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My Gear


Found 594 results

  1. Matteo Cocco

    Alexa vs Amira

    Hello everybody, Has anyone of you made a comparative test between Alexa and Amira under the same conditions? According to Tech Specs, both cameras have exactly the same sensor. But is it possible to tell the difference between the two cameras, assuming they are using the same codec and ISO settings, the same lens and t-stop and the same lighting conditions? I´m looking forward to hear your opinions and experiences about this. Thanks, Matteo
  2. Manned Camera Limited Arri AMIRA, lighting and grip rental in SW London Grosvenor Court Grosvenor Hill London SW19 4RX Open from 9am to 6pm, Monday to Friday by appointment. Telephone: +44 (0) 7717 514 991 Email: kieron@mannedcamera.com Website: http://mannedcamera.com Facebook: http://facebook.com/mannedcamera Twitter: http://twitter.com/mannedcamera Manned Camera works in partnership with Decode, a long established and well respected camera and grip rental company in SW London, and are proud to be amongst the first to offer Arri AMIRA hire in the UK. We offer camera, grip, lighting and lens hire. If you are looking for help with your project we can also offer a Manned Camera service. Manned Camera was established by filmmaker Kieron Jansch with the goal of improving his filmmaking; Kieron is particularly keen to develop his skills in lighting for narrative fiction. As a result Manned Camera is happy to discuss very preferential rates for projects where Kieron can accompany our equipment, and assist or shadow an experienced Director of Photography.
  3. $10. paypal is fine. please contact me at jason@CinemaOxide.com
  4. For Sale: MItchell Light Weight Geared Head - Black. I purchased this 3 speed geared head directly from Panavision L.A. - it was in brand new condition and has seen little use since then. The action on the gears is extremely smooth - no slop at all. Panavision did their usual dilligence and have slightly modified the head for smooth operation. This Mitchell Model #135R500 with built in tilt plate comes with: Head # 276, 150mm flat base tie down, 2 wheels, Riser, Panavision shipping case and original owners manual. I am the only owner. This head has been well cared for as you can see from the photo. Price: $5200. + shipping Randall Love - Director of Photography
  5. First off, I want to say thank you to all the people who contribute to this forum - I’ve been lurking around for quite some time without posting much. You know the old adage... “If you don't have anything nice to say, don't say anything at all”... Well, by nice I mean something that could further the discussions - but quite often I find the answers before needing to ask! Anyway, I just got myself a s16mm Arriflex SR2 (PL mount), and I'm looking into prime lens options. I have a collection of 35mm and above format primes, but none suitable for this smaller gauge (they can obviously cover it but finding a good wide/normal lens out of my collection is a stretch). I’ve read in various places that some 16mm format lenses aren't compatible - they cover it but don’t physically fit with the Arri SRII or SR1. My question; what prime lenses which cover and/or are designed for super16 are compatible with my SR2 in the wide to normal focal lengths. I'm not looking for the newest and greatest optics available, but instead some quality vintage glass with character. Old lenses from the likes of Cooke, Schneider, Zeiss, Meyer, and probably any old German or Russian knockoff's interest me. Any help or direction would be greatly appreciated.
  6. An amazing take on the ephemeral nature of digital technology
  7. Hey guys, what sort of lights would be producing this shot? 2K Arri Fresnels? Any gels and fill? Thanks!
  8. Selling a Arri S16 11-110 T2.2 (PL Mount) Zoom in very good condition. It fully covers the S16-Format and is in very good functional and optical condition. No scratches, no dust or fungus. It works smoothly and has been well cared for. For questions simply message me. Asking price: 5000€ (shipping not included) Located in Vienna, can be shipped within Europe. More pictures upon request.
  9. Selling an ARRI Arriflex SR2 S16 Kit ... http://www.ebay.de/itm/281357532395?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649 2500€ or best offer, shipping within Europe.
  10. Hi, This is my firts post on this forum so i would like to share with you my recent showreel: Im, 24years old cinematography student from Polish national film school in Łódź. it was shot on 35mm, arri alexa, red epic, red scarlet, sony f3 Watch, and comment :)
  11. Greetings, I'm looking to purchase ground glass and matching glow mask for an ARRI 535B. 1.85 glass preferable, but 1.78 and 4.20 are also welcome. Thank you for your help.
