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Showing results for tags 'Arri'.
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Hey Guys, I'm an aspiring cinematographer and I am wondering how best to spend my money to invest in this field. At first, I was dead sent on buying on new camera (looking at the A7s II or the Ursa Mini); however, I have now begun to consider investing in lighting equipment, and opting to rent a camera whenever the need arises. Basically I'm torn: For $3,000 I could buy just a camera body, or I could get an Arri lighting package (x2 150w, 300w, 650w, 1k) and two 4' 2-bank kino lights w/ ballasts off of Ebay. My questions are: Can anyone provide insight into what would be the best and most beneficial course of action? I also have another question based off of the Kino lights: is the output of a 4' 2-bank Kino the same as the output of a 2' 4-bank Kino? What are the benefits to either or? Lastly, is there a better investment I could make that isn't a camera or lighting equipment? Thanks again, and any insight will be greatly appreciated! -Sam
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Arri Amira for sale - $47,000 OBO A great camera in excellent condition. Comes with Premium license and already had 4k UHD upgrade / sensor calibration at Arri Burbank. Purchased new, camera w 4k upgrade and all included items cost $72K Package includes: -Camera Body, UHD upgraded with premium license (prores 4444, 200fps, etc) -Custom hard case for body and camera AKS -Arri PL LDS lens mount -Gold mount battery back for Amira -WPA-1 Wedge plate adapter -BPA-3 Bridge plate adapter -QRP-1 quick release plate -MHB-2 mic adapter bracket -UAP-2 cineplate set -2x Sandisk pro cfast 120GB -2x Sandisk pro cfast 128GB -1x Cfast card reader -Arri USB stick for amira -2x KC-50 straight power cable -1x Coiled power cable for amira -2x Viewfinder cable (short) for amira -1x Viewfinder cable (long) for amira -2x Anton bauer dionic HC batteries -1x Anton Bauer Quad charger 2702 -1x custom hard case for charger and batteries -Arri BP-9 bridge plate set (short) -VEB-3 viewfinder extention bracket Available locally in LA Please contact me at Brianedw@aol.com with any questions more pictures of the package are at: www.https://arriamiraforsale.shutterfly.com/pictures/8
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Hello all, Anyone have an Arricam ST package for sale? Or know where I can find one? Thanks, James
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Up for auction Now. http://www.ebay.com/...-/272107471058? Package Includes: Arri Metal Flight Cases ARRICAM Lite 35mm Camera Body PL Mount Filter Mask 18,7 x 24,9 Camera Aperture Cover Gate 1.33 full aperture ANSI Ground Glass Format 1.85.1 RS Block 24v RS Block 12v LT Camera Handle LT Center Handle Magazine Port Cover LT Viewfinder Top Finder Block Short Eyepiece + Rubber Eyecup Extension Eyepiece LT Frame Glow Frame Glow Mask Format 1.85 LT S35 LT IVS Color Video Tap Case Containing (3): 400' LT Shoulder Magazine 400' LT Shoulder Magazine 400' LT Shoulder Magazine Package Details: This camera package is from the inventory of ARRI Film & TV Services Munich which has been its sole owner. The entire package is in impeccable condition and has been maintained by professionals in Germany for its entire lifetime. The camera performs at factory specifications and is free of any mechanical defects. There are very few ARRICAMs left in such good condition.
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Hello all, For sale is a 3-Perf ARRICAM ST Package: Package Details: This 3-Perf camera package is from the inventory of ARRI Film & TV Services Munich which has been its sole owner. The entire package is in impeccable condition and has been maintained by professionals in Germany for its entire lifetime. The camera performs at factory specifications and is free of any mechanical defects. There are very few ARRICAMs left in such good condition. Package Includes: Arri Metal Flight Cases ARRICAM Studio (3 PERF) 35mm Camera Body PL Mount Filter Mask 18,7 x 24,9 Gate 1.33 full aperture ANSI Ground Glass Format 1.85.1 ST Top/Rear Load Adapter ST Top/Rear Load Adapter Cover Handle ST 3 Part Camera Handle (Long) Magazine Port Cover ST Viewfinder Top (SPHERICAL/ANAMORPHIC) Finder Block Short Eyepiece + Eyecup Extension Eyepiece Long (ST SPHERICAL/ANAMORPHIC) Frame Glow Frame Glow Mask Format 1.85 ST + LT S35 Footage Counter (2) Flexilight RS Block 24v RS Block 12v ST Rear Load Adapter ST IVS Color Video Tap Case Containing (3): 400' Studio Magazine 400' Studio Magazine 400' Studio Magazine Asking $14,150 OBO http://www.ebay.com/itm/272105160107
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I have the opportunity to purchase a used Arri D-21 from a local rental shop for $6000. I have heard that the D-21 footage has a unique film like quality that surpasses most cameras, even the Alexa. Although it's dynamic range is limited to 11 stops and low lightcapabilities seem to be quite poor. Can those of you who have used the D-21 please share your experiences.
