/32/40/50/75mm Leica Summicron-C 21mm Lens Leica Summicron-C 29mm Lens Leica Summicron-C 135mm Lens Zeiss CP.2 35/50/85 Super Speed Lens Set Zeiss CP.2 18mm PL Mount Lens Zeiss 180mm Standard Speed T3 Lens Zeiss 135mm Standard Speed T2 Lens Zeiss 14mm Standard Speed T2.1 Lens Zeiss LWZ-2 15.5-45mm T2.6 Lightweight Zoom Zeiss CZ-2 28-80mm T2.9 Lightweight Zoom Angenieux Optimo 24-290mm Zoom Lens Angenieux Optimo 16-42mm Zoom Lens Angenieux Optimo 30-80mm Zoom Lens Angenieux Optimo 17-80mm Zoom Lens Angeniuex 25-250mm HR T3.5 Zoom Lens Angenieux 17-102mm T2.9 Lens Arri Alura 30-80mm Zoom T2.8 Lens Arri Alura 15.5-45mm Zoom T2.8 Lens Fujinon Cabrio 19-90 V1 Zoom Lens Fujinon Cabrio 19-90 V2 Zoom Lens Fujinon Cabrio 20-120 T3.5 Zoom Lens Canon CN-E 30-300mm Lens (2 Available EF & PL Mount) Canon 17-120mm Zoom Lens Canon 150-600mm T5.6 Red 18-85mm Lens Red 18-50mm Lens Red Pro Prime Set (6) Lenses Cooke Varotal 25-250mm T3.9 MKII Zoom Lens Cooke Varotal 20-100mm T3.1 Zoom Lens Nikkor 200mm T2.0 PL Mount 2/3” HD ENG LENSES: Canon HJ11ex4.7B IRSE Just Refurbished By Canon Canon HJ14EX4.3B IRSD PS12 Like New Condition Canon HJ17x7.7B IRSE Canon KJ21ex7.6B IRSE Canon KJ10ex4.5B IRSE Fujinon HA13x4.5 BERM-M48 Fujinon HA18x7.6 w/Servo Zoom Fujinon HA20x7.8BERM-M28 Fujinon HA25x16.5BERD Fujinon ZA12x4.5BERM-M1 Zeiss Digi Prime 70mm Zeiss DigiZoom 6-24mm Angenieux 5.6-61mm S16mm LENSES: Zeiss Super Speed PL Mount 9.5mm T1.3 Zeiss Super Speed B Mount T1.3 9.5mm/12mm/16mm/25mm/ 50mm Canon 7-63 T2.6 S16 Zoom Lens Canon 11.5-138 T2.5 S16 Zoom Lens Optex 5.5mm Super 16 T1.9 Optex 4mm T2.0 PL Mount Optex 8mm T1.8 PL Mount Century Series 2000 6mm T1.9 Zeiss Variable Lens Set VP-1,VP-2,VP-3 T2.2 CAMERAS: Arri Amira Camera Package ARRI Alexa XT Plus Camera Packages ARRI Alexa XT Camera Package ARRI Alexa Plus 4:3 Camera Package ARRI Alexa-M 4:3 Camera Package Reduced Price ARRI Alexa Plus Camera Package w/Anamorphic Desqueeze License ARRI Alexa Classic Camera Package Red Dragon Camera Package Red Epic-W Helium 8k Camera Package Red Weapon Magnesium Brain Camera Package Vision Research Flex 2K Package Vision Research Miro Package Sony PMW-F55 Camera Package Sony PMW-F5 w/Pro Res Installed Camera Package Sony PMW-F3 Camera Packages Sony PDW-F800 Camera Package Sony PDW-700 Camera Package Sony PMW-200 Camera Package Panasonic Varicam 35 Camera Package Panasonic AJ-HPX 3700 Camera Package Canon C500 PL Mount Camera Package Canon C300 EF Mount Camera Package Canon C300 PL Mount Camera Package Sony PMW EX3 Camera Package Sony PMW-EX1 Camera Package CAMERAS : (Film) ARRICAM LT (3 or 4 Perf) Kit ARRI 35 435ES (4-Perf) Film Kit ARRI 35 535B (3 or 4 Perf) Film Kit ARRI Super 16 SR-III Kit ARRI III PL Kit CAMERA ACCESSORIES: DP Selling His Personnal Filter Collection. Email For The Complete list ARRI Wireless WCU-3 Kit (No Brain) Preston FIZ 3 Kit Complete w/Extras. Email For Details C Motion System Precision Linked Motorized controls for Focus, Iris, Zoom, or Convergence Control Includes: 4 Motors, 2 Cayman Command Units, 1 Hand Control Unit Run/Stop Control, 3 Batteries, 2 Chargers & Accessories. Just Serviced In Germany Thru C Motion CamBlock Motion Control System Includes Custom 360 Degree Turn Table Vinten Quartz 2 Stage Pedestals w/Vinten Vector 900 Heads (Qty.2 Available) Newtek Tricaster 8000 Flypack New Condition Never Used 3D: 3ality Element Technica Quasar 3D Rig Email For Details Genus Hurricane 3D Beamsplitter Rig Looking For : Preowned To Purchase VRI Phantom Flex 4K Kowa Anamorphic Lens Set Zeiss Master Prime Lens Sets Arri/Fuji Alura 45-250 lens Arri/Fuji Alura 18-80 Lens Zeiss Digizoom 17-112mm Canon XJ72x Lens Canon XJ86x Lens Red LCD Touch 5" Monitor

