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  1. For sale is an Arriflex / Carl Zeiss Standard Speed 40mm T2.1 Mark II PL mount cinema lens. This lens has had very little use and the condition shows. No scratches, marks, oil leaks, or any other possible issues. Just an excellent, near mint condition lens. The 40mm focal length is quite rare. Price is $4500 FIRM. Located in Los Angeles. Thanks for looking!
  2. I am selling my Arri Alexa Plus 16x9 High Speed camera package. I am located in Los Angeles. Operating Hours: 2696 Asking Price: $25,000 Link to Photos: https://www.dropbox.com/home/Arri%20Alexa%20Plus%20Photos Email: jhonore31@gmail.com Arri Alexa Plus Camera Body - Serial #2735 High Speed License Arri EVF-1 Electronic Viewfinder Arri VMB-3 Viewfinder Mounting Bracket Arri Viewfinder Cable Short Arri Viewfinder Cable Medium Arri CCH-1 Centre Camera Handle Arri HEB-1 Handle Extension Block Arri WA-1 Wedge Adapter Arri BPA-2 Bridge Plate Adapter Arri SP-4 Shoulder Pad Arri BAB-4 Battery Adapter Back for Gold Mount AC Power Supply 3 x 32GB Sony SxS Memory Card 2 x 64GB Sony SxS Memory Card Sony USB 3.0 Memory Card Reader Lexar 2GB SD Card Swiss Tool - Large & Small Custom Hard Case
  3. Hi everyone! I am selling a fully ready kit for shooting. Red Scarlet Mx camera on Canon mount. Registered on me/ 2 200 hours of shoot/ regularly Red serves. Kit contains Camera+Red monitor+batteries+mount+followfocus Tilta+4 64 Gb cards+card reader+handheld (kit jn photo it’s presented not fully) Copmpact Prime Cp 2 lenses (15mm(T2.8),21mm(T2,8),35mm(2,1),50mm(T2,1),85mm(T2,1),100mm(T2,1),) Pl mount +case Sachtler 25 Plus (Horizont Plus) 150 mm tripod + cine 2000 tripod + hard case. Director’s monitor Panasonic 17. Everything is in good condition and is located in Moscow Russia. 31000 $ USD (or best offers). Call, +7 916 815 O5 96 or houdh235@rambler.ru. Separate sale is also possible.
  4. Lenses For Sale (Pre-Owned): Cooke S4/i 18/25/35/50/75/100mm Lens Set Kowa Anamorphic 40/50/75/100mm Lens Set Leica Summicron-C 18/25/35/50/75/100mm Arri 16/24/32mm T2.1 Macro Lens Set Arri Master Prime 18/25/35/50/75/100mm Lens Set Arri Master Prime 27mm T1.3 Lens Metric Scale Arri Ultra Prime 16/24/32/50/85/135mm Lens Set Zeiss MKII Superspeed Prime Lenses 18/25/35/50/85mm email sales@broadcastsolutions.com for pricing and details.
