Search the Community

For Sale : ARRIFLEX 235 Package LIKE NEW CONDITION. Email sales@broadcastsolutions.com for pricing and details. Package includes: (1x) Camera ARRIFLEX 235 Body (1x) Integrated Video Assist System IVS (PAL) (2x) Shoulder Magazines 120m (1x) Ground Glass (TV S35 Safe) (1x) Medium Extension Eyepiece

Hey there looking to buy a complete Arriflex 16mm package, have been looking at the Arriflex 16SR1-3 series. Must be willing to ship to Sydney, Australia. Cheers Sam

Hi friends. I have an Arriflex 16BL with tobin TXM-15 sync that I tried to use today. Its worked many a times before in the past. Today I hit the button to shoot; and nothing happens. What the hell? I take the mag off to see if it was jammed or something; and more smoke than cheech and Chongs car came wafting out of the gear area. Gosh darn it. I take the motor housing off and I see this- 5amp blown fuse. Okay but where was the smoke coming from?? My inching knob is broken as well. Any suggestions? I have all the pieces. The motor still turns by hand, have yet to get the replacement DC fuse. Questions now 1. The motor shows 9,5V motor. I have a 12v 7.5mah battery. Direct leads to a power cable, to Tobin system. Am I over-powering the camera with this battery? Or does the tobin system have some sort of conversion from 12v to 9.5v for the motor? 2. What do you think was the cause of the smoking? Upon inspection of what I could disassemble, I see no melted resistors or plastic or wires, etc. see pictures. 3. Suggestions on replacement of the inching knob? **** pictures to come****

For Sale : Zoom Carl Zeiss 12-120 mm, T/2.4, PL mount As I don't shoot in Super 16 format anymore, I let my little treasures go. And it breaks my heart. From a Zeiss 10-100 mm zoom lens for film camera Arri SR 1 & SR2. Upgraded in 12-120mm zoom by Optex UK company for Super 16 format. PL mount, Macro focus, Chroziel "Fluid zoom" gear. Pristine condition. No scratches on lenses, no cleaning marks, no fungus, no lenses separation, absolutely great ! Just look at the pictures. Suitable on digital cameras as Panasonic ( GH4, GH5, GH5s), BlackMagic ( Pocket & Pcket 4k), Digital Bolex... The "must have" for any Super 16 film camera as Arriflex ( Arri SR1, SR2, SR3, Arri 416), Aaton cameras... Never rented, only for my personal use on documentary films. Full super 16 coverage. No vignette. Payment : bank transfer only. No paypal. More pictures on request. Ask for shipping taxes... Price : 2200 Euros.

Selling an Arriflex 24 FPS sync motor. I recently purchased the motor for my Arri 16S, only to learn it was for the Arri 16BL once it arrived. Like most vintage Arri products it's made mostly of metal and pretty much feels indestructible. I have no way of testing it but it looks to be in decent shape on the outside. All of the pins are accounted for on the power input and the plastic teeth on the motor wheel are intact. https://www.ebay.com/itm/362444487455?ul_noapp=true

Selling an Arri Alexa XT in great condition with approximately 1600 hours. Comes with: Arri Alexa XT Camera Package Includes: Arri Alexa XT Camera Body Serial # 6714 Anamorphic 4:3 License & Open Gate Pair of Rods 15mm 12V Power Supply #12VPS Alexa Electronic Viewfinder #AEVF1-5992 Alexa Shoulder Pad #ASP4 Alexa 15mm Bridge Plate #BP-13 Alexa Bridge Plate Adapter #BPA2 Alexa Ethernet RJ45 3M #CBLE-KC153 Alexa Viewfinder .65M #CBLE-KC151 Alexa 12V Accessory XLR4 L2 #CBLE-KC154 Alexa 24V Camera Power F2 XLR3 #CBLE-435P USB3 Cable #CBLE-USB3 Alexa Viewfinder.35m #CBLE-KC1Alexa Center Handle #CCH150 Alexa Center Handle #CCH1 4X Codex 512GB XR Capture Drive #CXCD5 Alexa XT SXS Adapter #CXSA Codex Single Dock USB3 #CXSDK ARRI EL3 Eyepiece Leveler #EL3 Alexa Handle Extension 2 #HEB2 Alexa Leveling Block #LB1 Arri Lens Support 15mm #LS10 Base Plate Arri VEB3 Viewfinder Ext Bracket #VEB3 Alexa VMB3 Viewfinder Bracket #VMB3 Alexa Wedge Adapter #WA1 Asking $29,500 USD OBO Please feel free to message for pictures or more info