  12. I've asked this on numerous forums, but I'm trying to get the widest opinion possible. Working freelance dop/camera at my age, I feel the need to own the camera to obtain most of my jobs. Sucks, but oh well. A lot more people rely on the DOP/Camera op to own their own gear than spending extra on rental. Which is fine. I need a camera anyways. I'm in need of a professional cinema camera that wont let me down and will last me years to come. I shoot music videos, commercials, and films., a lot of times smaller productions where I'm working solo with limited resources. Some things with big budgets and great lighting, sometimes very low budget with limited lighting. I have a budget, but I can break it if its worth it. Being young still, it would be the biggest expense. Other may think I'm crazy. But I need it for business. To make money and not just own a camera to be a big shot. Sony F5 + R5 - $35,000 Sony F55 - $28,500 Scarlet + Dragon + Motion Mount - $35,00 Epic + Motion Mount - $35,500 *Epic + Dragon + Motion Mount - $45,000 *Arri Alexa HD - $50-65,000 *WAY over my budget, but may be worth it? The Sony F55 seems to be the cheapest. Has great features (Global Shutter), but no raw, unless paired with R5 recorder bringing it to about $37,000. In a way, these cameras are almost the same price. Give or take a few. Id love to get the cheapest one and get accessories for it, which id still need. PROS: Sony F5 + R5 - high frame rates, raw Sony F55 - Cheapest, global shutter, high frame rates Scarlet + Dragon + motion mount - High DR, global shutter, raw, most popular choice Epic + Motion Mount - High frame rates, global shutter, raw, most popular choice Epic + Dragon + Motion Mount - High frame rates, High DR, global shutter, raw, most popular choice Arri Alexa - Best overall image?, raw?, high frame rates? CONS: Sony F5 + R5 - No global shutter, not as well known :mellow: Sony F55 - No Raw, not as well known :mellow: Scarlet + Dragon + motion mount - Noise, Limited frame rates, many user problems <_< Epic + Motion Mount - Noise, many user problems <_< Epic + Dragon + Motion Mount - Noise, many user problems, High in price! :( Arri Alexa - unknown about arriraw, no global shutter, HIGHEST in price :angry: Id get the Sony, F55 or F5 + R5, but it isnt that well known. Isnt as in demand as I hoped for. If its all quiet and not used for cinema as much as broadcast, Id probably want to go a different route like RED as they are well known and used in cinema primarily. But performance is a let down.
  13. We are wrapping production and no longer need our camera package. Asking price is $80,000 for the entire package. Open to offers. If interested call or email: gina[at]opsociety.org 303-444-2454 ARRI ALEXA Base Kit & Accessories Arri ALEXA Camera, S/N 3497 With 120 fps Hi-Speed License, 343 Shoot hours Arri ALEXA EVF-1 Electronic Viewfinder , S/N k2.72008.0-3799 Arri ALEXA VMB-2 Viewfinder Mounting Bracket , S/N n/a Arri ALEXA Viewfinder Cable Short (0.35m/1.2ft) KC 150-S, S/N n/a x 2 Arri ALEXA VEB-1 Viewfinder Extension Bracket , S/N k272000.0-veb-1 Arri ALEXA Viewfinder Cable Medium (0.65m/2.1ft) KC 151-S, S/N K2.72013.0 