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  1. Hey guys, I haven’t been on here for a while. I’m looking for some advice. Sorry if this is long winded…It’s been in my head for a while. I’m a Scottish DP based in Hong Kong and I’m thinking about relocating back to the UK & trying to get into production work. A bit about me : I have an undergrad in Film from 20 years ago and about 10+ years experience in the camera side of production…everything from AC to Gaffer to DP but mainly on small productions - loadsa of Short films, Indie Music Vids & tons of corporates. (I’ve shot corporates & Indie stuff in about 12 diff
  2. Hi, This Ronin-MX has been used for one shot. I bought it last 3 months ago. Still on warranty. Like brand new. Ask: 1200.00USD + optionnel 200.00USD for Nanuk 960 case. Contact: sansoucypierre@yahoo.com Pierre
  3. Hi, I'm selling my filters; 28x Tiffen 4x4 filter. Also selling the metal flight case and a filter pouch for 6 filters. List of filters, 4x 85 4x 85 N3 4x 85 N6 4x 85 N9 2x 85B 1x 85B N3 1x 85B N6 1x 85B N9 1x 85POL 4x 81EF 1x 81EF ND3 1x 81EF ND6 1x 85EF ND9 Metal flight case secures 60 filters. The key for case is missing. Haida 100 filter pouch, holds 6 filters. More pics, Tiffen folder; https://jussipaita.imgur.com ASKING PRICE FOR THE WHOLE SET 900 euro. If you´re interested write me an email: jniemela79(a)gmail.com
  4. Package includes a wooden camera top and base and viewfinder, 3 cards and a reader. No additional license, never been rented, used by owner on TV drama series. Bought at the end of 2015/ extended warranty until October 2018 Hours-1160 hours Email : sales@broadcastsolutions for pricing and pics.
  5. We have 2 Arri Alexa Mini packages available email carson.lori61@gmail.com
  6. I'm ready to do some tests with my Eclair NPR camera and I have some questions after practicing loading the magazines... Obviously I'm missing something simple and I've spent some time searching yet haven't found the answers so please forgive the basic questions: 1) Can someone explain the importance of the "loop"? It's very specific about 12 images with 6 on each side. I don't think the manual I have explains why this is important and what will happen if the frame count of the loop is incorrect or if it's out of alignment. Will it effect the image? Will there be flickering? 2
  7. Looking To Purchase Red Epic-X Packages. Do not need batteries or charger. Please email details and price to : sales@broadcastsolutions.com
  8. Hi Guys, Maybe a stupid question, but I work from the standard Conterra harness and have pens, sharpies, tape measure, scissors etc, but always notice other AC's with extremely small rolls of gaffer tape attached to their harnesses that I can't find anywhere online or in rental houses/kit houses etc? They look like 1" gaffer tape, but wrapped around on old 35mm magazine cores strangely? Am I completely missing the mark here haha? Any help appreciated, hank you! Tom
  9. For sale is my beautiful 2-perf (Techniscope) Arri 3C (IIIC) camera package. This camera was never a rental and it looks like it's hardly ever been used, it's in such beautiful condition. I've owned it since 2009 and during that time I found and bought an original Arri factory 2-perf conversion kit, which was installed by the technicians at Clairmont Camera in North Hollywood. I'm guessing everyone here knows why 2-perf is so great. But just in case... basically you get twice the run time from the same amount of film. A 400' roll of 35mm film running at 24 fps lasts about 8 minutes instea
  10. I'm so sorry to sell my lovely baby but I need some money for a next project. For sale : - 1 Arriflex 16 SR1 PL mount, upgraded in Super 16 by P+S Technik ( Munich). "Evolution Upgrading Program" by P+S Technik was a complete change of electronic mother board, new speed controller with screen ( intervallometer function on ), new mechanics, new viewfinder with better magnification, new black painting on whole camera body and magazines. - 2 Super 16 magazines. - 1 battery ( new cells) - 1 Arri battery charger - 1 VSU speed controller - 2 handgrip-trigger ( one broken, other one is
  11. Can anybody recommend a decent camera report app (something that can be used on a Desktop, iPhone, iPad...)? I'm just looking for something that logs: Project, Scene, Take, Date, Camera Settings (ISO, Shutter, WB, Color Prof, Stop, FPS, etc..). Not so much for Metadata or TC. Ideally something that can export as PDF and be moved to dropbox or a drive fairly quick. Thanks for your help!
  12. Hi all, I'm starting prep work for my college thesis at Emerson and I'm researching into the different challenges with shooting the project on film. I'm particularly thinking 16mm, just for budgetary reasons, and can't seem to find a Super 16mm camera that shoots up to 300 fps other than scientific/military cameras. The film is about a track athlete, so I'm wanting to get some very beautiful, frozen moment shots of our talent running. Does anyone know of any cameras that shoot as high as 300 fps? I see most of the HS cameras from Arri only go up to 150 fps. Thanks!
  13. I'll be traveling from LA to Berlin, Zurich, and then back to LA and I was curious if y'all could tell me about the restrictions/regulations of traveling with gear. I'm trying to put together a small camera package that can be put in to the overhead compartment, I know there's some business with lithium ion batteries so that's definitely a concern. Also, any recommendations for cameras of the 4K variety that are compact would be amazing. Thank you in advance!
  14. Hi all, I am hoping to get some Cam PA gigs while out in LA for the semester and was just wondering what everyone's perception is of the Camera PA. What are their duties/responsibilities? What is expected of them? Was just looking for some outside input to know what to bring to the table. I imagine it's nothing glorious, and with a good 1st and 2nd, I could see a lot of standing around waiting to help being a reality. Thanks!