Hi, Looking into purchasing a damaged 35mm camera body. I come from a mechanical engineering background and would love get my hands on something that i can try fixing as a project. Thanks.

Selling a Arri 416 Plus. Here is a list of what is included. Please email me for pictures and more information on pricing. evancmwest@gmail.com - 416 Plus Body w/ PAL IVS - 3x 416 400' mags w/ covers - body cover - Extended magnifying eyepiece - 19mm baseplate - euro quick release plate - left side rod holder - covers for eyepiece and ivs - 416 shutter tool - 1x body case - 1x mag case

For sale an Arri Quick Release Plate (QRP-1 / K2.0000399). It has been used only a couple of times. Works perfectly. The paint has some minimal wear. Price: 756$ Item is located in Zürich, Switzerland. Ebay link: https://www.ebay.com/itm/173381457410?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649 Check the ebay link for more pictures. For any questions, feel free to contact me at vanja.tognola (at) gmail (dot) com Wish you all a wonderful day Vanja Tognola

Looking for a 2 perf Arricam LT if anyone has one for sale. I have a 416 Plus that I could trade also. All the best, Evan

$150 Very convenient item to have if you own an Arri 2C or 3C or 16S or 16M or 16BL or 16SR. The rubber eyecup (in v. good condition) has a spring so when you take your eye away from it, two doors inside the eyepiece close, blocking light and preventing you from accidentally flashing your film while rolling. Diopter adjusts and locks normally. Cosmetics are ok for the age. Glass is pretty clean - a couple of schmutz marks on the inside of the "rear" element as you can see in one of the pictures. Not visible when looking at an image. Located in Brooklyn, NY. Thanks for looking.

This is a rare Cinematography Electronics film/video sync. system. Complete kit from a major Hollywood camera house, ready to go. This was another extra item from an auction lot. These are over $5000 new from C.E.. Sell for $350. Ships in hard case for $25 From the CE spec page: Works with: Aaton 7 LTR, 54 LTR, LTR-X, XC, XTR, XTR+, XTR, Prod, XO+, X Prod, 35 mm Type (1, 2, 3) Arriflex 16SR (1,2,3), 16 SRHS (1, 2, 3), 35-3, 35-2A*, 35-2B*, 35-2C*, 35-3C*, 435, 535, 535B, 35 BL (1,2,3,4,4S) Panavision 16MM, Gold (1,2), Millennium, Panaflex, Panaflex X, Platinum, Panastar (1,2), PSR Moviecam Compact*** Mitchell Fries** Showscan Showscan ILM Vistaflex MSM Vistavision Wilcam Vistavision * With Cinematography Electronics 2C CRYSTAL MOTOR BASE ** With Cinematography Electronics FRIES/ARRI MODIFICATION *** With Cinematography Electronics COMPACT PRECISION SPEED PLUS

Hey all! Shooting a small music video on S16 soon, and wondering what everyone's thoughts are on the Aaton XTR vs. SR3 vs. 416. What are the advantages and disadvantages of each when compared against eachother? I'm seeing XTR packages are almost half the price of the SR3, and our budget is tiny so I'm trying to see what I'm giving up for the cheaper price.

Used Modulus 3000 transmitter for sale. You plug your video tap into it via a BNC cable and it transmits to a UHF TV or UHF receiver hooked to a monitor. This is for analog/SD only. Comes with one antenna and power cable. $250. Will ship for free or you can pick up near N. Hollywood.

