Jump to content

Search the Community

Showing results for tags 'CAMERA'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • Cine Marketplace
    • Cameras Systems and Formats
    • Lighting for Film & Video
    • Camera Operating & Gear
    • Camera Assistant / DIT & Gear
    • Grip & Rigging
    • Visual Effects Cinematography
    • Post Production
    • Students, New Filmmakers, Film Schools and Programs
    • Lenses & Lens Accessories
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • Directors and Directing
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Business Practices & Producing
    • Camera & Lighting Equipment Resources
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Cinematography News
    • Sound
    • Off Topic
    • Accessories (Deprecated SubForum)
    • Regional Cinematography Groups

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Occupation


Location


My Gear


Specialties

  1. Looking to buy RED Scarlet-X (in new or pristine condition) would prefer package deals but also will accept just brain as well.
  2. Epic M Kit #297 - 137 hours - - $27,000. Currently Located in Beverly Hills. The camera is in line for the dragon upgrade. Epic Ms have priority upgrades. (1) RED Epic Body with PL Mount and Side SSD (1) RED 5" LCD (1) RED EVF (1) RED Side Handle (1) RedMote (1) RedVolt Charger (1) Side Handle Port Cover (1) EVF Cable (1) Small Red Noga Arm (1) RED 1.8" Reader (1) RED AC Power Adapter (4) RedVolts (4) 128GB 1.8" RedMags (1) 1510 Pelican Case bradleycrane@mac.com
  3. Check our demo video: Hydrascope Camera Crane filming from one boat to another!
  4. Hello, I am looking to sell the following: 1 DSMC SIDE HANDLE 1 RED TOUCH 5.0" LCD 2 REDVOLT 1 REDMAG 1.8" SSD - 64GB 1 RED STATION REDMAG 1.8" 1 DSMC TRAVEL CARGE 1 SCARLET-X W/SIDE SSD AND LENS MOUNT - CANON AL http://www.red.com/store/products/scarlet-x-al-canon-mount-collection 50 hrs of use Also comes with PELICAN 1510 watertight case Also included is: ATOMOS SAMURAI Batteries, charger, disk caddies, cables and a PC/MAC docking station with carry case. Also comes with 128 GB HDD http://www.atomos.com/samurai/ Let me know if you are interested as I am located in Toronto, Canada Mike Asking $14K
  5. I have a Ranger 36 Inovativ camera cart for sale! It was a "floor model", but is pretty much brand new. Reasons you should buy my cart: - Retail: They go for $3,155 in store pick up or $3,230 delivery. But you can buy mine for $2,900! If you can deal with a never-been-used-on-the-field, a couple cosmetic scratches cart, you save $255! Plus, there is a 6 week waiting period for these carts. - Great design: Easy to build, use, and accessorize. I can build and tear down the cart in 28 seconds! - Accessories: Inovativ has a lot of accessories to make your cart pimptastic. They are also compatible with backstage accessories. - Useful: Obviously they are useful. Whether you are a Camera Assistant, Steadicam Op, Sound guy, musician, mechanic, etc. The only reason I'm selling it is to buy a larger Inovativ Cart. I am in love with this company and their product... and you should be to! Feel to email me: MarshallArtsPictures@gmail.com For pictures go to: http://losangeles.craigslist.org/sfv/for/4514273829.html
  6. Guest