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Hi everyone! I will get my hands on the Arri SXU-1 System for the first time and i was wondering a bit about lens data. Is it possible to get lens data to the hand unit with a SMC-1 motor controller or do i have to step up to the WCU-4 system? We are on a budget and i can't afford the WCU-4 and it is not entirely necessary to have the lens data, it would be nice though :P And if anyone used it before, how does it handle? Are the CLM-4 Motor strong? I will be using Zeiss HS mkIII and a LMB-15 mattebox (clip-on). I've hade some issues with heden motors that aren't strong enough to pull the lens barrel, especially in cold weather.
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ARRI 235 4perf Super 35mm Film Camera Kit 6x 400ft Magazines + Transvideo 6.5” Rainbow monitor. USD $14,500 ONO Includes: ARRI 235 CAMERA. Ser.No #2006 235 RISER PLATE. Ser.No #2020 BP-9 35F 15mm BASEPLATE TOP. Ser.No #BPT908 235 UNIVERSAL VIEWFINDER UV-1. Ser.No #2111 TURRET PLUG PL MOUNT 235 DUST COVER GR.GLASS 535A/B-435ES/235 FORMAT MASK 535/B 435/ES 235/416 EYEPIECE EYECUP 235 SHOULDER PAD 235 CENTRE HANDLE SCH-1 KC-20: ARRI-POWER 24V 235 BATTERY CABLE 235 IVS VIDEO TAP /NTSC Ser.No #9513 IVS Blank & 100% VIDEO BLANK PLATES TRANSVIDEO RAINBOW 6.5” Monitor CABLE for Video+power /235 - Transvideo Rainbow monitor. 235 SHOULDER MAG 400’ x3 Ser.No #2170 Ser.No #2174 Ser.No #2176 235 STEADICAM MAG 400’ x3 Ser.No #2072 Ser.No #2112 Ser.No #2117 LOOP GUARD 435/35-3/235 x6 235 CAMERA CASE 235 400’ MAG CASE 235 400’ MAG CASE 235 400’ STEADI MAG CASE SHIPPING WORLDWIDE from Sydney Australia 4x cases: 1 - Magazines - 24 lbs. 14 inches x 12 inches x 17 inches 2 - Magazines - 26 lbs. 14 inches x 12 inches 17 inches 3 - Magazines - 25 lbs. 15 inches x 11 inches x 15 inches 4 - Camera - 41 lbs 25 inches x 16 inches x 15 inches regards, Andrew ajcam@me.com +61 414620249 More Photos: http://s1190.photobucket.com/user/ajcam1/library/?sort=3&page=1
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I just bought a motor for my Arriflex 2b. It is an Arriflex 24f constant speed motor. When I held the two together, the gear in the center of the motor and the gear in the camera are nowhere near each other, and it looks like there is another gear that is missing. I noticed the cine60 base has an intermediate composite gear, is this the same case in the Arri motor? Can I still purchase one of these gears should they exist? Thanks, Max May DP and Writer: Buteo-Gallus Films
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Hi, my friend is selling his Scarlet kit, in mint condition, low hours, never rented. Located in Slovakia, Central Europe. https://www.kitmondo.com/used-red-scarlet-x-for-sale/ref638020
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Hey I just wanted to start a conversation about the new Arri SkyPanels and see what everyone thinks about them. Feel free to point out things to improve on, things it does well, etc. I just bought one of the S60-C fixtures and have been finding lots of ways to use it. A lot of DPs I work with have been digging it too. For me the selling factor is control. Very quick and easy color and intensity tuning, and an extremely wide range of adjustments at that. I try to have DMX control of everything too so this unit fits in perfectly to my Luminair workflow. There are a few small things I don't like: color can be skippy when you're doing through hues. The intensity knob is weirdly sensitive sometimes and very unresponsive other times. Unpredictable. Also I tried controlling my fixture via RJ45 instead of DMX recently and I got no data. Not sure why it didn't work. Let er rip! Drew Valenti Gaffer - LA drewvalenti@gmail.com
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Arri Master Prime 16mm T1.3 Lens Feet Scale Arri Master Prime 27mm T1.3 Lens Metric Scale For info and pics email : sales@broadcastsolutions.com
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Hello, you often can find old Kinoptik lenses, for example the Apochromat 25mm, in Cameflex, C-mount or other mounts for very, very high prices. What do you think about this lenses ? How is their quality and their 'look' compared to other lenses like Zeiss etc ? Why are this lenses so expensive ? Micha
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Arri Ultra Prime 20mm (New) Email sales@broadcastsolutions for pricing and details.
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Arri Master Prime Lens Set Includes : 14,18,25,35,50,75,100&150mm Includes 3 Shipping Case's. Email-sales@broadcastsolutions.com for pricing and details.
