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Showing results for tags 'Alexa'.
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It seems I can no longer do this and I'm really not sure why... The button is greyed out. Anyone else experiencing this problem or know how to fix it? Currently running OS X 10.10.5. -
I will be having 2 Epic M Dragons and 1 Alexa Plus with a few months of warranty still left For Sale. If you have an interest please contact me and I will send over the information to you. Barbara@newprovido.com
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Hi you all! I just wanted to inform you that according to my tests the Double Data 's manual verification mode DOES NOT WORK AT ALL in the 1.2.1 (current version) of the software. I did not find this info easily from the web so I thought I should share it in case some users are not aware of this problem. This is just for the "Data Manage" ----> "Verify..." -function and does not affect normal transfers. It can cause you trouble however because the software does not read checksums correctly in this mode because of the bug and may show that the files are OK even if you alter them or remove all of them and just leave the first text file in place which contains the checksums from the original camera media. Because of the bug, the software actually copies checksum data from this file and adds a new text file containing these checksums which it is thinking is the checksum data of the verified files. So, if you look manually through the checksum text files they seem to be OK although they have nothing to do with the new verification round. So, it basically falsifies the checksum data in this manual verification mode and green lights all the files no matter if they are altered or not or even are in the same folder anymore. I contacted the manufacturer and they don't have any bug fix release yet but they are aware of the problem and are working on it, so it is best to not use the manual verification (Data Manage -->Verify... -function) at all with this software until they get a fixed version out. As I said, the bug does not affect any normal transfers from camera card to storage, and is only in the additional manual verification which can be used afterwards if needed. You can also trust the checksum files which the program creates during normal verified transfers. -
Selling an Arri Alexa Plus. It has seen moderate use and all parts in good condition. You can upgrade to the XR module and you essentially have an Alexa XT*. Located in Los Angeles if you would like to examine in person. Photos forthcoming. Included in kit: Lens Cap CCH-1 Center Camera Handle HEB-2 Handle Extension Block VMB-1 Viewfinder Mounting Bracket with Extension Arm EVF-1 ALEXA Viewfinder KC 150-S Viewfinder Cable Short KC 151-S Viewfinder Cable Medium VEB-1 Viewfinder Extension Bracket BP-9 Bridgeplate WA-1 Wedge Adaptor LB-1 Levelling Block SP-3 Shoulder Pad Gold Mount Battery Back ALEXA 24v Power Cable 3 x 64GB Sony SxS Memory Card SD Card KC 153-S ALEXA-ETH ALEXA Ethernet Cable High Speed License Anamorphic License $49k Phone 801-694-7876 or email ryleyfogg at gmail dot com with questions. *no open gate possible
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Arri Alexa EV s/n 3476 For Sale $34,000 Alexa 3476 with 1275 hours High speed license Alexa EVF-1 viewfinder s/n 3757 SP-1 shoulder pad 6' power cable BP-12 set viewfinder cable short viewfinder cable medium 12v acc cable time code cable BPA-1 Leveling block Swiss tool allen driver 5X150 Wiha allen driver 3X75 anton Bauer plate Front handle extension block VEB-1 viewfinder extension bracket 5 Sony SXS cards 32gb Case (Master Cases) Contact Neal email neal@gulfcamera.com
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Hello all, A little back story: I just completed the first week of shooting on a 1 hour episodic television show. Our usual setup is 3 Alexa classics; "A" camera, "B" camera, and a "C" camera/steadicam. Our steadicam body has always been dedicated to that rig, and unless one of the other cameras breaks, we never really press it into service in any other capacity. This is nice, since it allows us to leave the rig mostly configured for the purpose of steadicam, and it can be built really quickly. About a week prior to prep, we found out that "they" wanted to use an Alexa mini as our "C" body this year, to be used on steadicam, and also to be converted for special use when required- handheld inside of cars, hood mounts, etc.... We were all a bit thrown off by this, since we've been using the other cameras for 4 previous seasons, and we know the setup very well. Production didn't give us any additional time to prep (we get 2 days to prep for 22 eight day episodes), and we left the rental house with an Alexa mini that really didn't work for our intended purpose. Some of our issues included the lack of a run/stop cable for preston, lack of camera control without the eyepiece attached, awkward position of the media access door which is blocked by the Arri rod-mounted anton bauer plate (BAP-1), and that the camera weighed too little overall for our steadicam operators liking. I think a lot of advantage comes from the use of the integrated Arri 3 channel handset/MDR, however it wasn't available at the time of prep, and I am not sure they will pay for an additional remote unit, when there are already two other Preston FI+Z's on the show. How are some of you handling the Alexa mini? It seems to me that it lacks a lot of the built-in functionality and ergonomics that are so nice with the other cameras in the line. Has anyone configured it for a studio camera or steadicam body with good success? Thanks in advance for any info.