x 2 Arri ALEXA Ethernet Cable (3.00m/9.8ft) KC 153-S x 2 Arri ALEXA 12V Accessory Cable KC 154-SP-S 2 221W / 24v Power Supply, S/N RBOA346515 10 ft 24v 3-Pin Power Cable for Alexa Arri ALEXA Battery Adapter Back for Gold Mount (BAB-G) x 2 Arri Alexa SxS module ProResCodec option QuickTime File Format Option for Alexa Arri BPA-1 Bridge Plate Adapter for ALEXA Arri WA-1 Wedge Adapter for ALEXA Arri LB-1 Leveling Block for ALEXA Arri SP-3 Shoulder Pad for ALEXA Arri CCH-1 Center Camera Handle for ALEXA Arri HEB-2 Handle Extension Block for ALEXA Arri BP-12 Bridge Plate Set - 19mm Innerspace Case for Alexa Body with Accessories Sony 32GB SxS Card 4 ET 24'' Arri Dovetail for OC-2060 European Quick Release Plate OConnor CFF-1 Follow Focus One Package Arri Flex Shaft Knob Hand Wheel Element Technica 24'' 19mm Ultra Rod Element Technica 12'' 19mm Ultra Rod Element Technica 8'' 19mm Shorty Ultra Rod Universal Rod Adapter 15mm-19mm O-Grips Double Jointed Set Arri LS-9 Snap-on Low Support, S/N 6088 ALX-15MP Cheese Plate Anton Bauer QR-QUAD-PT Sandwich Adapter x 4 PowerTap Anton Bauer QR-DSR Gold Mount IDX A-AB2E - 3-stud to ENDURA V-Mount Adaptor Other Plates- 3 pin to V-Mount/3-pin to Dtap Portabrace Bag for Arri Alexa (COABM) - NEW Batteries/Chargers Battery Kit 1 Custom Cut Innerspace Case for 4 batteries + charger Anton Bauer Hytron 140w 14.4Vv NiMH Battery x 4 Anton Bauer TM4 4-Position Simultaneous Fast Charger , S/N 87611077 Battery Kit 2 Custom Cut Innerspace Case for 6 batteries Anton Bauer Hytron 140w 14.4Vv NiMH Battery x 6 Battery Kit 3 Custom Cut Innerspace Case for 4 batteries + charger Anton Bauer Hytron 140w 14.4Vv NiMH Battery x 4 Anton Bauer TM4 4-Position Simultaneous Fast Charger , S/N 87611094 Battery Kit 4 Custom Cut Innerspace Case for 4 batteries + charger Anton Bauer Hytron 140w 14.4Vv NiMH Battery x 3 Anton Bauer TM4 4-Position Simultaneous Fast Charger , S/N 87611160 Tripod/Head Kit System Cine 30 Sachtler Tripod System, includes: 3006 Cine 30 HD 150mm fluid head 6290 Cine 150L tripod 7023 ground spreader 3372 front pan bar Tuffpak Tripod Case Hi Hat 1004 Lo-Hat MITC Filters Diffusion Set, includes: Tiffen 4x5.65 Black Diffusion FX 1/4 Filter Tiffen 4x5.65 Black Diffusion FX 1/2 Filter Tiffen 4x5.65 Black Diffusion FX 1 Filter Tiffen 4x5.65 Black Diffusion FX 2 Filter Tiffen 4X5.65 Black Diffusion FX 3 Filter Tiffen 4x5.65 ND .3 Filter IRND Set, includes: Tiffen 4x5.65 IRND 0.3 Tiffen 4x5.65 IRND 0.6 Tiffen 4x5.65 IRND 0.9 Tiffen 4x5.65 IRND 1.2 Monitoring Sony PVM-740 OLED Professional Display Monitor, S/N 3000149S, includes: Portabrace Feed Bag for PVM740 TV Logic 5.6' HDM 3G VFM + Hood, S/N VF056K3425, includes: Noga DG6145CA Cine Arm with 1/4'' 20 and 3/8'' 16 mounts Pelican Storm Case IM2200 - Fits TV Logic Monitor WEVI CamWave CW5-HD, S/N U5ZD01393
  14. I am looking to sell my set of 5 Arri/Zeiss Ultra Prime lenses which have only been used for testing and are virtually brand new. Comes with orinal Zeiss boxes and warranty. Great set with some gorgeous focal lenghts not usually found in the standard set. 16mm T1.9 28mm T1.9 40mm. T1.9 65mm T1.9 100mm T1.9 Located in Los Angeles. Thank you!