Hello, I have a number of gear available for sale. Everything is in mint condition and has seen very little to no use. All must go. Please make an offer. Angenieux Optimo 15-40mm RED One MX w/accessories RED PRO Zoom 18-85mm Oconnor 2575D w/standard & baby stix Oconnor 2060HD w/standard & baby stix Arri MB-20 w/all accessories For pictures and more information, email here: jerryfranck@gmail.com Thank you.

Hey all, Wondering if anyone could shed some light on something I haven't found a solution for yet: Interface between a WCU-4 and an AMC-1 controller alongside a Cinetape. Do I need something like the L-Cube as well, or is it possible to do it another way entirely? I'm looking at purchasing a Cinetape, but need to know if this is possible with the AMC-1 as I work with it often.

For rent are 2 ARRICAM's A package deal to rent a Lite and Studio in outstanding condition for $100 per day. Also ask about 3k Scanning to DPX at $200 per hour! Feel free to contact for more details. ARRICAM LT 3 Perforation: Arri Metal Flight Cases ARRICAM Lite 35mm Camera Body PL Mount Filter Mask 18,7 x 24,9 Camera Aperture Cover Gate 1.33 full aperture ANSI Ground Glass Format 1.85.1 RS Block 24v RS Block 12v LT Camera Handle LT Center Handle Magazine Port Cover LT to ST Magazine Adapter LT Viewfinder Top Finder Block Short Eyepiece + Rubber Eyecup Extension Eyepiece LT Frame Glow Frame Glow Mask Format 1.85 LT S35 LT IVS Color Video Tap Case Containing (3): 400' LT Shoulder Magazine 400' LT Shoulder Magazine 400' LT Shoulder Magazine ARRICAM ST 3 Perforation: Arri Metal Flight Cases ARRICAM Studio (3 PERF) 35mm Camera Body PL Mount RS Block 24v RS Block 12v Filter Mask 18,7 x 24,9 Gate 1.33 full aperture ANSI Ground Glass Format 1.85.1 ST Top/Rear Load Adapter ST Top/Rear Load Adapter Cover Handle ST 3 Part Camera Handle (Long) Magazine Port Cover ST Viewfinder Top (SPHERICAL/ANAMORPHIC) Finder Block Short Eyepiece + Eyecup Extension Eyepiece Long (ST SPHERICAL/ANAMORPHIC) Frame Glow Frame Glow Mask Format 1.85 ST + LT S35 Footage Counter (2) Flexilight ST Rear Load Adapter ST IVS Color Video Tap Case Containing (3): 400' Studio Magazine 400' Studio Magazine 400' Studio Magazine Case Containing (2): 1000' Studio Magazine 1000' Studio Magazine

