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Showing results for tags 'Camera'.
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I wish I could get this camera: http://www.logmar.dk/
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Epic M Kit #297 - 137 hours - - $27,000. Currently Located in Beverly Hills. The camera is in line for the dragon upgrade. Epic Ms have priority upgrades. (1) RED Epic Body with PL Mount and Side SSD (1) RED 5" LCD (1) RED EVF (1) RED Side Handle (1) RedMote (1) RedVolt Charger (1) Side Handle Port Cover (1) EVF Cable (1) Small Red Noga Arm (1) RED 1.8" Reader (1) RED AC Power Adapter (4) RedVolts (4) 128GB 1.8" RedMags (1) 1510 Pelican Case bradleycrane@mac.com
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Hello! I'm new to the forum, but I have made several student films before... I have a question, I want to try and experiment with a Super 8 camera. I don't have any idea what are the best Super 8's out there, but I would like something with an alright zoom, cheap (under $70), and that records good audio... Does anybody know of any cameras in that description? Thanks, Brian
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I am looking for a cinematographer. I am filming a pilot episode for my short drama next week Monday and Tuesday in Watford (UK) and next week Friday in Middlesex Hendon (UK). Then the following week beginning the 21st we plan on filming episode 2. We have a few independent production companies interested in this drama. Would you be available? Do you have your own equipment? For more information email me at jevan_buckley@hotmail.co.uk Thank you Jevan -
Hi guys, I'm not a cinematographer but I came a cress this beautiful camera, a Debrie 16mm. It has been used by the Swedish Televison company as it says on the case. Comes with 4 film holders (!!??). I want to sell it and you are welcome to come with proposals. I got more photos to email
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Hi, I'm a student working on my first short film for a class. I checked out all the equipment I needed to start shooting including a Bolex H16 Reflex movie camera. I put a wind in the camera, went to load the film into it, and realized that it won't run! So now, the camera has sat overnight with a wind in it that I have no way of getting out. And seemingly no one else has had this issue because I couldn't find it in any forums. Can ANYONE please help?!?!?! I'm totally freaking out!
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I have the opportunity to purchase a used Arri D-21 from a local rental shop for $6000. I have heard that the D-21 footage has a unique film like quality that surpasses most cameras, even the Alexa. Although it's dynamic range is limited to 11 stops and low lightcapabilities seem to be quite poor. Can those of you who have used the D-21 please share your experiences.
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Looking to buy RED Scarlet-X (in new or pristine condition) would prefer package deals but also will accept just brain as well.- 1 reply
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I'd love to know your opinions on which is your best 35mm camera. If you want to mention what lenses you prefer working with these particular cameras that's cool too. Cheers Matt
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Hello, I am looking to sell the following: 1 DSMC SIDE HANDLE 1 RED TOUCH 5.0" LCD 2 REDVOLT 1 REDMAG 1.8" SSD - 64GB 1 RED STATION REDMAG 1.8" 1 DSMC TRAVEL CARGE 1 SCARLET-X W/SIDE SSD AND LENS MOUNT - CANON AL http://www.red.com/store/products/scarlet-x-al-canon-mount-collection 50 hrs of use Also comes with PELICAN 1510 watertight case Also included is: ATOMOS SAMURAI Batteries, charger, disk caddies, cables and a PC/MAC docking station with carry case. Also comes with 128 GB HDD http://www.atomos.com/samurai/ Let me know if you are interested as I am located in Toronto, Canada Mike Asking $14K