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The great trailer for this bad boy came out yesterday and I was wondering if anyone had any info on the technical stuff for the movie. I love the look of the movie, looks like it's shot on the Alexa, but can't find any info anywhere. I know it's shot by Maryse Alberti who did The Wrestler. For those who don't know, the movie is directed by Fruitvale Station's Ryan Coogler, it's a personal project of his that he also wrote, following Adonis Johnson, an up and coming boxer, who turns out to be Apollo Creed's son, Rocky's best bud who died on the ring. Rocky becomes his trainer. The great Michael B.Jordan (Fruitvale Station, The Wire, Fantastic Four, Friday Night Lights) is playing Adonis. Here is a link: Apple: http://pdl.warnerbros.com/wbmovies/creed/trailer1/CREED_TRAILER_1_ONLINE-1080.mov YT: -
Hey guys i need to take a decision on this issue. I'll be renting it most of the time. I'm not sure which one is more demanded.
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In SYSTEM , Test Signal On, only shows it in MON OUT and REC OUT. And on the side of the EVF the menu settings show no options of showing color bars. Sup 11.0 Is it not possible?
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We have an Arri Alexa Plus 4:3 XR package available for $59,950. This was a Plus 4:3 upgraded to the XT. bvw@vidgear.com
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Hello everyone, I am new to this forum. I am writing to ask for help everyone. Recently (4.7.15) we have been robbed of equipment "Arri Alexa" and set lens "Ultraprime 1.9". We are a small rental house in Spain (Madrid). I pray help us locate them. The man that I carry is identified under the name of "Samir Amr" of passport Netherlands. Thanks in advance
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Hi all, Hope you are all well. It would be great to get some feedback on my reel. Any comments are welcome. Cinematography Reel https://vimeo.com/115711277 Kind Regards,
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This is a brand new Tiffen T1 IR filter meant to be used with cameras that face far red IR contamination when used with ND filters (Sony, Arri, Blackmagic Design). This filter is new and in factory condition with absolutely no defects, however the mylar bag has been cut open - the filter was never actually used or mounted in a matte box. Delivery includes the original factory packaging, including the protective cover. Local pickup is available in SoCal. $150+shipping - This is half price! PM me or reply to this thread to inquire about purchasing the filter. http://provideocoalition.com/aadams/aadams/story/tiffens_goes_into_production_on_t1_far_red_filter/ http://provideocoalition.com/aadams/story/arri_alexa_and_far_red_a_problem_thats_already_been_solved/ -
Saw this today and noticed a lot of clipping in the highlights. Anyone have similar experiences?...
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I have a Alexa EV with 1841hr for sale. Asking $38000 firm. I have pictures I can email you. This is what is included in the package. 1 x Arri Alexa Camera w/ SxS Module - High Speed 4 x SxS 32GB Cards 1 x SxS Card Reader w/ AC Adapter and USB Cable 1 x Alexa Accessory Cable 12V (ARRI KC 154-SP-S) 1 x XLR 5-Pin Audio Out - L/R Channel 3-Pin Spliter 1 x 2ft Spiral Cord 3-Pin XLR Male to 3-Pin XLR Female 1 x Alexa Ethernet Cable 10ft (AEA-1) 1 x Alexa Viewfinder Interface Cable (Short) 1 x Alexa Viewfinder Interface Cable (Medium) 1 x Alexa Base Plate (BP-13) - 15mm (also have BP-12) 1 x Alexa Port Cap 1 x Arri Alexa Electronic Viewfinder (EVF-1) 1 x Alexa EVF Mounting Bracket 1 x Alexa Center Camera Handle (CCH-1) 1 x Alexa Handle Extension Block w/ Tape Hook (HEB-2) 1 x Alexa Battery Adapter Back for V Mount (BAB-V) 1 x Alexa Base Plate Adapter (BPA-1) 1 x Leveling Block (LB-1) 1 x Shoulder Pad (SP-3) 1 x Alexa EVF Extension Bracket 1 x 12in Dovetail
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I'm shooting a person with images being projected on them by a Epson 8350 Digital Projector. I want to shoot at a high frames per second (120fps) or a high as I can get a way with... The problem is the viewfinder and monitors show an unwatchable bad amount of pulsing light flicker. Does any one have any advice on how to do slow motion with a projector light in the shot and on a subject to mitigate or preferably all together stop flicker/pulsing light look?