    Christian Pfeil

    Pls check my work and my equipment. Will work and rent worldwide. Thx. Christian Pfeil. https://www.facebook.com/pfeil.christian
  7. Hi everyone, Again with some fundamentals about storytelling, with no doubt camera movements have a lot of effects on storytelling (dolly, Truck, panning, tilting, sliding, steadycam,..) or Handheld, how does camera movements effect the storytelling, what are the meaning of all those movements ? whats the difference for example between moving the camera toward the subject face in a fast way or in a slow way? when we use the camera steady on a tripod and when we slide it slowly ? what the difference between for example shooting an OTS handheld or steady on tripod or Sliding it ? there is a lot of camera movements does any one can advice on a book or an article discuss all those movements with their meanings please. Attached is screen shot from United 93, a very realistic movie from Paul Greengrass when he shot most of it handheld.
  8. Hello! I'm new to the forum, but I have made several student films before... I have a question, I want to try and experiment with a Super 8 camera. I don't have any idea what are the best Super 8's out there, but I would like something with an alright zoom, cheap (under $70), and that records good audio... Does anybody know of any cameras in that description? Thanks, Brian
  9. I wish I could get this camera: http://www.logmar.dk/
  10. Alright, where to start... I'm a young aspiring filmmaker whose had a passion for making films ever since I was 6. Self-taught, I've made films all on the digital format, and recently, I've been shooting short films on the Canon Rebel T2i. I'm all for manual control, and I'm a pretty big hater of auto focus. Being that most of the filmmakers that inspire me shoot on film, and that it's (sadly enough) slowly dying, I've decided I want to move from digital to film. Now I understand that a great place to begin is with film photography. I've signed up for a photography class (showing you how to shoot and develop film) for my Junior year, and I've also been reading through the web and these forums to understand the film process. My first set of questions are: What still film camera should I begin with? What type of film should I use? Anyway to make a cheap DIY dark room setup? After some practice with that, I wish to begin filming short films (after some more tests of course) on a motion picture film camera. I have in mind using a Super 16mm camera, however that may not be the right choice depending on your responses. So here is my big set of questions for you guys: Which Super 16mm (if I should even use a Super 16mm) should I shoot with? Which film stock should I shoot on? What are the differences between types of film stock? I understand that there's the 'Ultra' modification to convert 4:3 to 16:9, is there any other way to do this (2x anamorphic lenses)? Or could the gate be easily modified on my own? Should I use light meters? If so, which ones do you recommend? What's the best and affordable way of a HD DIY telecine? I understand you can send in your film to get it processed and telecined, but which one is the most reliable and affordable? How to properly light an indoor scene? How to shoot at night (EXT and INT)? Recommended books or websites? __________________________________________________________________________________ As for my tastes and interests (as it could help you answer my questions more specifically): I love Hitchcock, Welles, Nolan, and Kubrick. Film noir has always intrigued me, and I love the look of it. I guess you can say I love low-light photography and cinematography. A modern DP that I dearly love is Wally Pfister, and I understand he shoots on film. If I asked him these questions, what would he say? I also understand Chris Nolan shot Following with an Arriflex BL 16mm (don't know which model). I love the community here, and I hope you guys can understand my switch to film as I think its the true magic of cinema. Thanks ahead of time for checking this post out and taking the time to respond to newbies like myself. I hope to deliver my style and form of storytelling with film. Thanks so much guys! *do note that I own a Bell and Howell MS 30 Super 8mm (no stock)*
  11. Hi everybody. Am not a sound guy, and my knowledge is very limited. But I'm putting together a nice gear set for my Black Magic Pocket Camera. And now I'm on SOUND. I've bought the Rode NTG2. And now I need advice on a cost-effective PREAMP. I've found the PULSE DUAL CHANNEL AMPLIFIER: http://www.astounded.com/pulse-mpre-dual-dual-channel-microphone-preamplifier.html And might 'sound' crazy, but I've got the idea to use this pedal as it might be a good solution: http://www.gear4music.com/Guitar-and-Bass/Behringer-PB100-Preamp-Booster-Pedal/6BK?origin=product-ads&utm_source=google&utm_medium=cpc&utm_term=&utm_campaign=PLA+Behringer&utm_content=Yb7xhCqt|dc_pcrid_39000656599_plid__kword__match__#full-des I wonder which you would advise me. Or any others, since they could be poewered by a 9V battery, making my kit really portable. I'll shoot a documentary, so sound quality is primordial. I know from various posts the sound input in the pocket camera is very low. So need gain/amplifier. Also, I need to buy the CABLES, and I wonder if I buy them BALANCED or not balanced? Thanks everybody. Appreciate if someone could help on this as I have to buy this soon before travelling next week. F