  15. Hello all, My name is Robert, currently heading into my graduate thesis film production, with a question about shooting two different cameras over one production. During prep with the director, the idea of shooting 2 cameras came up as I was camera testing with a Canon c700 and the Canon Cine Primes, which I have decided to use as an A camera. As it stands, our budget won't allow for a second c700 to act as B camera, however we currently have an f55 w/ Ultra Primes reserved from the school's equipment house. Having tested both cameras, I know that each camera possesses different chara
  16. Time for me to sell one of my other Super16 camera : - 1 Bolex EL super 16 mm. Converted from normal 16 to S16 by Les Bosher, UK. Used, some small dents on the surface, but the camera works well. I shot one of my first documentary film with it. About settings : from 10 fps to 50 fps, film speed from 25 asa to 1600 asa, built-in lighmeter. Included : - 1 Bayonet to c mount adapter - 1 battery - 1 battery charger - 1 set of filters holder. Located in Europe. Price : 1000 euros. High res pictures on demand. ( you can e-mail me at : dartwiller@yahoo.fr) I hope my bab
  17. Pictures available on our website or by email request. Contact us with any questions or to place an order. ______________________________________________ PRIMES: - Arri/Zeiss Ultra Prime 20mm = $12,500 - Arri/Zeiss Ultra Prime 65mm = $12,000 - Arri/Zeiss Ultra Prime 100mm = $12,500 - Arri/Zeiss Variable Primes Set of 3 - VP1/VP2/VP3 = $15,000 - Cooke Optics S4/i 16mm = $13,500 - Cooke Optics S4 Set of 8 - 14/18/25/35/50/75/100/135mm = $123,000 - Cooke Optics mini S4/i Set of 10 - 18/21/25/32/40/50/65/75/100/135mm = $60,000 - Leica Summilux-C Set of 10 - 18/21/25/29/35/40/50/65/75/100mm
  18. Selling Arri Alexa Plus Camera with 16x9 sensor ProRes +; DNxHD+; 120 High Speed Licenses Operating hours: 1577 (as of 07/13/17) Year of manufacture 2013 Current Firmware is 11.131779 Comes with Innerspace Case for ALEXA Body with Accessories Asking $35,000 (USD) ​Is interested please e-mail to Skrypka.anna@gmail.com Thank you.
  19. AKELA CAMERA CRANE FOR SALE (INTERNATIONAL SALE ONLY) The 85' Akela Crane can go from ground level to six stories high in a single move, or follow a subject over broken ground for up to 170' without track or cables. It is lightweight and can be broken down into highly portable elements, enabling assembly in remote locations. The crane can be built at 45', 58', 72', or 85'. AKELA CAMERA CRANE - $55,000.00 (US/FOBUSA) *Pre-owned and in good condition
  20. Looking for a solution - need a rotating lighting rig to simulate the movement of light on a stationary vehicle. Trying to simulate a train passing through darkness and shade. Any suggestion other than having someone Hollywood the unit or flag.
  21. Looking for some exposure help when shooting moody scenes with the FS5 - I have seen a lot of people recommending setting the zebra to 70 percent ( which makes things pretty bright on the monitor for a darker scene/ is this something people only do in LOG? ) are there any other usable on camera exposure tool other than zebra?. Don't use Sony's much and am more used to Using a REC 709 LUT or false colors within my ALEXA eyepiece to expose. Also, should I be switching from LOG3 to cine gamma for lower light situations? Also any general tips for exposing low light scenes without crushing the bla
  22. Hello everyone, I am a 3rd year film student studying Cinematography. The dream is to one day be a DOP for Film and Documentary, however, first I want to work my way up through the ranks of the camera department. I have undergone a number of weeks of work experience as a shadow camera trainee on 2 British TV shows. I was wondering if anyone has any advice on how to get work as a camera trainee in the UK? Or perhaps can offer me any work/work experience over summer as a trainee? Cheers! Josh Montoro
  23. Aaton XTR Prod S16mm Camera Package All components have just been serviced and in great working order. From rental inventory and has been regularly maintained for the life of the camera. I have 2 comparable packages available. Package Includes: Aaton XTR Prod S16mm Camera Body VR46 Color Video Assist 1.78 Ground Glass Standard Viewfinder (short) Heated Eyecup Extension Finder Carry Handle w/ 2 Aaton Tools Right Side Grip w/ Start/stop 15mm LWS Right Ride Rosette Dual Rosette Grip Extension Arri 15mm Studio Baseplate 2x 6" 15mm Screw Type Mini Rods (not pictured) 2x Coiled Eye
  24. INTERNATIONAL CINEMATOGRAPHERS GUILD TO HOST THREE PANELS AT NAB SHOW (April 24-25) GAME Of THRONES: Behind the Scenes with the Filmmakers GHOST IN THE SHELL: Creating a Cyber Future NEXT GENERATION IMAGE MAKING – Taking Content Creation to New Places The panels, hosted by the The International Cinematographers Guild (IATSE, ICG Local 600), at the NAB Show (April 22 – 27,) will examine advanced and future imaging techniques, including the use of machine intelligence in pre and post production. The discussions will be set within the context of high profile, consumer content including Gam
  25. Anyone have any fun in-camera ideas for shooting a dream sequence? So far I've got, tilt/shift, unseat/reseat the lens, and for filters I was thinking of playing with the glimmerglass, promist, soft FXs, etc.) Any other ideas? Anyone use any glass elements in front of the lens (with or without abrasions on it) that they like? Thanks! Best, Andrew
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