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Another excellent FDTimes special from Jon Fauer, this time featuring extensive interviews with Arri personnel and photos of the Arri factory. All about Amira, Alexa 65, Alexa and more. http://www.fdtimes.com/2014/11/07/arri-full-factory-tour-pdf/
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Hello! I just wanted to stop by to introduce one of my products to the forum. It's called the Intersex Plate. It's shipping now on my website: http://mediablackout.net/product/intersex-plate/ This plate allows you to do several things, including: Attach a field recorder, like the BlackMagic Hyperdeck Shuttle, to an unused battery plate on a Steadicam Attach a Teradek Bolt or Paralinx Tomahawk / Arrow-X to a camera’s unused battery plate when used on a Steadicam or Gimbal (Freefly Movi, DJI Ronin, etc.) allowing builds to stay lower Clamp two Intersex Plates together to secure accessories that have no mounting points, like a Decimator AJA Mini Converter, etc. DITs can mount the Intersex Plate to a VESA 75 compatible stand or arm on their cart as a quick disconnect to allow small to medium sized monitors to mount and unmount easily and quickly Can be use to attach a V-mount and Gold Mount battery plates to iris rods The Intersex Plate can be used for so much more! The plate can also act as a sex-changer for other plates. It has hole patterns for: Gold Mount (male or female) V-Mount V-Wedge (Element Technica) Teradek Bolt Paralinx Tomahawk / Arrow-X VESA 75 9mm On-Center 1/4-20 (Red Spacing) 1″ On-Center 10-32 (Berkey System)
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Hello everybody, Has anyone of you made a comparative test between Alexa and Amira under the same conditions? According to Tech Specs, both cameras have exactly the same sensor. But is it possible to tell the difference between the two cameras, assuming they are using the same codec and ISO settings, the same lens and t-stop and the same lighting conditions? I´m looking forward to hear your opinions and experiences about this. Thanks, Matteo
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For sale is my personal Lomo anamorphic round front set: 35mm Lomo Anamorphic T2.4, PL-mount 50mm Lomo Anamorphic T2.4, PL-mount 75mm Lomo Anamorphic T2.4, PL-mount All lenses are optically and mechanically in perfect condition, no scratches, no fungus, have stainless PL-mounts and focus gear rings ARRI standard 32 pitch. The lenses were recently serviced and are ready for shooting. Also included: Peli case, ARRI Lens Support LS-7, front and rear caps. Price: $35,000 Contact: c.lang@langfilms.de
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We’re currently building and kitting out a studio, largely to be used for shooting products. We’re getting an Alexa, but are stumbling on our lens choice, mostly because the budget is not infinite. Our MUST HAVE primes are 35mm, and 50mm. We are looking at CP.2 super speeds – the cost is attractive, but more than that the speed is important – we often open up to f1.4 to knock the set background out of focus (rather than for exposure). I’m concerned about the performance of these lenses - I’ve not used them much - what are they like wide–open (T1.5)? We’re not looking at cinema projection here, TV or digital is where our shots will be seen, so I’m trying to be pragmatic. Am I worrying about nothing? Is there another line (other brands) of fast lenses that sits between Master Primes and CP.2 super speeds that I’m missing?
