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Showing results for tags 'Arri'.
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For sale is a mattebox including railsystem (Arri standard) & camera support (as shown in the photos). This system was custom-made by Les Bosher (camera engineer from the UK) for my Russion Konvas 1M 35mm film camera and I only used it for two film project 6 years ago. As I have looked after it well and not used it very often, it is in good condition. The system is made from High Quality Light Alloy for Superior Strength & Durability. Holder for 100 x 100mm Glass Filters with 1 off Fixed & 1off Rotating Stage. Supplied with Filter Trays. Here is the Ebay link. Worldwide shipping
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Hi Guys, I've got too much glass and am cutting back, so am selling: Arri Ultraprime 5 Lens set (16, 24, 32, 50, 85) - These lenses are in mint condition, come flightcased and I can even provide the original boxes if you'd like. - Asking £38k but am open to offers Pictures here: http://cargocollective.com/raspeir/Arri-Ultraprimes-for-Sale Zeiss Superspeeds MKII/MKIII set. - (18, 25, 35, 50, 85) - All are MKII except the 85mm which is a MKIII - Asking £23k Pictures here: http://cargocollective.com/raspeir/Zeiss-Super-Speeds-For-Sale-MKII-MKIII-T1-3 Zeiss T2.1 MKII Std Speeds 6 lens set - 16, 24, 32, 40, 50, 85mm - Asking £14k Pictures here: (except 40mm) http://cargocollective.com/raspeir/Arri-Zeiss-T2-1-Std-Speed-PL-Mount-Lens-Set-For-Sale These lenses are in a re-housing by P+S Technik from a long time back. They're still the original glass and mechanics underneath. All lenses can be tested / inspected in London. Contact me on dp@adametherington.co.uk Cheers, Adam -
Hi everyone, I am reposting this beautiful lens at a reduced price. I hope you will take a look. If you are reading this you probably know the important information about this important lens. I bought this lens new and I have never rented it. I am the only person to ever shoot with it. It has always been housed in the anvil, custom case that you see in the pictures. THIS LENS IS ABSOLUTELY MINT, AS NEW! I am a Cinematographer who owns my own gear. This lens has never been out of my sight. I am selling this lens because I simply don't use it enough. So as much as it hurts, I have decided to sell it. I know you will love it. Thanks for looking. Asking: $22,500, OBO
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Hello. I want to take this opportunity to introduce our services at www.seatoskycam.com We offer 1 axis cable cam systems for cinema or broadcast and can carry up to 200 pounds of camera gear. We have multiple systems from small RC cable cam drones to systems that can stretch 2500 feet long and use high speed winches that achieve 55m/hr uphill. We can set up these A to B rigs on any slope from horizontal to vertical. Our office is located in Vancouver B.C. but we are available for service worldwide. Thank you -
Full set of Schneider Cine-Xenar III's. Canon Mount - AS NEW. Pristine. Not a scratch or smudge. Retail is close to 50k - First 35k takes them home. Free custom made case. These lenses are perfect. not one issue or scratch. I've had them a year and they have a 5 year US warranty through Schneider. feel free to find me at weshowell.com
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Hello! I am seeking advice on how to best prepare for an upcoming shoot where I'll be focus pulling with the ARRI Master Anamorphic Lenses (35mm, 50mm & 75mm). This is my first time focus pulling with these lenses, and anamorphic lenses all together and I want to make sure I am fully prepared to do my job right. I am still relatively new to focus pulling (less than 2 years experience) and would greatly appreciate some advice to help me through this shoot. I have been reading the forums about anamorphic lenses but I have yet to find specific info on the Master Anamorphics. My questions are: 1) How do I measure focus when there is an arc in the focus plane. I read that if a subject is 6ft away and the lens is set to 6ft, then the subject will be soft. Is there an equation for calculating the distance from the lens plane, to the subject while taking the arc of the anamorphic lens into account? 2) Does the iPhone app PCam help camera assistants with these sorts of calculations? (If so, looks like I will finally be buying that app!) 3) When shooting at T1.9, do these lenses breath in a distracting way? Meaning if I'm racking focus at T1.9 and I happen to miss a mark, will it be extremely obvious because of the breathing effect? 4) We will be shooting in the middle of the desert during the day & night, so does anyone have any tips in regards to the difference in pulling focus wide open vs. fully closed down on these lenses? I am still not 100% sure if I am asking the correct questions and ALL of the questions that I need answered in order to be prepared. But I would really appreciate any advice that you can offer to a camera kid just starting out in the business. Merci beaucoup! :D
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We have an Arri Alexa Plus 4:3 XR package available for $59,950. This was a Plus 4:3 upgraded to the XT. bvw@vidgear.com
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Hello all, This is a stupidly specific question, but I'm hoping some of the rental guys can chime in (help me, Guy Holt, you're my only hope). It recently came to my attention that all of my fixture heads are scratched to poop and I would love to do some touch up on them. Does anyone know where I could source some Mole Richardson high temp red and some Arri high temp silver/blue? I know a lot of local houses here in DC will matte black their fixtures partly for the sake of keeping them look tidy but I would love to avoid this. I know this would involve dismantling the fixtures for painting and painters taping over necessary warnings but work has been slow and I need something to keep busy. Thanks!
