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Showing results for tags 'Arri'.
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Used ARRI Alexa M 4:3 in stock. Excellent condition. £19,500 GBP (ex VAT) Condition: Used Warranty: 6 Months Op hours- 1000 Case Containing: ARRI Alexa M Camera Head ARRI Alexa M Body BAB-G (Gold Mount Battery Adapter) Bundle Accs Set for Alexa M Center Camera Handle (CCH-1) Handle Extension Bracket (HEB-2) CCH-2 Alexa M (Head) Camera Handle AMC-1 Alexa M Cage -Consisting Of: Side Bracket Bottom Plate 15mm LW Bar Bracket MEDIA M Handle Syst. - Consisting Of: Side Handle (15mm Bars Fitted) Top Plate - Small Bottom Plate SD Card (ASD-1) 12v 2pin Lemo - 4pin XLR BP8 Bridge Plate ( Short ) Balance Plate 19mm / 440mm Bar (Long) 19mm / 240mm Bar (Short) 15mm Lightweight Bar - Short 240mm 24v Camera / Battery Cable 2m Lightweight SMPTE Fibre Cable Sony 64gb SxS Card Sony 64gb SxS Card Sony 64gb SxS Card 20m SMPTE Fibre Cable (9mm Dia.) Please contact me at Casey@esbroadcast.com if you require any further information.
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Hi, my listing for ARRI 435ES camera set, including magazines and accessories. Price is 3990 euro https://www.kitmondo.com/used-arriflex-435es-for-sale-2/ref608356
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Hi there everyone! greetings. I had sent my Arriflex SR3 for repairs at Arri NY. They did work on it and sent it back. I had barely shot 7-8 400ft cans and the same problem emerged again. I had paid close to $1000 for service and shipping. Does anyone think I need to be paying again for the same job to be worked again on? Don't they stand and vouch for their workmanship? I want opinions and experiences of cinematographers who own gear and have gone through these type of problems. thanks
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Hi all. I am 4th cinematography student. I am about to shoot a short commercial on s16. I have shot on film a few times before but I would like hear other opinions on how best to a achieve a cold daylight look on film. Basically the story is that a couple wakes up very early in their city apartment and leaves for the countryside. I want the piece to start off very cold looking in their apartment and then gradually get warmer as they leave the city in their car and arrive in the country. I have only one roll to shoot this piece on. It's a thirty second ad so that should be loads of stock. Bug that brings into question how I can get a varying level of "coldness" on the one roll. I will be shooting on Kodak 200t 7213. My initial thought is to shoot the grey card with an 85 in. The remove that for the early scenes. Then later for the car scenes to use a 81ef so a slightly warmer, but still cold look. Then finally for the countryside scenes to put the 85 back in. Does this seem like a good plan to achieve what I am looking for? Very open to suggestions and opinions, or indeed any help at all. Thanks. -
Hi everyone, i am in pre-production for the short film we will be shooting in Caucasus mountains this winter. We are shooting 35mm 5222 black and white film, and i want to get Hawk anamorphic lenses with 2x squeeze from Paris. The camera they have in a local rental is Arri 435 Xtreme (4 perf). I'm in touch with the local AC and what he says is that the camera doesn't have an anamorphic viewfinder, also it does not have anamorphic matte glass and arri glow. I'm trying to figure out how to solve this issue, maybe somebody can help me out? If the lens squeezes the image into 4:3 academy frame - then what should be the matte glass/ground glass/ gate installed inside of the camera? And if it doesn't have an anamorphic viewfinder (we are shooting steadicam anyway) - can i get an unsqueezed image on the monitor and playback just through the monitor? I would appreciate any tips and help. Thanks -
Codex CDX-3010 Kit £3,000 GBP (ex VAT) Condition: Used Warranty: 3 Months Case Containing: Codex Onboard Recorder CDX-3010 Onboard Control Panel CDX-P065 Codex Recorder Handle CDX-P064 Control Panel Fixing Plate 6-6pin Panel Control Cable Long 5p Lemo - 3p RS Power Cable Dual Mini BNC Loom 4p XLR - 5p LEMO Battery Power Cable 4 x Codex M Flash Pack (256gb) CDX-P300 Please contact me on Casey@esbroadcast.com if you require any further information.