$900 Or Best Offer. Very rare item, in very good condition. These were only made circa 1982 for the Arri 3C, but are compatible with the 2C as well. 24 or 25 fps crystal switchable. Or, switch to variable mode (non-crystal) for other speeds. I was told the small 4-pin port is for connecting a speed controller for getting crystal sync at other speeds. Powers from 12V 4-pin XLR connector. Can run forwards or reverse - it has a switch for that. It needs a phenolic gear to connect to the drive gear at the bottom of the camera, but that's included with this motor. The motor has captive screws to attach to your 2C or 3C. No power cable included. This item is currently in Los Angeles with a friend. Thanks, Rich

Colleagues, it's probably strange, but I'm looking for new original screws as an attachment. I hope for your help!

Hi all! I'm interested in pairing the Zeiss CP2 lenses with the Arriflex SR1. Will the flange depth on the CP2s be a able to work with the SR? Is it possible to pair these two? Thank you!

I'm looking to buy an Arri 416. Please reach out if you have one for sale. Thanks, J

Im looking for a quick release for an Arri SR2 and I also want rails for it. Not really sure what to get. I cant find anything that is specific for my camera. Any help or pointers of what will work ok with it is appreciated. Thanks

For sale are a set of Zeiss Super Speeds Super 16 consisting of: Zeiss Distagon f1.2 / 9.5mm MKII (does cover Super 16) PL mount (metric and imperial) Zeiss Distagon f1.2 / 12mm MKI PL mount (metric and imperial, has additional markings by focus puller on camera tape.) Zeiss Distagon f1.2 / 16mm MKII PL mount (metric and imperial) Zeiss Distagon f1.2 / 25mm MKIII PL mount (metric) All four Super Speeds have just been checked, lens projected and approved by the lens master at Take 2 Films London. I've shot Super 16 mm film test footage and the glass mixes wonderfully. The 25mm especially produces a lovely cinematic bokeh. This is a great set of affordable classic cine prime lenses, ideal for Super 16mm film cameras and RED owners. Or for shooting high speed with a cropped sensor. Also for Panasonic GH3, GH4, GH5, BMPCC, BMCC. The optics are in perfect condition, no scratches, no fungus. The mechanics work very well. Cosmetically the lenses are very good for their age. The 25mm's front ring has a mark, probably caused by a clamp-on matte box. Please check the photos. All lenses come with PL mount and front and back lens covers. Price: £4200 Sterling Ebay listing is here: http://r.ebay.com/U7AnD0

Hey everyone, I recently purchased a BL4s package in used but decent condition. I'm pretty excited about the camera but so far have not been able to get it to run. The previous owner stated the camera is running and good to go. The motor turns over but then stops right away. I bought the Arriflex 35 book and have been combing through but it doesn't describe this issue. When I plug the battery in (Bescor 12v 14.4ah) I get a quick beep tone. Then when I flip the cam switch the motor kicks but then stops half a second later. More like a quick jolt. The leds come on and I was able to reset the footage counter. I also checked the fuses and none of them appear to be blown. The camera came with a precision speed controller which I tried as well and that does the same thing. If anyone has any advice that would be great. Thanks!