  15. Hello everybody. It comes to a time where you sell or die. So I'm selling. All my 16mm Film equipment. I'm listing in here first before going to eBay, as you guys might be interested in something and I can spare some of my time and a but of money that would go to to ePay. All I can guarantee is pristine/excellent. PM me and I can check and send you the best price I can do so I might sell some of it quick and painless. Here we go (separated by groups I intend to sell, not happy to split unless you make an offer I couldn't refuse: 1 Arriflex 16s Body in pristine Condition (being serviced by Les Bosher in UK). 2 Arri 16 S magazines (1x12VMotor and 1X 8V motors) 1 Tobin Rev Motor TXM 23 1 Arriflex 16s Body in pristine Condition (being serviced by Les Bosher in UK). 2 Arri 16 S magazines (2X 8V motors) 1 Tobin Rev Motor TXM 23 1 Bolex EL 16mm (late model, with Original Battery re-celled by Chambless Equipment USA) 2X Bolex Magazines 1 Take-up Motor 1 Kern Vario Switar 10-110 POE 1 Bayo-C Mount Adapter 1 Original (beated) Box. Some filters and other extras (Cables, etc) 1 Bolex Rex 5 ULTRA 16mm (by Bernie o'Doherty) 10, 16, 25 (collimated by Bernie too) & 50mm Lenses (recently acquired), all RX lens in pristine condition, no nasties of any kind, perfect images. Barely seen marks in the barrel in some (these will be the hardest pieces of my selling kit). 1 Original Bolex handle. + small extras, filter, etc. That's it. Let me know if any real takers around, just PM me. I can ship worldwide (from UK). A reminder that I'd make my best for a fair price. just please bear in mind they're all in great shape, even for collectors. And alsoI'm servicing the Arriflex with Les Bosher to be sure they will be sold working and in great shape. Thanks, Flavio
  16. Has anyone out there tested the ARRI Alexa XT's Open Gate mode (1.55:1) on 2x Anamorphic Lenses verses a Dragon at (3:2) with Ana's for close to a 3:1 output ratio with cropping? Or even just the two against each other at all. I cant find anything online at all. Any thoughts on this would be appreciated. Cheers! Karl Janisse
  17. Hello, I'm in the market for a super-16 camera with video assist/tap, 400ft mags, crystal sync at 24/25. Got my eye out for an Arri SR2, SR3, or an Aaton, although a reliable Eclair NPR could do the trick. A camera in Europe is preferable as import duty costs a fortune. Looking to spend £1000 - £2000 ($1650 - $3300) depending on the model and condition. Thanks, Greg
  18. Ok, here's the deal. Consider this a listing for a great Tobin Crystal TXM-22 motor. It comes with a camera, but just think of that as a bonus since the camera may not be worth a whole bunch. I've never shot with it, or with the included mags. I bought it off Craigslist from a DP/Operator on the other side of the country about a year or two ago and one technician who looked at it told me some of the design choices in converting this camera to S16 looked risky and shooting with it may not be worth the risk. I've heard this is one of two or three 16S cameras converted to S16/PL mount by Van Diemen in the UK. It seemed to run fine and the previous owner promised he shot lots of footage on it with no problems so maybe I'm just being paranoid. But! It came with this awesome motor. I actually like it better than the final refinement, the TXM-22A, since the "A" model can't run in reverse. Also included are two of the rare 200' mags for the 16S, although as I mentioned, I never tested them, so this is all "AS IS". There are also two 400' 16S mags. Each mag has it's own torque motor, and I was told by the person I bought these from that they've all been upgraded to be 12V compatible. The camera has been upgraded with a 4-pin Cannon (aka XLR) power connector instead of the old Arri 2-pin "banana plug". It's also been fitted with a 80fps max tachometer (I believe taken from an Arri 2C H.S.) There is no case for the four mags. The camera body case is a bit old looking but still latches closed firmly. The foam is a bit of a mess. No power cables or batteries or lenses are included. Selling for only $800!!! Available to see in West Hollywood through this Saturday. After that, get in touch and I can coordinate a time when you can check it out. For convenience, preference will be given if there is a buyer in the LA area who will pick up in person and pay cash. Pictures! http://www.flickr.com/photos/95212445@N02/sets/72157633331237723/ Please send me a private message if interested. Thanks for looking! Rich