  12. I am looking for a cinematographer. I am filming a pilot episode for my short drama next week Monday and Tuesday in Watford (UK) and next week Friday in Middlesex Hendon (UK). Then the following week beginning the 21st we plan on filming episode 2. We have a few independent production companies interested in this drama. Would you be available? Do you have your own equipment? For more information email me at jevan_buckley@hotmail.co.uk Thank you Jevan
  13. Hi guys, I'm not a cinematographer but I came a cress this beautiful camera, a Debrie 16mm. It has been used by the Swedish Televison company as it says on the case. Comes with 4 film holders (!!??). I want to sell it and you are welcome to come with proposals. I got more photos to email
  14. Hello! I am new to this forum and this is my first post. I'm graduating in 3 months and I am looking for a direction to build my career in. I know I want to pursue a career in feature film cinematography. I've shot quite a few things while in film school and have built up a reel with photography portfolio as well. But I know I still have much to learn. Website: Montgomeryimages.com My questions is this: If you want to build a career in cinematography and do this for a living which is better to do? 1. Go to the nearest budding film city and work from the bottom in the Grip/Electrical department. (I am hesitant to do this because I am afraid that all the camera skills I learned will disappear.) 2. Go to the nearest budding film city and work from the bottom in the camera department. (I am hesitant to do this because I am afraid that all the Lighting/gripping skills I learned will disappear.) 3. Go to a smaller city (I.e. a city with not as big a film incentive) invest in your own lighting/camera gear and start taking low budget gigs with the intent on making a name for yourself in that city. "Bigger fish/Smaller pond" (I am hesitant to do this because I am still learning and I feel like I should be learning from others. Don't I need to "pay my dues" as they say?) I am really passionate about cinematography and this industry. When I am on set as , I get in this "flow" where time will just pass and I can be there for hours without breaks. Thank you for any advice that you can offer. Justin Montgomery Montgomeryimages.com
  15. I'd love to know your opinions on which is your best 35mm camera. If you want to mention what lenses you prefer working with these particular cameras that's cool too. Cheers Matt
  16. i want to sell my red scarlet-x camera kit with all its essential accessories. i have bought some stuff from red.com & some accessories from woodencamera.com list: i'll attach photos in a couple of days (if needed) from RED: - scarlet camera brain - DSMC side handle - DSMC travel charger - side SSD slot - canon EF mount - PL mount - 6x redvolt - 5x red mag 1.8" SSD 64GB from wooden camera: - bridgeplate 19mm - easyriser - top handle (cheese) - side handle (rubber) - switronix V-mount - quickback V2 - ultimate top mount - ultimate top mount cheese plate all amounting to $21,760 by current reduced prices. i'm willing to sell for $21,000. that is $760 cheaper & faster delivery too ;)
  17. I thought I'd put this here since I didn't seem to get a response in the other section. I'm currently the DoP on a short film called "Circadium" being shot in Rochester. We're shooting on the Blackmagic Pocket Cinema Camera. I figured since I learn something new every day on this forum, maybe you would all like to see how this film progresses. We shot the first scene of the film on our first day of shooting, which was this morning and afternoon. I'll try to get more framegrabs of future scenes from my director, I just have 2 for now, but any feedback would be greatly appreciated. Thanks! Shot on BMPCC, ISO400, ProRes Film, Nikon Speedbooster and Nikon AF-S 17-35/Vintage Macro
  18. Hi! Met Film School in London has got these two weekend-courses that I would love to recommend (filmmaking). The school is located ten minutes walking distance from the station: Ealing Broadway. The famous studio "Ealing studios" is right next to the school. Maybe you can meet up with Daniel Radcliffe after school? Never done anything with filmmaking before? Then you should apply for the course: DSLR for professional filmmaking. It is a weekend course that is designed for those with a working understanding of the principals of cinematography or stills photography that want to apply this knowledge specifically to shooting with digital SLR cameras. You will learn how to get the best from a DSLR camera and how to make use of a selection of accessories