  5. For Sale : LENSES: Arri Master Prime 27mm T1.3 Lens Metric Scale Zeiss 35mm CP2 Super Speed Lens Zeiss 18mm CP2 Super Speed Lens Zeiss LWZ.2 15.5-45mm T2.6 Lens Zeiss Digizoom 6-24mm B4 Mount HD Lens 2 Available Zeiss Classic ZF.2 Distagons in F Mount (Nikon Mount) with Duclos Cine-Mod Zeiss CP2 Super Speed 35/50/85mm T1.5 Lens Set Includes Case Angenieux Optimo 28-76mm T2.6 Zoom Lens Angenieux Optimo 16-42mm Zoom Lens Angenieux Optimo 30-80mm Zoom Lens Angenieux Optimo 17-80mm Zoom Lens Angenieux Optimo 24-290mm Zoom Lens Angenieux 5.6-61mm Cinema B4 Mount Lens 2 Available Fujinon Cabrio 19-90 Zoom Lens Fujinon Cabrio 85-300 Zoom Lens Arri/Fuji Alura 30-80 Zoom Lens Red 18-50mm T3 Zoom Lens Excellent Condition Arri/Fuji Alura 18-80 Zoom lens Includes: 2-18" New Stainless Steel Rails,15 &19mm Lens Supports,Arri LMB 4 Clamp On Matte Box Adapter For Alura & 2x New 6.6 to PSR Filter Trays,Arri LMB 5 Clamp On Matte Box Back Adapter For Alura, Alu/Stainless Double Shock Resistant Flight Case 2/3" Lenses Canon HJ14EX4.3B IRSD PS12 Canon HJ22ex7.6B Fujinon HA22x7.3BERM Fujinon HA23x7.6 BERM-M58 Fujinon HA25x16.5BERD Fujinon ZA12x4.5BERM-M58 Zeiss Digi Prime 70mm Zeiss Digi Prime Lens Sets Available CAMERAS: Vision Research Miro Package Vision Research Phantom Flex 2K 32 GB Package Vision Research Phantom Gold 32GB Package ARRI Alexa XT Camera Package ARRI Alexa-M 4:3 XR Camera Package ARRI Alexa Studio 4:3 Camera Package Reduced ARRI Alexa Plus 16:9 Camera Packages ARRI Alexa EV 16:9 Camera Packages Red Epic Camera Package Red Epic Dragon Package Red One MX Package Sony F5 Camera Package Sony F65 Camera Package Sony HDC-1500 HD Video Camera w/HDCU 1500 CCU Sony NEX-FS700U Camera Package (2 Available) Sony F800 Camera Sony HDW-750P Panasonic AJ-HPX 3700 Camera Panasonic AJ-HPX2700 Camera Package Canon C500 PL Mount Camera Packages (2 Available) Available With The C500 Cameras CD Odyssey 7Q Monitor/Recorder Canon C300 Camera Package Panasonic AG-HPX370 Complete Camera Package Includes:Sachtler Tripod, Lectrosonics,Marshall Monitor & Misc. Email For Complete List. Fly Pack System : Email For Complete List Of Equipment Included CAMERA MISC.: Cam Mate T18’ 2000 series with Dutch Head Vision Research 512GB Cinemag II For Flex 2K,Gold & V Series Cameras Sony CA4000 4K Fiber Optic Triax Camera Adapter NEW Sony SR-D1 Card Reader Sony SR-PC4 w/10GigE Card SRMemory Data Transfer Sony RM-B750 w/Cables (2 Available) Sony HDVF 35W Viewfinder NewTek Tricaster TCXD850, 22-Channel HD/SD Live Production Switcher, Rack Mount Form Factor, 8 External Sources, 8 Virtual/Mix Ch, Removable Storage,Custom Rack Case On Wheels GRIP TRUCK : 1999 Freightliner FC-70 3 Ton Grip Truck, 70K miles, 26,000 GVW, Walco Liftgate. Comes With Complete Grip Package. Email For Pics & Grip List. Looking For : Preowned Arri 416 Camera Packages Vision Research Flex 4K Camera Package Zeiss Master Primes Arri Ultra Primes 16,24,32,50,85 & 135mm Cooke S4i Lens Set Canon 30-300 Lens Sony RCP750 Remote Control Panel
  6. I didn't want to create an account on the steadicam forums for this one question, so thought I would bring it here to start off with. I'm focus pulling on an Arri 416 super 16mm shoot this month, and the DOP has told me that there will be some low mode steadicam shots. The rental house told me that the camera being upside down wouldn't be a problem, I have read on other sources that the film potentially could get scratched if the camera is held upside down. I'd rather avoid any problems, so I was wondering if anyone knew of a low mode bracket for the 416? Or a general bracket for all cameras, to allow the camera to be mounted to the steadicam plate using the top handle, to avoid spinning the camera upside down for the low mode filming.