  19. HI All. Selling my Arri 16s. Just serviced by Les Bosher in UK. Arri 16s Body + 2 Magazines (1 12v by Tobin and 1 8V) + 1 Tobin TXM22a Motor + Original Arri 8V Motor + Original Matte Box. Kindly accepting offers before going for ePay. Pictures sent on request (attached only one as is allowed 100kb). Thanks, F
  20. Excellent Condition. Please contact Rebecca 206.251.9526 ARRI Follow-Focus (see pages 39-41) ARRI FF3 2-SPEED FOLLOW FOCUS FOR 19MM RODS ARRI, RED, PANAVISION 1 - ARRI FF3 Follow Focus 1 - ARRI FF3 Right Focus Knob 1 - ARRI FF3 Right Focus Knob Extension 1 - ARRI FF3 Prime Lens Gear 1 - ARRI FF3 Zoom Lens Gear 2 - ARRI FF3 Marking Disks 2-speed follow focus for video and film cameras. 2-Speed Follow Focus Follow Focus For Video And Film Cameras Efficient Snap-On Mounting Flexible Mounting Options: • Snaps Onto Lightweight Rods • Snap-On Adapter For 19mm Rods • Compatible With FF-4 Accessories
  21. Excellent condition Matte Box for sale. Contact Rebecca 206.251.9526 MATTE BOX (see page 43-49) ARRI PRODUCTION MATTE BOX 4 X 4 MB-16 PACKAGE 1 - ARRI MB-16 4 X 4 Matte Box (19mm) 1 - ARRI MB-16 Arm (19mm) 1 - ARRI MB-16 Step Down Bellows 1 - ARRI MB-16 138mm Retaining Ring 1 - ARRI MB-16 80mm Step Down Ring 1 - ARRI MB-16 87mm Step Down Ring 1 - ARRI MB-16 2-Stage Filter Holder 2 - ARRI MB-16 4 X 4 Filter Tray 1 - ARRI MB-16 4 X 4 Eyebrow ARRI MB-16 HARD MATTE SET(5) 12-180MM PACKAGE 1 - ARRI MB-16 Matte 16mm/12mm 1 - ARRI MB-16 Matte 16mm/16-20mm 1 - ARRI MB-16 Matte 16mm/24-28mm 1 - ARRI MB-16 Matte 16mm/32-40mm 1 - ARRI MB-16 Matte 16mm/50-180mm ARRI 19MM SUPPORT PACKAGE 1 - ARRI Sliding Base Plate BP16 (19mm) 1 - ARRI Dove Tail (19mm) 1 - ARRI Support Rod 9.5” (19mm) 1 - ARRI Support Rod 17" (19mm) ARRI ROAD CASE ARRI Accessory Case 22" X 5" X 10" 4 X 4 PRODUCTION MATTE BOX MB-16 The standard equipment of the 4" x 4" production matte box MB-16 includes a 2x filter stage for two rotatable 4" x 4" push-through filters. One of the filter frames is toothed for operation by turning knob or flexible shaft. At the rear of the filter stage there is a receptacle for 4 1/2" filter rings and for an anti-reflection ring. The 2x filter stage can be interchanged against other filter stages. For easy lens changing the matte box swings open 90°.
  22. Hey guys, So we're shooting the first ten minutes of our feature film this month and I'm trying to finalize my lens package. We can afford 5 Super Speeds (35, 50, 85, 100, 135) but I don't know how low I can go on 16mm. If it can handle something like an 18 or a 21, or even a 24, I would be very interested. for more information on our movie, check us out at po.st/sowhat
  23. Hey guys, We are currently selling a Zeiss Distagon S16 super speed lens, MKII, scale in feet & metric, ARRI PL-Mount, 16mm, T1.2. Let me know if you are interested or have any questions.
  24. Located in Los Angeles Vintage - 16 MM Arriflex film camera with footage counter Build in West Germany - BL 54085 Hand mount Mounted with Angenieux lens f. 9.5 - 95 mm zoom 1:22 no. 1368423 Built in France. 1 - 400 ft film magazine 1 - follow focus 1 - Matte box 1 - Crystalok Camera speed controller, model CRBL - 5 from Cinema Products, LA Foam fitted Anvil Case 27" by 22" by 10" Camera is used and operational the last time used. Personal camera of Emmy award winning cinematographer, Robert Collins Sold as is and without any expressed warranties. $1500.00 Available for viewing nancybevins@gmail.com Several Photos at Craiglist listing: http://losangeles.craigslist.org/wst/pho/4323599700.html
  25. For those of you who've actually used it, is the ARRIFLEX 416 Plus HS louder than the regular speed range 416 models? The former is rated at 29 dB while the latter two are 20 dB. However, unless I'm misinterpreting the specification, I suspect the sound level measurement is referring to operation at the top speed (150 fps vs 75 fps). Or does it actually make more noise at standard frame rates like 24 fps?
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