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Hello! I am new to this forum and this is my first post. I'm graduating in 3 months and I am looking for a direction to build my career in. I know I want to pursue a career in feature film cinematography. I've shot quite a few things while in film school and have built up a reel with photography portfolio as well. But I know I still have much to learn. Website: Montgomeryimages.com My questions is this: If you want to build a career in cinematography and do this for a living which is better to do? 1. Go to the nearest budding film city and work from the bottom in the Grip/Electrical department. (I am hesitant to do this because I am afraid that all the camera skills I learned will disappear.) 2. Go to the nearest budding film city and work from the bottom in the camera department. (I am hesitant to do this because I am afraid that all the Lighting/gripping skills I learned will disappear.) 3. Go to a smaller city (I.e. a city with not as big a film incentive) invest in your own lighting/camera gear and start taking low budget gigs with the intent on making a name for yourself in that city. "Bigger fish/Smaller pond" (I am hesitant to do this because I am still learning and I feel like I should be learning from others. Don't I need to "pay my dues" as they say?) I am really passionate about cinematography and this industry. When I am on set as , I get in this "flow" where time will just pass and I can be there for hours without breaks. Thank you for any advice that you can offer. Justin Montgomery Montgomeryimages.com -
I thought I'd put this here since I didn't seem to get a response in the other section. I'm currently the DoP on a short film called "Circadium" being shot in Rochester. We're shooting on the Blackmagic Pocket Cinema Camera. I figured since I learn something new every day on this forum, maybe you would all like to see how this film progresses. We shot the first scene of the film on our first day of shooting, which was this morning and afternoon. I'll try to get more framegrabs of future scenes from my director, I just have 2 for now, but any feedback would be greatly appreciated. Thanks! Shot on BMPCC, ISO400, ProRes Film, Nikon Speedbooster and Nikon AF-S 17-35/Vintage Macro
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Hi! Met Film School in London has got these two weekend-courses that I would love to recommend (filmmaking). The school is located ten minutes walking distance from the station: Ealing Broadway. The famous studio "Ealing studios" is right next to the school. Maybe you can meet up with Daniel Radcliffe after school? Never done anything with filmmaking before? Then you should apply for the course: DSLR for professional filmmaking. It is a weekend course that is designed for those with a working understanding of the principals of cinematography or stills photography that want to apply this knowledge specifically to shooting with digital SLR cameras. You will learn how to get the best from a DSLR camera and how to make use of a selection of accessories specifically designed for video shootings on stills cameras. Through a range of creative exercises you will discover the pros and cons of working with these systems and how to avoid some of the most common pitfalls. Done some filmmaking before? Do you want something more advanced? You should apply for our course: Advanced DSLR for professional filmmaking. This course is designed for students who have previously completed the DSLR for professional filmmaking course, or those with an extensive DSLR and/or cinematography background. This programme covers areas from focus and operating, to sound sync and postproduction workflows. The aim of this programme is to provide you with the fundamental knowledge to shoot and finish DSLR video footage to its highest standard. Apply now on their website: http://www.metfilmschool.co.uk/
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Hi everybody. Urgent question. I'm in the process to get Sponsorship for our documentary, we'll shoot with a BlackMagic Pocket Cam. We have 2 options for the Zoom Lenses we'll going to use: 1. Arri-Zeiss Zoom 11-110 S16mm PL Mount 2. Zeiss Compact Zoom CZ.2 28-80 T2.9 We're aware that both are great lenses. The S35 Compact Zoom would demand a Metabones Adapter, but that's no problem at all. I wonder which would you guys pick and WHY? Of course the S35 one is new, and that might be a benefit. Thoughts? Thanks, F