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Excellent condition and maintained and serviced by ARRI Media. £17,000 GBP (excluding VAT) + Shipping Camera Case ARRI Alexa PLUS Camera Body inc High-Speed License High-Speed License BUNDLE ACCESSORY SET ARRI EVF-1 Electronic Viewfinder ARRI Alexa Rubber eyecup ARRI VMB-1 Viewfinder Mounting Bracket ARRI VEB-1 Veiwfinder Extension Bracket ARRI KC150-S Short (0.35m / 1.2 ft) Cable for EVF-1 ARRI KC151-S Medium (0.65m / 2.1 ft) Cable for EVF-1 ARRI CCH-1 Centre Camera Handle for Alexa ARRI HEB-2 Handle Extension Block ARRI KC154-SP-S Cable 12V Accessory for Alexa ARRI KC20 24v 2m/6.6ft Cable Power - Straight ARRI BP-12 Bridge Plate ARRI Bottom Dovetail 300mm / 12" (Balance Plate) ARRI 440mm Ø 19mm Support Rods (pair) ARRI Lightweight 240mm Ø 15mm Support Rods (Pair) ARRI SP-4 Shoulder Pad ARRI LB-1 Levelling Block ARRI ASD-1 SD Memory Card ARRI SxS Pro 32GB Memory Card ARRI SxS Pro 32GB Memory Card ARRI SxS Pro 32GB Memory Card ARRI SxS Pro 32GB Memory Card ARRI SxS Pro 32GB Memory Card ARRI UMC Antenna ARRI White Cap BAB-G (Gold Mount Battery Adapter) Please email me at Casey@esbroadcast.com if you require any further information.
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· F-65 Camera Body. (excellent Condition) · SR-R4 Digital Recorder. · Dual Bettery Adapter V-Mount. · SRK-CP1 Control Panel. · Sony HDVF-C30RW Color Viewfinder. · SR-D1 Reader. · SRmemory Card.(2X512GB-1X256GB). · Conveter V-mount Cable. · power cable limo 8-pin. · Bridge Plate. · Rod(2X12'' - 2X9''). · Camera Case. Price:- 35,000 USD -
Hi, I have a music video shoot and we're currently deciding cameras. I prefer the look of the Alexa and want to push the Mini as we're mostly on steadicam. However we have a lot of strobe lighting during a performance sequence, making the Dragon with motion mount seem like the right way to go. Is the Studio the only option for choosing Alexa when dealing with strobes? We're shooting a range of speeds, ramping from 24 to 60fps. Thanks, Chris
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all professional pro
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Hey, I just bought an SRIII but it only came with one battery. Anyone know where I could pick up a couple more? Or, does anyone know someone who could make a small onboard that could plug into the 4-pin xlr? Looking for new, used, aftermarket, 3rd party, whatever. Cheers!
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For Sale Arri Fujinon Alura 45-250 Lens Asking $26,500.00 In very good Optical & Mechanical condition some scratches on barrel around lens support. Comes with Front and Rear caps Case Call me or email me. 843-554-7811 or email Barbara@newprovideo.com
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As I understand it, most big-budget feature movies record on film as opposed to digital; the common claim being that film provides a much more cinematic image, etc. Does anyone think that we'll come to a point when digital cameras are able to produce an image, indistinguishable from film - and that cinematographers will choose digital over film due to artistic choices instead of being led by financial considerations?
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18,25,35,50,75&100mm Contact sales@broadcastsolutions.com for pricing and info.