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Hello everybody. It's my first post on lighting here on Cinematography.com I'm looking for a lighting kit to use with my Black magic Pocket Cam and 16mm lenses, that could be affordable, compact, and produce good results. Artificial Lighting is not my strong on Cinematography, I normally improvise with natural light, and have used an Arri Red kit before. Loved the results. I know there's a difference between fluorescent, incandescent and LED... though what would be a good choice in the case of using for small productions? When it comes to buy, its worth ask around for those who understand before go to BH Photo. Please let me know your suggestions. And thanks in advance. Thanks, Flavio
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Hello, I'm on the look out to buy an Arri AVF-2. Also willing to make a trade with my standard f-3 finder in addition to some cash. Let me know! Thanks, Chris
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I purchased this Arri 3C in the big Otto Nemenz auction around the middle of 2012. I did a registration test with good results after buying it but have otherwise not used the camera. Includes: - Arri 3C Camera body with PL mount port cap, body (magazine) port cap, accessory mounting bracket, Super 2.35 ground glass (could be Super 2.40, not sure) in shipping case. - Cinematography Electronics Crystal Motor Base (could also be used with an Arri 2C) - Arriflex 3C Crystal Handgrip Motor with screws and gear in plastic cup. - 6x 400' Arri 3 mags in 2x 3-hole mag cases - Jurgen's Orientable Video Door for 3C with Sony Color CCD camera. - Wide Angle Eyepiece (no rubber eyecup is included) - Arri grease - Arri Hand Held Door for 3C PICTURED BUT NOT INCLUDED: Extension Eyepiece. NOT INCLUDED: Rubber Eyecup, Power cables for camera motors to battery, power cables for Sony Color CCD, Balance Plate Top, Dovetail, Rods, Batteries, Lenses, etc. If you're not familiar with the 3C, you could think of it as the final refinement of the 2C before the Arri 35-3 came out. It has a more sturdy hinged door, unlike the metal prongs which held on the 2C door to the body. That design was never intended for the weight of a Jurgen's door and I've seen a few 2C bodies that are wearing out where these prongs grip. The 3C came from the factory with a PL mount, and it has a very nice crystal handgrip motor which is often sought after since it works just as well on the 2C. Something else I like about the 3C, they have a variable shutter, something that's hard to find on a 2C. The 3C also has a rosette for mounting accessories, right by the inching knob. The 2C doesn't have that. The 3C movement is the same as the 2C movement and motors, mags and of course ground glasses are interchangeable. The 3C is perhaps best know as the camera Arri made for the film "Das Boot" in the early 1980's. This means this camera isn't nearly as old as most 2Cs floating around out there. I know of four doors made for the 3C, although this package only includes two: Arri Orientable Door (which I've seen can be modified into a video split door) Arri Hand Held Door (included) Arri Straight Door (with optional anamorphic desqueeze module) Jurgen's Video Door (included) I should note, the door type is hinged, but it is not interchangeable with the Arri 3 door. The 3C doors are more rare, as not many of these cameras were made. Also, please see the picture with the note about compatibility with certain lenses due to the PL mount being centered for S35 (as opposed to Academy). Available for only $1,600 O.B.O!!! Available to see if you're in the LA area. For convenience, preference will be given if there is a local buyer who will pick up in person and pay cash. More Pictures! http://www.flickr.com/photos/95212445@N02/sets/72157633346930378/ Please send me a private message if interested. Thanks for looking! Rich
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Hi all, I'm going to try my best to describe my troubles in hopes that someone will understand what I'm talking about. Basically when I run film through my Arri 2b, the film (or more specifically the perforations) hit against the small knob/gear that says "Fette (Grease)". I don't think it is damaging the film too much, but it just doesn't seem right. Here's a photo of the knob/gear I am talking about. I have a shoot coming up soon, so anyone with insight please let me know ASAP. Thanks
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We have a fantastic price available currently for a maximum of 20 ARRI M40 4kW HMI systems. The heads are unused, new, still in the box genuine ARRI and have been purchased via an official distributor so full warranty etc will appply. The ballasts are manufactured by Power to Light, a UK company who makes ballasts for HMI lights from 200W to 24kW. The system is an M40 head, Barndoors, Lamp, Head to 50' (15.2m) ballast cable and 2.4/4kW electronic ballast. The usual price for these is around £10K (US$15K) each We are selling them for just £6,995 each Prices are Ex Works UK and exclude VAT which will be added for UK orders. We can ship worldwide, at extra cost, once we know your location. We can accept payment via bank transfer or credit card. Contact Projects Department for more details Regards Peter Daffarn
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Asking price: $55,000. Arri Alexa-M 4:3 XR Camera Pkg. (S/N: K1.71000.0-3604) Arri Alexa-M 4:3 Camera Head With XR Upgrade Arri Alexa-M Camera Body with XR Module incl. High Speed License, Pro Res option, Anamorphic option Lens Adapter PL Mount w/o LDS Turret Plug for Alexa Camera Body SD Card Arri Alexa A-EV Electronic Viewfinder (EVF-1) incl. Magnetic Eyecup Arri Alexa Viewfinder Cable Short (.35m/1.2ft) Arri Alexa A-EV Viewfinder Mounting Bracket (VMB-1) Alexa-M Handle, CCH-2 (K2.73002.0) Arri Alexa A-EV Center Camera Handle (CCH-1) Arri Alexa A-EV Battery Adapter Back for Gold Mount (BAB-G) Alexa-M Cage Plate ACP-2 (AMC-1, K2.73003.0) Alexa-M Bridge Plate Adapter AMB-2 (AMC-1, K2.73005.0) Side Bracket ASB-1 (AMC-1, K2.72086.0) (1) 24v Power Cable - 2p Fischer - 3p XLR A&J Custom Alexa M Shipping Case Images available upon request. Please PM for any details or email sales@tcsfilm.com or call 212-247-2517 and ask for Matt Schwalb or John Ryan.