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Located in Los Angeles Vintage - 16 MM Arriflex film camera with footage counter Build in West Germany - BL 54085 Hand mount Mounted with Angenieux lens f. 9.5 - 95 mm zoom 1:22 no. 1368423 Built in France. 1 - 400 ft film magazine 1 - follow focus 1 - Matte box 1 - Crystalok Camera speed controller, model CRBL - 5 from Cinema Products, LA Foam fitted Anvil Case 27" by 22" by 10" Camera is used and operational the last time used. Personal camera of Emmy award winning cinematographer, Robert Collins Sold as is and without any expressed warranties. $1500.00 Available for viewing nancybevins@gmail.com Several Photos at Craiglist listing: http://losangeles.craigslist.org/wst/pho/4323599700.html
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RED SCARLET-X FOR SALE AT $15,500. CLOSE TO NEW CONDITION! UNDER 50 HOURS OF SHOT FOOTAGE. We are an LA based post-production house that occasionally shoots ourselves, but have barely used the camera in the past year so would like to put the money into new post-production equipment. Willing to cover US based shipping costs. NO OFFERS FOR INDIVIDUAL PARTS. PM OR EMAIL sam@evofilmsusa.com Camera: x1 - Scarlet-X w/side SSD (less than 50 Hours on it) Mount: x1 - RED Scarlet CANON AL Mount Media: 1x RED Station 1.8" W/Firewire Cable + ESATA 1x REDMAG 1/8 SSD 128GB 1x REDMAG 1/8 SSD 64GB Monitor: x1 - RED Touch 5.0" LCD w/Cable Power: x1 - RED Scarlet DC Power Cable x1 - Anton Bauer T2 Charger x2 - Anton Bauer Dionic-HC Batteries x1 - Quick Back plate for Scarlet x1 - Battery Back plate for Anton Bauer Accessories: x1 - DSMC Base Production Pack Rig Storage: x1 - Scarlet X Case
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I'm selling a yaeger mitchell mount base bar and tripod hooks bar for $375. There's a few nicks from general wear and tear but are solid and will last forever. I would sell separately if need be. (these items new would cost $466) Thanks! -coreygegner@gmail.com
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RED SCARLET-X FOR SALE AT $17,000. CLOSE TO NEW CONDITION! UNDER 50 HOURS OF SHOT FOOTAGE. We are an LA based post-production house that occasionally shoots ourselves, but have barely used the camera in the past year so would like to put the money into new post-production equipment. Willing to cover US based shipping costs. NO OFFERS FOR INDIVIDUAL PARTS. PM OR EMAIL sam@evofilmsusa.com Camera: x1 - Scarlet-X w/side SSD (less than 50 Hours on it) Mount: x1 - RED Scarlet CANON AL Mount Media: 1x RED Station 1.8" W/Firewire Cable + ESATA 1x REDMAG 1/8 SSD 128GB 1x REDMAG 1/8 SSD 64GB Monitor: x1 - RED Touch 5.0" LCD w/Cable Power: x1 - RED Scarlet DC Power Cable x1 - Anton Bauer T2 Charger x2 - Anton Bauer Dionic-HC Batteries x1 - Quick Back plate for Scarlet x1 - Battery Back plate for Anton Bauer Accessories: x1 - DSMC Base Production Pack Rig Storage: x1 - Scarlet X Case
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i want to sell my red scarlet-x camera kit with all its essential accessories. i have bought some stuff from red.com & some accessories from woodencamera.com list: i'll attach photos in a couple of days (if needed) from RED: - scarlet camera brain - DSMC side handle - DSMC travel charger - side SSD slot - canon EF mount - PL mount - 6x redvolt - 5x red mag 1.8" SSD 64GB from wooden camera: - bridgeplate 19mm - easyriser - top handle (cheese) - side handle (rubber) - switronix V-mount - quickback V2 - ultimate top mount - ultimate top mount cheese plate all amounting to $21,760 by current reduced prices. i'm willing to sell for $21,000. that is $760 cheaper & faster delivery too ;)
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Hey guys, I'm still in high school, but as of now I do not have a good camera at all. My main purpose is too make short films and music videos. Any ideas on a camera to get that isn't too pricey? Thanks.