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EBAY LINK http://www.ebay.co.uk/itm/-/321938237598? Worth more than £2000! This ARRI 575/1200W Electronic Ballast works with 120-220 VAC. It has on-board dimming, as well as frequency control capability. It is compatible with the ARRI 575, 1.2K HMI Compact Fresnels, Arri-X 5, Arrisun 5 and 12 HMI PAR fixtures. Also with other brands such as Quartzcolor, Filmgear, Mole Richardson, Desisti,... Check a video of the ballast running on Youtube Perfect for Video Applications Offers flicker-free operation Enables a shutter speed of 10,000 frames per second Dimmable On-board dimming from 50% to 100%No Color Shift While Dimming The current limiter reduces light output by half but raises color temperature, eliminating the need to correct color temperature with color correcting gels For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line. Constant lamp power and colour temperature over the lifetime of the lamp Possibility to dim the light between 50 and 100% Automatic switch-over for 115V~ and 230V~ power supplies Low noise switch - noise reduction in the luminary Active Line Filter - power factor correction Line over-voltage protection Protection from overheating Constant lamp power and colour temperature over the lifetime of the lamp Less weight and size compared to magnetic ballasts At least 5% greater light intensity compared to magnetic ballasts At least 20% longer bulb life compared to magnetic ballasts Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel Special mechanical design for quick opening of the EB in case of service maintenance Good service assistance Detailed technical documentation L2.76125.0 EB 575/1200, 90-125 V/180-250 V, Schuko-Plug, VEAM, blue standard housing
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ARRIFLEX D-21 £2,250 GBP (ex VAT) Condition: Used Warranty: 3 Months ARRI D-21 Camera Body D-21 Viewfinder Ground Glass (.1.78 / 1.33.) Format Glow Mask (.1.78.) Format D-21 Super Wide Eyepiece Rubber Eyecup 24v On-Board Splitter (Fitted) FE-3 Extension Eyepiece D-21 Carry Handle Please email me if you require any further information. Casey@esbroadcast.com
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Reflector holder & glass reflector for Studio 5000 Theatre, Compact 4000, Studio 2000, ... (can be used as retrofit kit for old glass reflector versions) -EBAY LINK: http://www.ebay.co.uk/itm/-/321919867922?
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A replacement Reflector Assembly that intensifies and broadens the output of an ARRI Pocket Par 400 watt HMI fixture. Compatibility Arri Pocket PAR 400 Watt HMI Fixture Mfr # L2.70880.0 EBAY LINK
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Hey guys, I've loved The Leftovers since season 1, but season 2 has just aired its second episode and I remain stunned by the cinematography, which is now done by Michael Grady (Todd McMullen for most of season 1). It's shot on the Alexa, but it looks SO distinct from everything and anything else I've seen shot on the Alexa, it feels like there's some kind of film grain added because there's a very real and vivid texture to the image, a real patina, the colors pop, but not in a harsh digital way, it doesn't look overly digital, it just really stands out, the lighting also looks beautiful, very colorful. I know they use Primos on this, but I wonder what anyone else think about this, any idea on the film grain or the look they're getting? I'm a film guy mainly, and the only stuff that impressed me on digital so far has been Skyfall, Prisoners, Sicario, A Most Violent Year (yet to see Selma, shot by Bradford Young as well), Drive, Elysium, The Social Network, Gone Girl, Her, Nightcrawler, The Revenant and The Leftovers.
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RRPP £199 NOW 50% DISCOUNT LIMITED TO 3 UNITS DESCRIPTION Brand new ARRI - Head to Ballast Power Connecting Cable for ARRILUX 125, 25' Long (7 metre). EBAY LINK http://www.ebay.co.uk/itm/-/321917436714?
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I've seen that you can only rent the Alexa 65 through their Arri Rental network. Out of curiosity, does anyone know what the rental costs are? I'm thinking they must be ginormous right now, but i'm really wondering.
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I cracked the mirror shutter on my SR3 and have been having a hell of a time trying to find a new one. I did locate an SR2 mirror shutter so I thought I might be able to take off the mirror and replace the cracked SR3 mirror. I'm not talking about the whole mechanism, just the mirror. Does anyone know if those two mirrors are compatible? They appear to be the same, but I've had difficulty finding exact specs on either.
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Hi! I'm downscaling my Super 16-kit and it's time to let go of these beautiful lenses. First got them to use with an Ikonoskop A-cam dII but lately I've used them for s16 film cameras (Arri Sr2, Aaton a-minima and Arri 416). Actually also tried them on a Gh4 (with mft-pl-adapter) and from 12mm and up they cover the sensor in 4k mode. They are in really good mechanical and optical condition. Some paint wear on the housings but all focus marks and text is clearly visible. So what I've got is: Zeiss Super Speed mkII Super 16mm lenses. All T1.3. 9,5mm, 12mm, 25mm and 50mm. Will sell individual lenses or all at once. I'm hoping to get a deal done quickly so first come first served (hope that's the correct english expression for it…). Prices reasonable, please contact me if you are seriously interested and we'll discuss it. Lenses are located in Stockholm but I will ship world wide (but EU preferred). Best regards/Kalle Folke, Sweden www.kallefolke.se
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Hi everyone, can you help me? I want to find to bay plastic lcd cover for arri alexa, see in the pictures..