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I have a set of Cookes (S4s) with a 135 macro T2 in the set. Nice lens, but the range of Macro shots I need to do I think is beyond this lens. However - they can only afford one full set. There are some options - use Arri Macros (not Masters, ultras, or super speeds - I know them only as Arri Macros), there are a full set of the macros available. - But director wants to know if we use these what are they like compared to the cookes (which he likes) I can't tell him because I have never used the Arri Macro set. What to do, stick with the Cookes and the 135, plus get in some diopters to get the shot. Or go with the Arri set of Macros. The question really is what is more beautiful? I have never seen the Arri's - also there will be no time / option on a test. Any advice? Would love to see examples of Arri Macro set if there are any out there. Thanks all. -
Selling an Arri Alexa Plus. It has seen moderate use and all parts in good condition. You can upgrade to the XR module and you essentially have an Alexa XT*. Located in Los Angeles if you would like to examine in person. Photos forthcoming. Included in kit: Lens Cap CCH-1 Center Camera Handle HEB-2 Handle Extension Block VMB-1 Viewfinder Mounting Bracket with Extension Arm EVF-1 ALEXA Viewfinder KC 150-S Viewfinder Cable Short KC 151-S Viewfinder Cable Medium VEB-1 Viewfinder Extension Bracket BP-9 Bridgeplate WA-1 Wedge Adaptor LB-1 Levelling Block SP-3 Shoulder Pad Gold Mount Battery Back ALEXA 24v Power Cable 3 x 64GB Sony SxS Memory Card SD Card KC 153-S ALEXA-ETH ALEXA Ethernet Cable High Speed License Anamorphic License $49k Phone 801-694-7876 or email ryleyfogg at gmail dot com with questions. *no open gate possible
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Hey guys i need to take a decision on this issue. I'll be renting it most of the time. I'm not sure which one is more demanded.
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Arri Alexa EV s/n 3476 For Sale $34,000 Alexa 3476 with 1275 hours High speed license Alexa EVF-1 viewfinder s/n 3757 SP-1 shoulder pad 6' power cable BP-12 set viewfinder cable short viewfinder cable medium 12v acc cable time code cable BPA-1 Leveling block Swiss tool allen driver 5X150 Wiha allen driver 3X75 anton Bauer plate Front handle extension block VEB-1 viewfinder extension bracket 5 Sony SXS cards 32gb Case (Master Cases) Contact Neal email neal@gulfcamera.com
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Hey everyone, So for this low budget commercial I'm shooting, I'd really love to have a stronger light at a distance to get a "shafts of light through window" gag with haze. It's just not in our budget so I'm trying to find the best way to get a large parallel beam into a small space (the room is only 15'x19') and I feel like the M18 could be a way to do this. I'd also consider using a Joker Leko setup but I'm just afraid it won't produce as large or powerful of a beam as the M18. Arri describes the M18 as having the best aspects of a par and fresnel - personally I love this light and I've been able to produce some venetian blind gags in small spaces with it before. I know an ordinary par wouldn't work at such a close distance. My question is, do you think the beam of the M18 is parallel enough to make a gag like this? Thank you, Chris
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Hi everyone, I'm writing to you because I'd need your hellion my Arri 2C. I just got it and measured the door to see it was Super35 4 perf full aperture but the ground glass has the size of academy anamorphic. It came also with another ground glass, the size of academy anamorphic but with the 1.85 lines. I actually did a test shoot this past without thinking the ground glass would actually be different. So I framed with this academy 1.85 glass to a S35 door. Since it's only a test shoot, it's not too bad but I would love to know your opinion on this one as it seems pretty weird. Any thoughts ? I have a small commercial to come and we need the product to be 1.85 so I was wondering how to frame with this ground glass since I will be doing an extraction from the S35 frame. Thanks so much ! Ben -
I have 3 fresnels in perfect condition, you would be mistaken for thinking that they are brand new. ARRI 150w, 300w & 650w fresnels. They come in a Kata case with a wheeled trolley. no stands included. The case has some cosmetic wear, trolley has been wheeled down the street no more than once. I'm looking for a buyer based in London. I can sell individual part if there is interest. If you are interested in purchasing please send me a message and I'll send across some pictures. -