specifically designed for video shootings on stills cameras. Through a range of creative exercises you will discover the pros and cons of working with these systems and how to avoid some of the most common pitfalls. Done some filmmaking before? Do you want something more advanced? You should apply for our course: Advanced DSLR for professional filmmaking. This course is designed for students who have previously completed the DSLR for professional filmmaking course, or those with an extensive DSLR and/or cinematography background. This programme covers areas from focus and operating, to sound sync and postproduction workflows. The aim of this programme is to provide you with the fundamental knowledge to shoot and finish DSLR video footage to its highest standard. Apply now on their website: http://www.metfilmschool.co.uk/
  19. Located in Los Angeles Vintage - 16 MM Arriflex film camera with footage counter Build in West Germany - BL 54085 Hand mount Mounted with Angenieux lens f. 9.5 - 95 mm zoom 1:22 no. 1368423 Built in France. 1 - 400 ft film magazine 1 - follow focus 1 - Matte box 1 - Crystalok Camera speed controller, model CRBL - 5 from Cinema Products, LA Foam fitted Anvil Case 27" by 22" by 10" Camera is used and operational the last time used. Personal camera of Emmy award winning cinematographer, Robert Collins Sold as is and without any expressed warranties. $1500.00 Available for viewing nancybevins@gmail.com Several Photos at Craiglist listing: http://losangeles.craigslist.org/wst/pho/4323599700.html
  20. Hi everybody. Urgent question. I'm in the process to get Sponsorship for our documentary, we'll shoot with a BlackMagic Pocket Cam. We have 2 options for the Zoom Lenses we'll going to use: 1. Arri-Zeiss Zoom 11-110 S16mm PL Mount 2. Zeiss Compact Zoom CZ.2 28-80 T2.9 We're aware that both are great lenses. The S35 Compact Zoom would demand a Metabones Adapter, but that's no problem at all. I wonder which would you guys pick and WHY? Of course the S35 one is new, and that might be a benefit. Thoughts? Thanks, F
  21. RED SCARLET-X FOR SALE AT $15,500. CLOSE TO NEW CONDITION! UNDER 50 HOURS OF SHOT FOOTAGE. We are an LA based post-production house that occasionally shoots ourselves, but have barely used the camera in the past year so would like to put the money into new post-production equipment. Willing to cover US based shipping costs. NO OFFERS FOR INDIVIDUAL PARTS. PM OR EMAIL sam@evofilmsusa.com Camera: x1 - Scarlet-X w/side SSD (less than 50 Hours on it) Mount: x1 - RED Scarlet CANON AL Mount Media: 1x RED Station 1.8" W/Firewire Cable + ESATA 1x REDMAG 1/8 SSD 128GB 1x REDMAG 1/8 SSD 64GB Monitor: x1 - RED Touch 5.0" LCD w/Cable Power: x1 - RED Scarlet DC Power Cable x1 - Anton Bauer T2 Charger x2 - Anton Bauer Dionic-HC Batteries x1 - Quick Back plate for Scarlet x1 - Battery Back plate for Anton Bauer Accessories: x1 - DSMC Base Production Pack Rig Storage: x1 - Scarlet X Case
  22. I'm selling a yaeger mitchell mount base bar and tripod hooks bar for $375. There's a few nicks from general wear and tear but are solid and will last forever. I would sell separately if need be. (these items new would cost $466) Thanks! -coreygegner@gmail.com
  23. RED SCARLET-X FOR SALE AT $17,000. CLOSE TO NEW CONDITION! UNDER 50 HOURS OF SHOT FOOTAGE. We are an LA based post-production house that occasionally shoots ourselves, but have barely used the camera in the past year so would like to put the money into new post-production equipment. Willing to cover US based shipping costs. NO OFFERS FOR INDIVIDUAL PARTS. PM OR EMAIL sam@evofilmsusa.com Camera: x1 - Scarlet-X w/side SSD (less than 50 Hours on it) Mount: x1 - RED Scarlet CANON AL Mount Media: 1x RED Station 1.8" W/Firewire Cable + ESATA 1x REDMAG 1/8 SSD 128GB 1x REDMAG 1/8 SSD 64GB Monitor: x1 - RED Touch 5.0" LCD w/Cable Power: x1 - RED Scarlet DC Power Cable x1 - Anton Bauer T2 Charger x2 - Anton Bauer Dionic-HC Batteries x1 - Quick Back plate for Scarlet x1 - Battery Back plate for Anton Bauer Accessories: x1 - DSMC Base Production Pack Rig Storage: x1 - Scarlet X Case
  24. Hey guys, I'm still in high school, but as of now I do not have a good camera at all. My main purpose is too make short films and music videos. Any ideas on a camera to get that isn't too pricey? Thanks.
  25. Hello intrepid Cinematographers and Filmmakers - We’ve got a JonyJib motorized Pan & Tilt head for sale. The unit carries cameras up to 30 lbs. with extra clearance for matte boxes and long lenses. Mounting is via (1) 3/8” knob bolt and this unit mounts in either undersling or oversling mode and provides full 360º degree panning and tilting. This unit also comes with a joystick fitted controlled that mounts directly to the jib arm with controls for speed, direction and sensitivity. It comes with the complete pan & tilt head, 2 motors, a 100’ cable as well as a standard power supply. It’s only been used once and is in perfect condition. Asking price: $1500.00 If interested, please contact Jake at 818-800-4598
×
×
  • Create New...