  7. I'm working on a short film with some other students, we are all working with the 416 for the first time. I'm going to be focus pulling, but I am still going to take the opportunity to have a go at loading the camera too. I went to a nearby rental house today to check the kit out, and it doesn't seem too daunting. I loaded on an Sr3 job last summer, which was my first time working with any kind of film (aside from super 8mm), so I certainly have less fear this time round. Apart from the feed side of the magazines being the opposite way round, and the extra step that involves entering the take up side, exiting to the loop, and back into the take up side, it doesn't seem overly difficult. It would be great to hear any loading tips that anyone might have, I'm sure there are hundreds of dos and don'ts associated with this camera and it's loading procedures, the kind of things you only learn from being told, more than experience actually loading. In terms of sharps, I have plenty of practise pulling off marks and judging distance on digital 35mm cameras, so I'm fairly confident about pulling without a monitor for super 16mm. It's mainly the other responsibilities I would like to hear some advice on, such as everyones preferred way of 'checking the gate' at the end of a slate. What way would you clean the gate if an emulsion hair was spotted in the gate? I've read up numerous sources, including the AC handbooks, but would be great to hear some other opinions from different camera assistants. Is there anything else I need to be aware of when working as a 1st alongside the 416? Anything I should be keeping my eye on throughout the day?
  8. Hi everyone. I recently purchased an Arriflex Super16 SR-II and I am now looking for the following accessories: -ARRI 4x4 Swing-Away Matte Box -ARRI Lightweight Support (preferably with the 15mm rods) -ARRI Hand-grip If you have any or all of these items for sale, please PM me. Thanks a lot.
  9. For sale is my personal Lomo anamorphic round front set: 35mm Lomo Anamorphic T2.4, PL-mount 50mm Lomo Anamorphic T2.4, PL-mount 75mm Lomo Anamorphic T2.4, PL-mount All lenses are optically and mechanically in perfect condition with smooth aperture and focus operation. All have stainless PL-mounts, and focus gear rings. No scratches, no fungus, The lenses are ready for shooting. Also included: 2 Cases, front and rear caps. New York City checkout can be arranged. Price: $25,000.00 Contact woftam@erols.com
  10. I have a few random mags for cameras I don't own. They're untested but look to be pretty clean inside. Mechanically everything looks to be in good shape but they haven't been tested. Arri 35 BL-3 400' Mag Arri 35-BL-3 1000' Mag Mitchell 35mm 400' Mag Mitchell 35mm 1000' Mag Photos here: https://www.flickr.com/photos/friolator/albums/72157664038315513 I'm willing to sell them as a lot or separately. Make offers! Shipping would be extra (or if you want to give me your UPS or FedEX account for shipping, we can do that). They're located in Boston so if you're local you can pick up in person or come check them out.
  11. Arri Alexa Plus for sale. High speed licence and lots of accessories included. PM for more details. $26,000.
  12. Arri Master Prime 27mm T1.3 Lens Metric Scale Email : sales@broadcastsolutions.com for pricing and details.
  13. I was wondering if anyone had any advice on ARRIRAW workflows. I am getting ready to shoot a feature with the D-21 recording ARRIRAW externally to an S.Two OB-1. I am most looking at most likely using dpx sequences for editing, but I was wondering if anyone had some advice in this area. Thanks in advance.
  14. Arri Master Prime 27mm T1.3 Lens Metric Scale Email : sales@broadcastsolutions.com for pricing and details.
  15. Excellent Condition Arri/Fuji Alura 18-80 Zoom lens Includes: 2-18" New Stainless Steel Rails,15 &19mm Lens Supports,Arri LMB 4 Clamp On Matte Box Adapter For Alura & 2x New 6.6 to PSR Filter Trays,Arri LMB 5 Clamp On Matte Box Back Adapter For Alura, Alu/Stainless Double Shock Resistant Flight Case Email : sales@broadcastsolutions.com for pricing and details.