For sell a Zeiss SuperSpeed 9.5mm T1.3 S16, a great luminous wide angle cine lens. I sell it because i search a zoom instead of primes. Price is 900 Euros + shipping. Regarding the state of the optics there is no mushroom / fungus / dust inside. There are slight "cleaning marks" on the glass, as well on the front and rear element, obviously not affecting the image. But there is no claw or crack on the glass. I bought it for a French DP who took great care. Cosmetically really in good condition, the paint and the numbers / lettering are there. The aperture ring is very fluid, the focus ring is less fluid, a little harder, but it doesen't affect the focus at all, change focus is easy. Super Speeds are among the best Super 16 lens and they have been used on many feature films. The resulting image is still impressive today. This is a test that I realized with the Blackmagic Pocket: https://vimeo.com/129887125 I am at your disposal for any additional questions, optic can be seen in Belgium. The lens is Arri Bayonet mount, also i sell the adapter Arri Bayonet to MFT from Ciecio7 for 90 euros extra. This adapter is one of the best available adapter and is shimmable: http://www.ebay.com/itm/Arri-Bayonet...-/251176724708
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Gear is at a shop in southeast, US thats offloading some inventory. Listed here and some on Ebay. Thought I would pass along here. Contact me at mirror image pictures AT gmail DOT com or call 818 Five Eight Four 6243. I'm familiar with the equipment and can speak mostly for its condition and quality, so feel free to reach out with any questions and Make Some Offers. SUPPORT - O'Connor 2060HD Head (Mitchell) with Handle, Euro Base, Quick Plate, ATA Case - $7000.00 - O'Connor Cine HD Standard or Baby Sticks (Mitchell or Bowl) with Spreader (Ground or Mid) and Tuffpak Case - $1500.00 (3 Sets Avail) ARRI AKS - Arri FF4 with Dumb Wheel and Crank - $3000.00 (Last One) - Arri MB20II with 3 Stage Module, Top and Side Flags, 19mm Bridge Adapter, Hard Mattes - $4500.00 (2 Avail) FILTERS (4x5.65 unless noted) - Tiffen ND 6 - $250.00 - Formatt ND 3, 6, 9 - $150.00 Each - Formatt ND12 IR Combo - $250.00 Each - Formatt IR Hot Mirror - $250.00 - Schneider ND Grad HE 3, 6, 9 - $250.00 Each - Schneider Tru-Cut 750 IR - $250.00 - Schneider Circular Polarizer 138mm or 4.5" Drop-In Style for Arri Bellows - $300.00 Each - Tiffen Black Pro Mist 1/4, 1/2, 1 - $250.00 Each MISC - TVLogic 7" HDSDI Monitor LVM-071W with Portabrace Case, Plexi Cover - $900.00 (2 Avail) - Mole 4K HMI Par [New Style] with Lenses (and Case), Header Cable, Ballast Cable, Scrims, Barndoors - $9000.00 (2 Avail) - Element Technica Mantis Handheld Rig - $950.00 - DF50 Hazer with Cord - $2000.00 - Motorola CP200 4 Channel Radio Set (4 Walkies with Spare Batteries) with 6 Way Charger - $850.00 - Prompter People 10" iPad Prompter System - $400.00 - Peplink Balance 30 Multi-WAN Router BPL-031 - $200.00 - Canopus ADVC-1000 SDI/DV Bi-Directional Converter - $450.00 - NetGear ProSafe (FS728TP) Switch - $200.00 - Polycom SoundPoint IP 335 Phones (Set of 3) - $125.00 - ShoreTel 230 IP Phones (Set of 4) - $150.00 PHOTOS: http://www.reduser.net/forum/showthread.php?133763-Inventory-Sale-OConnor-Prompter-TVLogic-Arri-FF4-MB20-4K-HMIs-Filters-amp-More ALSO - Epic-X Package - $27.5K: http://www.reduser.net/forum/showthread.php?133758-Epic-X-Package-FS-(Just-add-lenses-and-Media)-27-5K-OBO-Ready-to-Ship - Red One MX Package - $7500: http://www.reduser.net/forum/showthread.php?133759-Red-One-MX-Package-FS-7500-Ready-to-Ship - Red Pro Primes - $13K: http://www.reduser.net/forum/showthread.php?133762-Red-Pro-Prime-Lens-Set-25-35-50-85-100-13K-Ready-to-Ship -
Hello All, I finally posted my pics and favorites I saw at the NAB on my lighting website under lighting news that you all might find of interest. http://www.lightingforcinematography.com/lighting-news/ There were some really great new lights announced and some true game changers. Only time will tell what lasts. But they are all great new tools for those of us that paint with light.
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I'm selling my Arricam LT package. The camera has been carefully handled and is in excellent condition. This is a rare deal as I haven't seen many Arricam LT's for sale for so cheap. Included in the package is: Arricam LT camera body IVS - Integrated Video System Anamorphic and spherical viewfinder Medium viewfinder extension Long viewfinder extension with magnification Viewfinder leveler Heated eyepiece Power bridgeplate with rods Adjustable quick release plate Mask frame glow module Studio mag to Lite mag adapter Top handle Power cable Adjustment hex tools The camera is currently setup for 4-perf. If you have any questions feel free to ask! Asking $20,000 but make me an offer. I'm definitely willing to negotiate.