Please see below the used Arri Film equipment I have available for sale- ARRICAM LT 4 PERF- £7,500 GBP 1 4 perf Movement 1 Glow Mask 1 Gate Mask 1 Ground Glass 1 LT Camera Handle 1 LT Viewfinder Top (Anamorphic) 1 Eyepiece and eyecup 1 Extension Eyepiece ST 1 Frame Glow Module 1 BP8 Bridge Plate 1 Balance Plate 1 19MM/440MM Bar (Pair) 1 Camera to Battery Cable 1 Handgrip with on/off 1 LT To ST Magazine Adapter 1 LT Centre Handle 1 LT IVS (PAL) 1 400'/120M LT Shoulder Magazine 1 400'/120M LT Shoulder Magazine 1 400'/120M LT Shoulder Magazine ARRICAM ST 3 PERF - £8,500 GBP 1 Filter Mask 1 Gate (..UNI...) Format 1 Ground Glass () Format 1 ST Top/Rear Load Adapter 1 ST Top/Rear Load Adapter Cover Handle 1 ST Camera Handle 1 ST Viewfinder Top (SPHERICAL) 1 Eyepiece + Eyecup 1 ST Extension Eyepiece 1 Frame Glow 1 Frame Glow Mask 1 Footage Counter 1 Flexilight 1 BP5 Bridge Plate 1 Balance Plate 1 19mm / 440mm Bar (Long) 1 Camera To Battery Cable 24v 1 ST Rear Load Adapter 1 ARRI ST IVS Video Unit 1 ST IVS Optic 1 400'/120m Studio Magazine 1 400'/120m Studio Magazine 2 Loop Protector 2 Film Core 1 400'/120m Studio Magazine 1 Loop Protector 1 Film Core ARRI 435ES XTREME 4 PERF - £4,250 GBP 1 435 tcm 1 VIEWFINDER - AVF1 1 Filter Mask 1 Gate Mask 1 Ground Glass 1 Glow Module 1 12v On-Board Splitter (Fitted) 1 24v On-Board Splitter (Fitted) 1 Dovetail Shoe (Fitted) 1 435 Carrying Handle 1 435 Wide Angle Eyepiece + Eyecup 1 FE-3 Extension Eyepiece 1 RCU-1 TG Remote Control Unit-Digital 1 RCU-1 Cable (8 Pin - 8 Pin Fischer) 1 FEM-2 1 BP8 Bridge Plate 1 Balance Plate 1 Pair of 440mm Rods (19mm) 1 435 IVS PAL 1 IVS HEAD 1 IVS OPTIC 1 KC-20 POWER CABLE 1 435 400'/ 122m Magazine 1 435 400'/ 122m Magazine 1 435 400'/ 122m Magazine ARRIFLEX 235 4 Perf - £6,500 GBP 1 Ground Glass s185 1 235 Universal Viewfinder 1 235 Eyepiece + eyecup 1 235 Gate 1 235 Carrying Handle 1 Riser Plate 1 Camera To O/B Battery Cable 1 KC-20 POWER CABLE 1 235 - Long Extension Eyepiece 1 Shoulder Pad 1 235 24v On-Board Battery 1 235 24v On-Board Battery 1 235 24v On-Board Battery 1 24v On-Board Battery Charger 1 SBR-1 Side Bracket And Allen Screw 1 Shutter Tool 1 BP8 Bridge Plate 1 Balance Plate 1 Pair of 440mm Rods (19mm) 1 235 Media IVS PAL 1 235 200' Magazines 1 235 200' Magazines 1 235 200' Magazines 1 235 400' Magazines 1 235 400' Magazines MK2 ARRI Wireless Lens Control - £3,750 GBP 1 WMU-2 Transmitter 1 WMU-2 Transmitter 1 WZU-1 Zoom Control 1 WFU-1 Iris / Focus Unit 1 WFU-1 Iris / Focus Unit 1 Straps Fitted To Transmitter 1 Aerial x3 1 Lens Motor - CLM-2 1 Lens Motor - CLM-2 1 Lens Motor - CLM-2 1 URM-1 Receiver 1 UMC-1 Universal Motor Control 1 WAC-1 Battery Charger 1 WBU-1 7.2v Battery 1 WBU-1 7.2v Battery 1 WBU-1 7.2v Battery 1 WBU-1 7.2v Battery 1 Transformer 1 RS 3-Pin Fisher - UMC (UC-CI-S) 1 Focus Disc x2 1 Dovetail Bracket (2 Parts) MK3 ARRI Wireless Lens Control - £6,750 GBP 1 ARRI ZMU-3 Zoom Control 1 ARRI WMU-3 Wireless Main Unit (White Radio) 1 ARRI WMU-3 Wireless Main Unit (White Radio) 1 ARRI WFU-3 Wireless Focus Unit 1 ARRI WFU-3 Wireless Focus Unit 1 ARRI WEB-3 Wireless Expansion Bracket 1 ARRI WZB-3 Wireless Zoom Bracket 1 ARRI KC-105-S Cable ZMU-3A to WRS 1 ARRI CLM-2 Controlled Lens Motor 1 ARRI CLM-2 Controlled Lens Motor 1 ARRI CLM-2 Controlled Lens Motor 1 ARRI UMC-3 Universal Motor Controller (White Radio) 1 ARRI KC-98 Cable UMC-3A to RS Socket (3pin m Fischer) 1 ARRI KC-91-S 1.3m / 5ft Cable for ZMU-3 / CLM-2 Power 1 ARRI WBU-4 Wireless Battery Unit (High Capacity 7.2V/4.6Ah) 1 ARRI WBU-4 Wireless Battery Unit (High Capacity 7.2V/4.6Ah) 1 ARRI WBU-4 Wireless Battery Unit (High Capacity 7.2V/4.6Ah) 1 ARRI WAC-3 Battery Charger for WBU-3/4 1 Fig 8 (C7) to 13a Mains Cable (UK) 1 ARRI Dovetail 3/8" Adaptor for UMC-3A to Alexa 1 ARRI Dovetail 3/8" Adaptor with Lever for UMC-3A to Alexa 2 ARRI Flat Marking Disk for Full Size Focus Knobs 3 ARRI WLCS Aerial 1 ARRI WLCS Hand Strap 1 ARRI Lanyard (Neck Strap) for SXU-1 (2 Parts) Please contact me for pictures or any further information.