Hi all, I'm starting prep work for my college thesis at Emerson and I'm researching into the different challenges with shooting the project on film. I'm particularly thinking 16mm, just for budgetary reasons, and can't seem to find a Super 16mm camera that shoots up to 300 fps other than scientific/military cameras. The film is about a track athlete, so I'm wanting to get some very beautiful, frozen moment shots of our talent running. Does anyone know of any cameras that shoot as high as 300 fps? I see most of the HS cameras from Arri only go up to 150 fps. Thanks!

hey yall going through gear, trying to purge i have a small set of arri lights here. they were used for a documentary and probably have less than 200 hours of use. $1400 1 arri soft lite 1 arri 1k 1 arri 300 3 arri light stands 1-2 spare globes for each basic gel roll scrims filter trays case a few extras all of the lights work great. flash was used on a few photos, the lights are NOT hot in any photos. lights are in atlanta. buyer pays shipping. case is heavy and includes a spare caster. let me know if you have any questions. brett. 12@brettmayfield.com

hey yall i have a small set of arri lights here. they were used for a documentary and probably have less than 200 hours of use. http://s1065.photobucket.com/user/wbrettmayfield/library/arri%20lights $1800 1 arri soft lite 1 arri 1k 1 arri 300 3 arri light stands 1-2 spare globes for each basic gel roll scrims filter trays case a few extras all of the lights work great. flash was used on a few photos, the lights are NOT hot in any photos. lights are in atlanta. buyer pays shipping. case is heavy and includes a spare caster. dont haggle on price until weve talked a bit. let me know if you have any questions. please email me, do not private message me. brett. 12@brettmayfield.com

Greetings, Selling my trusty Arri SR3 package. A++ Excellent, with recent service records. Both camera and mags overhauled at TCS (tcsfilm) in NY in July 2013. Ready to go. Camera body (3) mags (3) batts charger long and short finders 1:78 GG long rods 2 handles handgrip XC-75 video tap (b&w), with prism Transvideo Rainbow 5" monitor (2) barneys Single frame remote Asking $3500. PM me if you're interested. Thank you, Martin

Hey guys! Please check out The Ultimate Anamorphic Lens Test where we tested 13 brands, 40 lenses and created over 500 tests and 130 4K videos. You can compare them all in our 4x side-by-side viewer here. Brands tested include: Angenieux Optimo 44-440mm T4.5 AS-2 Anamorphic Zoom ARRI / Zeiss Master Anamorphic Atlas Lens Co. Orion Series Anamorphic 65mm T2.0 Cineovision Anamorphic Cooke Anamorphic /i Special Flare Elite Anamorphic Hawk V-Lite Vintage `74 Anamorphic Iscorama Pre-36 Anamorphic Lens Adapter Kowa Cine Prominar Anamorphic Lomo Round-Front Anamorphic Panavision Auto-Panatar Anamorphic P+S Technik 35-70mm T3.2 Cinemascope Zoom Todd AO High-Speed Anamorphic Hope you enjoy it. Please let me know if any questions!