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Here's my latest reel.. Moving to NY from LA next week. https://vimeo.com/96209450 35mm, 16mm, Alexa, Red, HD Thanks for checkin it out--
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Hello! I'm wondering what you folks think about this. My goal is to use it sort of as a teaser on my website, in order to get producers to click through to my portfolio where I have projects in their entirety. I'm wondering if this is effective? Or maybe it looks amateurish? Or maybe the older producers out there who aren't used to ingesting media in bite size bits might have a seizure watching this? What are your thoughts?? Thanks :) -
We are wrapping production and no longer need our camera package. Asking price is $80,000 for the entire package. Open to offers. If interested call or email: gina[at]opsociety.org 303-444-2454 ARRI ALEXA Base Kit & Accessories Arri ALEXA Camera, S/N 3497 With 120 fps Hi-Speed License, 343 Shoot hours Arri ALEXA EVF-1 Electronic Viewfinder , S/N k2.72008.0-3799 Arri ALEXA VMB-2 Viewfinder Mounting Bracket , S/N n/a Arri ALEXA Viewfinder Cable Short (0.35m/1.2ft) KC 150-S, S/N n/a x 2 Arri ALEXA VEB-1 Viewfinder Extension Bracket , S/N k272000.0-veb-1 Arri ALEXA Viewfinder Cable Medium (0.65m/2.1ft) KC 151-S, S/N K2.72013.0 x 2 Arri ALEXA Ethernet Cable (3.00m/9.8ft) KC 153-S x 2 Arri ALEXA 12V Accessory Cable KC 154-SP-S 2 221W / 24v Power Supply, S/N RBOA346515 10 ft 24v 3-Pin Power Cable for Alexa Arri ALEXA Battery Adapter Back for Gold Mount (BAB-G) x 2 Arri Alexa SxS module ProResCodec option QuickTime File Format Option for Alexa Arri BPA-1 Bridge Plate Adapter for ALEXA Arri WA-1 Wedge Adapter for ALEXA Arri LB-1 Leveling Block for ALEXA Arri SP-3 Shoulder Pad for ALEXA Arri CCH-1 Center Camera Handle for ALEXA Arri HEB-2 Handle Extension Block for ALEXA Arri BP-12 Bridge Plate Set - 19mm Innerspace Case for Alexa Body with Accessories Sony 32GB SxS Card 4 ET 24'' Arri Dovetail for OC-2060 European Quick Release Plate OConnor CFF-1 Follow Focus One Package Arri Flex Shaft Knob Hand Wheel Element Technica 24'' 19mm Ultra Rod Element Technica 12'' 19mm Ultra Rod Element Technica 8'' 19mm Shorty Ultra Rod Universal Rod Adapter 15mm-19mm O-Grips Double Jointed Set Arri LS-9 Snap-on Low Support, S/N 6088 ALX-15MP Cheese Plate Anton Bauer QR-QUAD-PT Sandwich Adapter x 4 PowerTap Anton Bauer QR-DSR Gold Mount IDX A-AB2E - 3-stud to ENDURA V-Mount Adaptor Other Plates- 3 pin to V-Mount/3-pin to Dtap Portabrace Bag for Arri Alexa (COABM) - NEW Batteries/Chargers Battery Kit 1 Custom Cut Innerspace Case for 4 batteries + charger Anton Bauer Hytron 140w 14.4Vv NiMH Battery x 4 Anton Bauer TM4 4-Position Simultaneous Fast Charger , S/N 87611077 Battery Kit 2 Custom Cut Innerspace Case for 6 batteries Anton Bauer Hytron 140w 14.4Vv NiMH Battery x 6 Battery Kit 3 Custom Cut Innerspace Case for 4 batteries + charger Anton Bauer Hytron 140w 14.4Vv NiMH Battery x 4 Anton Bauer TM4 4-Position Simultaneous Fast Charger , S/N 87611094 Battery Kit 4 Custom Cut Innerspace Case for 4 batteries + charger Anton Bauer Hytron 140w 14.4Vv NiMH Battery x 3 Anton Bauer TM4 4-Position Simultaneous Fast Charger , S/N 87611160 Tripod/Head Kit System Cine 30 Sachtler Tripod System, includes: 3006 Cine 30 HD 150mm fluid head 6290 Cine 150L tripod 7023 ground spreader 3372 front pan bar Tuffpak Tripod Case Hi Hat 1004 Lo-Hat MITC Filters Diffusion Set, includes: Tiffen 4x5.65 Black Diffusion FX 1/4 Filter Tiffen 4x5.65 Black Diffusion FX 1/2 Filter Tiffen 4x5.65 Black Diffusion FX 1 Filter Tiffen 4x5.65 Black Diffusion FX 2 Filter Tiffen 4X5.65 Black Diffusion FX 3 Filter Tiffen 4x5.65 ND .3 Filter IRND Set, includes: Tiffen 4x5.65 IRND 0.3 Tiffen 4x5.65 IRND 0.6 Tiffen 4x5.65 IRND 0.9 Tiffen 4x5.65 IRND 1.2 Monitoring Sony PVM-740 OLED Professional Display Monitor, S/N 3000149S, includes: Portabrace Feed Bag for PVM740 TV Logic 5.6' HDM 3G VFM + Hood, S/N VF056K3425, includes: Noga DG6145CA Cine Arm with 1/4'' 20 and 3/8'' 16 mounts Pelican Storm Case IM2200 - Fits TV Logic Monitor WEVI CamWave CW5-HD, S/N U5ZD01393
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Hi, This is my firts post on this forum so i would like to share with you my recent showreel: Im, 24years old cinematography student from Polish national film school in Łódź. it was shot on 35mm, arri alexa, red epic, red scarlet, sony f3 Watch, and comment :)