ARRIFLEX BL-4 CAMERA SYSTEM - PL MOUNT STUNNING ARRIGLOW! 35MM + SUPER 35MM twist the PL MOUNT JERGEN VIDEO TAP 3x1000ft magazines 2x400ft magazines long viewfinder extension handgrip XLR wires Excalibur Travel Cases for: Arriflex BL-4 body/video tap/xlr wires/handgrip/extension for long viewfinder 1000ft magazines 400ft magazines $6500.00 Free shipping and handling Local Pick Up NYC

For sale is my beautiful 2-perf (Techniscope) Arri 3C (IIIC) camera package. This camera was never a rental and it looks like it's hardly ever been used, it's in such beautiful condition. I've owned it since 2009 and during that time I found and bought an original Arri factory 2-perf conversion kit, which was installed by the technicians at Clairmont Camera in North Hollywood. I'm guessing everyone here knows why 2-perf is so great. But just in case... basically you get twice the run time from the same amount of film. A 400' roll of 35mm film running at 24 fps lasts about 8 minutes instead of the usual 4 minutes. A 200' short end is suddenly not a pain to work with since it lasts about 4 minutes. So that means you spend half as much money on film stock and processing since that's paid by the foot, too. The aspect ratio is naturally 2.40:1 at the gate so it's well suited to that cinemascope look, but much less expensive than anamorphic on film stock/processing (not to mention lens rental costs). If you wanted to shoot 1.85:1 on this camera, you could have the ground glass pencilled with two vertical lines to create 1.85 within the 2.40, and you'd still have roughly twice as much negative area than if you shot 1.85 on Super 16. I know of a feature film that just wrapped which did exactly that. Some recent and beautifully-shot 2-perf films: "Hunger", "Shame", "The Place Beyond the Pines", "American Hustle", "The Fighter", "Silver Linings Playbook", to name a few. Includes: - Arri 3C Camera body with PL mount port cap, body (magazine) port cap, in custom shipping case - Custom-made by Shurco 2-perf 2.40:1 Arri-3 style ground glass, with clear plastic case - Panavision (PV) Mount (PL mount currently installed, centered on Academy, not Super) with some shims - Cinematography Electronics Crystal Motor Base (could also be used with an Arri 2C, best motor you can get for these cameras) - Arriflex 3C Crystal Handgrip Motor (12V) with screws and gear (could also be used with an Arri 2C, a very rare item) - Italian Flatbase Motor Adapter Plate for above handgrip motor (ECE - ROME), untested - Custom Samcine Hand Held Support Brackets for IIC/IIIC in small hard shipping case - 2x 400' Arri 3 mags in a 2-hole mag case - 4x 200' Arri 3 mags in a 4-hole mag case. Note, two of the mags need some minor servicing. One looks like it's never been used - 2x 400' Fromm Shoulder Mags with spare rubber belt drives and 1x adjustable shoulder bracket (no case) - Jurgen's Orientable Video Door for 3C with Sony Color CCD camera - Arri Hand Held Door for 3C - Arri Orientable Door for 3C - Arri Straight Door for 3C with 2x Anamorphic desqueeze lever - Flat cover for above Straight Door if anamorphic dequeeze module is to be removed - Wide Angle Deniz Eyepiece with rubber eyecup that has shutter that can close - Spare Arri Eyepiece with rubber eyecup -push eye against eyecup to open shutter type, helps prevent light leaks - 1x Jurgen's Extension Eyepiece - 1x Arri Extension Eyepiece - 1x Arri Right Handgrip (no on/off switch) Arri Rosette style attachment - 1x Rosette to Rosette extension arm (adapter bracket