Hey all, Fully aware of how long a shot this might be as I know people hold onto their movements like gold but... Just wondered if anyone might have a lead on a 3-perf movement (or 2 for that matter) for sale as a standalone? Any places or people that might steer me in the right direction are welcomed also but I have exhausted a number of channels already. Many thanks! J

Element Technica EVF Leveler Package -- $350 Shipped for Set - ET Eyepiece Leveler - $175 - RED EVF BOMB Viewfinder Extension - $175 (O'Connor bracket in photo not included) PM with offers mbentgroup + gmail

Hi I am a Cinematographer on a feature film that we're going to start filming in September on the ARRI Alexa EV camera. We have the SXS cards and can max film in ProRes 4444. My question is, is it worth trying to find faster cards and then film in ARRI raw? Or do I get almost the same quality out of the ProRes 4444. The film is properly going to end up on a DCP 2K or 4K. We are setting the camera up fro 16:9 full and then use a 1:2:35 mask to frame after. Thank you, Henrik A. Meyer www.henrikameyer.com

Selling my Arri Mattebox MB20 w/ 15mm Rod Support comes with 2 x 4x5.6 stages & 1 x circular stage & Flags/Eyebrows Asking $3,500 (USD) From a private owner in excellent condition. Was purchased brand new in 2013 Please e-mail Skrypka.anna@gmail.com for more pictures and all inquiries. Located in Los Angeles, CA Thank you.

Hello, I purchased an Arri SR2 Super 16 and wanted to frame for 1.78 viewing. Someone told me that I would need a viewing screen (ground glass) in order to do this, but I am unsure of what this is exactly. Can anyone tell where this ground glass goes on the camera; do I need to have it professionally installed, and do they still sell them? Also, I was also wondering if anyone had any suggestions on a video monitor that records (for playback purposes only) that can connect to my video tap (XC999). Thank you, Walter P.S. This is my first post. Forgive me if I am in the wrong section.

Hello, I've bought a used Arri Sr3 Highspeed. It is adjusted to super 16. I haven't used it in a while and I have an anamorphic shoot coming up where I will be using 2x anamorphics. I want to shoot in Normal16 to get the 2,66:1 aspect ratio. Do I have to get through the adjustment of changing the camera's lens alignment, the opening in the universal film gate and the viewfinder alignment in order to convert it to normal16? I lack the tools and the experience to do so. I get that I definately need to do this when adjusting from normal 16 to super 16, but isn't it sufficient to just change the Fibre Optic Viewing Screen in my case? In post I would just have to crop the sides because the Super16 just uses a larger portion of the negative. I won't lose any resolution by going down this road in comparison to adjusting all the mentioned parts of the camera and just have the additional portion of the super 16 frame covered and unexposed in normal16 "mode", right? Thank you so much for the answers! Best Walter

Selling a like-new Precision Speed Control 2 that is currently selling for $3000 on CE's website. This one has the LED display and the 3-perf option. Link here: https://cinemaelec.com/products/precision_speed_control_2/ This connects to your film camera and gives you control of your frame rates for over and under cranking, flicker reduction, TV scan line issues etc.. The display also serves as a digital tachometer and footage/meter counter. Works on Panavision, Aaton, Arri, Moviecam and more. Comes with a cable but you may need a different connector for your specific camera. Only uses the one cable, no other power cable is needed. $350 and will ship for free to the lower 48 or you can pick up near North Hollywood. Camera Compatibility Aaton 7 LTR, 54 LTR, LTR-X, XC, XTR, XTR+, XTR Prod, XO+, X Prod, 35MM (Type 1, 2, 3) Arriflex 16SR (1, 2, 3), 16SRHS (1, 2, 3), 35BL (1, 2, 3, 4, 4S), 35-3, 35-2A*, 35-2B*, 35-2C*, 35-3C*, 435, 535, 535B Panavision 16MM, Gold 1,2, Millennium, Panaflex, X, Platinum, Panastar 1,2, PSR Moviecam Compact*** Mitchell Fries** Showscan Showscan Beaumonte Vistavision llm Vistaflex Msm Vistavision Wilcam Vistavision * With Cinematography Electronics 2C CRYSTAL MOTOR BASE ** With Cinematography Electronics FRIES/ARRI MODIFICATION *** With Cinematography Electronics COMPACT PRECISION SPEED PLUS