  16. Items included with each package. 1x Arri EVF-1 Colour Viewfinder 1x Arri Alex V/F Rod Mount + Rod Cap 1x Arri Extension V/F Arm 1x Arri Alexa CCH-1 Top Carry Handle 1x Arri Alexa HEB-2 Carry Handle Extension 2x 24v 3 pin to 2 pin Fischer Power Cables 1x 2 pin Lemo to 4 pin XLR 12v Monitor Power Cable 1x Short V/F Cable 1x Long V/F Cable 3x XR CODEX CDX-3730 Mags 512GB 1x XR CODEX USB 3 XR Mag Reader 1x Travel Case Email : sales@broadcastsolutions.com for pricing and details.
  17. Hi, I'm looking for a Arri Ultra 16 lens (for Super 16). I would prefer the 35mm but I'm also interested in the 25mm. Scale in meter would be great… but Feet ok also. I might be willing to trade for my 6mm Ultra 16. Hope to hear from you! /Kalle
  18. hello, i have a used like new sony F65 im planning to sell, along with its accessories, below is the list of items and the price Used-like new Sony Digital Picture F65 Camera:- (Excellent Condition) F-65 Camera Body. SR-R4 Digital Recorder. Dual Battery Adapter V-Mount. \\SRK-CP1 Control Panel. Sony HDVF-C30RW Color Viewfinder. SR-D1 Reader. SR-memory Card (2X512GB-1X256GB). Converter V-mount Cable. Power cable limo 8-pin. Rode (2X12'' - 2X9''). Camera Case. price: range between 40,000 -45,000 USD (negotiable)
  19. Hi! I'm shooting a film handheld with the arri alexa plus 4:3 and the focus puller is going to use WCU-4. I have a lightweight matte box that fits 15' rods. When we put the wireless motor on the rods it is out of reach for the lens, being that the rods are too close to the lens for the motor to reach on to it. I'm wondering how we can fit this on without using rods at all. Is this possible? If I clamp the matte box right to the lens.
  20. Hey guys, I'm DP'ing a short film soon and need a little advice. I've not DP'd since exactly a year ago and have stepped away to 2nd AC and trainee in the "real world" so to speak. As such while I'm confident of my abilities on the camera side of things, my lighting experience has been limited to say the least! The script is mostly exterior - the A plot is a man in a car. I was wondering - how should I go about getting a consistent "look"? My plans at the mo are to use two HMI's and fire them at a 12x12 frame w/ two silks to create a big bounce. For closer stuff I made a reflector last year that work really well - it provided a strong eye light (a favorite of mine) while wrapping the subject in light. I've two choices of camera, the Panavision Genesis and the Arri D-21. The D-21 blowout is far more "filmic" and controllable (something I've found the Genesis not to be) but the black are far and away better on the Genesis. I have a lot of experience w/ the D-21 from past shoots, while the Genesis I've only been able to get my hands on a couple times. The D-21 can export LOG-C at 4:4:4 DPX files (no ARRIRAW), but the Genesis can only export REC-709 4:2:2 (no PANALOG), which with me being a post kinda guy is making me lean toward the D-21... but whadda you guys think? For anyone interested, here's the trailer for the short I mentioned, "Loved App" (shot with a Sony F3): If anyone's interested in seeing the full short and providing some critique, I can send the link! Thanks all!