needed/not included to use with above handgrip). Bracket pictured in hand held mode is not included) - 1x Unknown Brand Balance Plate Top A35/S35 switchable, like BP-9 (for 15mm rods) - 1x Van Diemen Balance Plate Bottom (Dovetail) ~12" - 2x 12V 4-pin XLR to 4-pin XLR power cables, one with a pigtail - 3x Power Cables for Jurgen's Video Door - 2x Medium Carbon Fiber rods (15mm) - 2x Medium rods (15mm) - 2x Short rods (15mm) - 1x SR2/SR3 type LWS 15mm bracket with 2x screw-in extension rods (for attaching to front of CE Flat Crystal Motor Base - Arri grease The inching knob (shutter/frame advance knob) has three holes drilled in it which was done to attach a hand-crank module from Clairmont Camera for a commercial (shot before the 2-perf conversion). Due to the 2-perf conversion, the Cinematography Electronics Crystal motor base does not count footage correctly. Simply divide the readout by half for an accurate footage count. I've created an album on Flickr with quite a few photos. On the wide photo with everything, you may notice two smudges. I've erased two items which I realized after the fact have no relevance or use with this package. I've also included some frame grabs from a music video I made with this camera after the 2-perf conversion. It was a joy to shoot with, performing flawlessly with not one instance of a hair in the gate. It was almost entirely shot with short ends of 200' or less. If you're not familiar with the 3C, you could think of it as the final refinement of the 2C before the Arri 35-3 came out, mostly designed as a result of engineering Arri did to the 2C for the German WW2 film "Das Boot". It has an orientable door which keeps the horizon level as you reposition the eyepiece up or down (on the 2 doors here that let you swivel the eyepiece up/down). It has a more sturdy hinged door (not interchangeable with the Arri 35-3 door), unlike the metal prongs which hold the 2C door to the body. That design was never intended for the weight of a Jurgen's video door and I've seen a few 2C bodies that are wearing out where these prongs grip, making it risky that the door could fall off. The 3C came from the factory with a PL mount, and it has a very nice crystal handgrip motor which is often sought after since it works just as well on the 2C. Something else I like about the 3C, they have a variable shutter, something that's hard to find on a 2C. The 3C also has a rosette for mounting accessories, right by the inching knob. The 2C doesn't have that. This is a beautiful example of the very rare Arri IIIC. The 3C movement is the same as the 2C movement and motors, mags and of course ground glasses are interchangeable. It took me many years to assemble this package so at least initially, I won't consider splitting off pieces of it. That said, feel free to get in touch if you're interested in something, and I'll keep you in mind. Available for $6,500 Or Best Offer. Available to see in NYC or Los Angeles, if you cover shipping costs to LA. For convenience, preference will be given if there is a buyer in the NYC (1st) or Los Angeles (2nd) area who will pick up in person and pay cash. I live in NYC but have friends/family in LA who can coordinate a sale in LA for me. Please check out the pictures and shoot me a private message if you're interested or if you have any questions. Thanks for looking! Rich https://flic.kr/s/aHskwM83a3

Tango/Swing Head in excellent condition. This is the preferred "Version 1" and was only used in a studio environment. Price: 4900.00