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Hello intrepid Cinematographers and Filmmakers - We’ve got a JonyJib motorized Pan & Tilt head for sale. The unit carries cameras up to 30 lbs. with extra clearance for matte boxes and long lenses. Mounting is via (1) 3/8” knob bolt and this unit mounts in either undersling or oversling mode and provides full 360º degree panning and tilting. This unit also comes with a joystick fitted controlled that mounts directly to the jib arm with controls for speed, direction and sensitivity. It comes with the complete pan & tilt head, 2 motors, a 100’ cable as well as a standard power supply. It’s only been used once and is in perfect condition. Asking price: $1500.00 If interested, please contact Jake at 818-800-4598
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Hi everybody. Am not a sound guy, and my knowledge is very limited. But I'm putting together a nice gear set for my Black Magic Pocket Camera. And now I'm on SOUND. I've bought the Rode NTG2. And now I need advice on a cost-effective PREAMP. I've found the PULSE DUAL CHANNEL AMPLIFIER: http://www.astounded.com/pulse-mpre-dual-dual-channel-microphone-preamplifier.html And might 'sound' crazy, but I've got the idea to use this pedal as it might be a good solution: http://www.gear4music.com/Guitar-and-Bass/Behringer-PB100-Preamp-Booster-Pedal/6BK?origin=product-ads&utm_source=google&utm_medium=cpc&utm_term=&utm_campaign=PLA+Behringer&utm_content=Yb7xhCqt|dc_pcrid_39000656599_plid__kword__match__#full-des I wonder which you would advise me. Or any others, since they could be poewered by a 9V battery, making my kit really portable. I'll shoot a documentary, so sound quality is primordial. I know from various posts the sound input in the pocket camera is very low. So need gain/amplifier. Also, I need to buy the CABLES, and I wonder if I buy them BALANCED or not balanced? Thanks everybody. Appreciate if someone could help on this as I have to buy this soon before travelling next week. F
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£449 ARRIFLEX 16S + 2 MAGAZINES (8V) + ORIGINAL ARRIFLEX MATTEBOX + ORIGINAL 8V MOTOR + ORIGINAL CABLE Fully working. Just serviced by Les Bosher in South Wales. Pristine and clean inside and outside. Original Mattebox is in good condition. Magazines have some signs of use and acrylic pieces (on footage meter) cracked, but does not affect performance. Serial Number: 6587 £499 ARRIFLEX 16S + 2 MAGAZINES (1 12V, 1 8V) + ORIGINAL ARRIFLEX MATTEBOX + TOBIN TCS TM23 + ORIGINAL CABLE Fully working. Just serviced by Les Bosher in South Wales. Pristine and clean inside and outside. Original Mattebox is in very good condition. Magazines have some signs of use and both acrylic piece (on footage meter) cracked, but does not affect performance. Serial Number: 8467 PLEASE CHECK DOCS ATTACHED WITH PICTURES. CAN SHIP WORLDWIDE. WOULD LOVE TO KEEP THEM, BUT NEED THE MONEY.
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AN ESSENTIAL LEARNING AND CAREER EXPERIENCE FOR DIRECTORS, PRODUCERS, WRITERS, AND DEPARTMENT HEADS AT ALL LEVELS. In this Master Class, Quinn will deconstruct Leaving Las Vegas, scene-by- scene, while discussing his process, choices, obstacles, challenges - what worked and what didn't. 10:00 AM Screening: Leaving Las Vegas 12:00 PM Catered Lunch 1:00 PM Master Class 3:00 PM Day Ends Presented in Partnership with LOCAL 600 INTERNATIONAL CINEMATOGRAPHERS GUILD Sponsored by HARBOR PICTURE COMPANY registration: https://www.nymediacenter.com/cinematographer-masterclass/ -
Hi folks I'm shooting a short film in a few weeks and I'm figuring about a car scene with two actor having a dialog while driving, and how I should go about that. First of all, we don't have much of a budget, so a even though a car trailer would be the optimal choice, we can't afford it unfortunately. Any recommendations of how to shoot this? My initial idea was to shoot this infront of a green screen with tracking marks on set, to take advantage of the existing light. By doing so we could use a hand-held camera to add a sense of realism with the background moving (very slightly) in conjunction with the actors and the car. AFTER we've shot infront of the green screen, we go out and shoot the background plates, at the same camera position we used shooting the green screen shots. I believe this could work. Second idea is to shoot the whole scene in front of a rear projection screen. The problem with this I believe is to get a powerful enough projector and not destroying the black when lighting the actors. Also, lighting the car to blend in realistically would also be somewhat of a problem since we can't use any existing light. Third idea is to let the actors drive the car. By far the easiest way to go, but not the safest. Also, they have to be focused on driving the car, so their acting might suffer from that. Any ideas? I would appreciate it a lot! Regards Patrik