  21. Hi We have and Arri Alexa Classic Camera for Sale located in Mumbai, india. Great working condition. Alexa Classic Camera Body High Speed License Arri View Finder Extension Bracket Arri View Finder Mounting Bracket Arri Centre Handle Arri View Finder EVF 1 with Cable (2 Nos) TV Logic Onboard Monitor with Cable SBS Pro 64GB cards SBS Pro 32GB Cards 2 Onboard Batteries with Charger Arri Bridge Plate Adaptor Accessories Box Alexa Handle Extension Block Arri V-Lok Plate EVF Leveller rod Bridge Plate 19mm Big & Small Rods Follow Focus Arri Sliding Plate Arri Camera Handle(Top Mount) Onboard Monitor Bracket Noga Arm Clip On Matte Box Rings ( Ultra Prime, Master, And Zoom Lens) Arri Camera Power Cables Extra Follow Focus Power Extension Cables Arri Shoulder Pad Arri Right Hand Grip Arri Matte Box 14MB Flight Case Arri Flaps And Masks Filter Box IR ND 6 IR ND 1.2 IR ND 1.8 ND 0.3 (6.6 x 6.6 Size) ND 0.6 (6.6 x 6.6 Size) ND 0.9 (6.6 x 6.6 Size) ND 1.2 (138mm) Diopters (1/2, 1, 2) Clear Glass (Normal) Polarizer Camera Batteries (30V & 24V) Camera Battery Charger (30v & 24v) Card Reader - Sony UPS For Laptop and Monitor Cable Bag SDI Cables : 20 Meters 1 Meter Rain Cover Price: $23,000 Pl contact me on binaykpradhan@gmail.com
  22. Arri Alexa XT Camera Package For Sale (Pre-Owned) Serial # 66XX Hours 1050 1x Arri EVF-1 Colour Viewfinder 1x Arri Alex V/F Rod Mount + Rod Cap 1x Arri Extension V/F Arm 1x Arri Alexa CCH-1 Top Carry Handle 1x Arri Alexa HEB-2 Carry Handle Extension 2x 24v 3 pin to 2 pin Fischer Power Cables 1x 2 pin Lemo to 4 pin XLR 12v Monitor Power Cable 1x Short V/F Cable 1x Long V/F Cable 3x XR CODEX CDX-3730 Mags 512GB 1x XR CODEX USB 3 XR Mag Reader 1x Travel Case email sales@broadcastsolutions.com for pricing and details.
  23. Hey Guys, I'm an aspiring cinematographer and I am wondering how best to spend my money to invest in this field. At first, I was dead sent on buying on new camera (looking at the A7s II or the Ursa Mini); however, I have now begun to consider investing in lighting equipment, and opting to rent a camera whenever the need arises. Basically I'm torn: For $3,000 I could buy just a camera body, or I could get an Arri lighting package (x2 150w, 300w, 650w, 1k) and two 4' 2-bank kino lights w/ ballasts off of Ebay. My questions are: Can anyone provide insight into what would be the best and most beneficial course of action? I also have another question based off of the Kino lights: is the output of a 4' 2-bank Kino the same as the output of a 2' 4-bank Kino? What are the benefits to either or? Lastly, is there a better investment I could make that isn't a camera or lighting equipment? Thanks again, and any insight will be greatly appreciated! -Sam
  24. Arri Amira for sale - $47,000 OBO A great camera in excellent condition. Comes with Premium license and already had 4k UHD upgrade / sensor calibration at Arri Burbank. Purchased new, camera w 4k upgrade and all included items cost $72K Package includes: -Camera Body, UHD upgraded with premium license (prores 4444, 200fps, etc) -Custom hard case for body and camera AKS -Arri PL LDS lens mount -Gold mount battery back for Amira -WPA-1 Wedge plate adapter -BPA-3 Bridge plate adapter -QRP-1 quick release plate -MHB-2 mic adapter bracket -UAP-2 cineplate set -2x Sandisk pro cfast 120GB -2x Sandisk pro cfast 128GB -1x Cfast card reader -Arri USB stick for amira -2x KC-50 straight power cable -1x Coiled power cable for amira -2x Viewfinder cable (short) for amira -1x Viewfinder cable (long) for amira -2x Anton bauer dionic HC batteries -1x Anton Bauer Quad charger 2702 -1x custom hard case for charger and batteries -Arri BP-9 bridge plate set (short) -VEB-3 viewfinder extention bracket Available locally in LA Please contact me at Brianedw@aol.com with any questions more pictures of the package are at: www.https://arriamiraforsale.shutterfly.com/pictures/8
  25. Hello all, Anyone have an Arricam ST package for sale? Or know where I can find one? Thanks, James
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