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18,25,35,50&100mm Contact : sales@broadcastsolutions.com
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Reduced price. Selling a mint-condition Arri SR- asking $3,500. Recently serviced. Comes with original Zeiss 10-100m 2.8, two 400ft mags, one original battery (with charger), new Belcor battery belt, core adapters and Porta Brace strap. Original case included. Refrigerated film stock also available: 15 rolls of 7222 negative film for sale for $25 per roll and one (1) 400ft roll of OWO b/w negative also available for $100. You won't find an SR in better condition than this one. Here's a short that was shot with it about two months ago in Vermont: Thanks!
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ARRI Amira Camera Package ARRI Alexa-M 4:3 XR Camera Package ARRI Alexa Plus 4:3 Camera Package ARRI Alexa Studio Camera Package ARRI Alexa Plus 16:9 Camera Packages ARRI Alexa EV Camera Package Please contact sales@broadcastsolutions.com
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Please Contact : sales@broadcastsolutions.com
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Hi guys. Selling my lovely TOBIN TCS TXM-22A Crystal Sync Motor for Arriflex 16s. Bought from Du-All Cameras 2 years ago. never used, only tested recently, working like a charm. Asking price: US$ 900 (Paid US$ 995, receipt as proof). Can ship worldwide. Item is in Brazil. Can declare small value to avoid customs. Shipment costs is around US$ 60, ETA 2 weeks by normal postage. Can ship UPS if you'd like. Will post pictures here soon. Any questions, just shout. *** PLEASE CHECK MY 2 ARRI 16S KITS FOR SELL ON EBAY: http://www.ebay.co.uk/itm/2-ARRI-16S-ARRIFLEX-KITS-FULLY-WORKING-PRISTINE-CONDITION-/171665355148?#shpCntId -
Hi all. Selling my 2 Arri 16s + Mags. Just checking who would be interested while I arrange a good price for it. Thanks, Flavio
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Hi, I'm looking online for an arri 2b manual but can only find the 2c. Thank you!
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Hi, first time posting here. Basically I just purchased an arriflex 35mm IIB. I have searched ebay for lens' to fit this camera, but coming across a lens with this mount is proving difficult. Also I was just recently taught that there are different lenses suited to cover a 16mm and 35mm camera, so although they have the same mount, a 16mm lens would cause vignetting among other things if used on my 35mm camera. But a lot of the listings don't state whether or not they are suited for a 35mm camera. Could you guys recommend a vendor who would supply these, or any other useful knowledge I should know when searching for a lens? Thanks -
Hello, basically looking for what the title says. I have an arriflex 35mm IIB, and the cameras mount is a Arriflex standard mount. Having some trouble looking for a place to rent or buy low cost lens. I've searched eBay but it's proving to be few and far in between. Thanks!
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For Sale Alexa Plus w/ Hi Speed Option Just came back form Arri and is Factory Certified and given a clean bill of health also enables buyer to purchase Alexa Plus warranty if you choose to do so. Please contact me directly for price Tel. 843-554-7811 barbara@newprovideo.com Comes with 5-32GB SXS CARDS 3-64 GB SXS CARDS 1-SHOULDER PAD 3-EYE PIECE CABLES (2med,1 long) 1-EYE PIECE EXTENSION 1-COMPUTER CABLE 1-12 VOLT AKS CABLE 1-ALLEN WRENCH 1-V ADAPTER FOR BASE PLATE 1-BASE PLATE ADAPTER 1-CAMERA REAR SUPPORT
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Hello! I have been trying to outfit my Arriflex 16MB with a sync motor for music videos or similar (knowing how loud my camera is). I purchased a 60hz - 42v sync motor without its transformer for a reasonably low price on ebay. I shouldn't have any trouble building my own transformer but the connector on the motor is a little confusing to me. Does anybody know what the pins are on these 60hz - 42v motors? I assume there is a ground, pilot tone, +/- 42v, maybe a secondary at 8vdc for the torque motor on the SB model? Any help would be appreciated!!
