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Showing results for tags 'FILM'.
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Hey guys, Apologies if it's been covered already. I'm in talks with a post house here in Melbourne, Australia to get some 16mm film scanned to a 2K ProRes file so I can edit it. She is telling me that the telecine process is $450/hour then the 'digitisation' is an additional $250/hour. I was under the impression that telecine IS the digitisation of film? Am I wrong on this one? Is it a two stage process? If it is then what would be the point of doing a telecine without the aforementioned 'digitisation'? Thanks again!
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Hi Everyone! Looking for some information! I'm an Australian researching a move to Europe to study script writing. My two passions are actually script and set design and I'm looking for film schools that offer great hands on courses. I completed my undergraduate degree with a minor in film and am now looking for some further study opportunities to expand my script writing experience. It doesn't have to be a master's, just an opportunity to write and make new connections in film. Thanks for your time! Kind Regards, Adrianna -
Hello everyone, I am new to the forum and was hoping that someone on here would be able to assist me in my quest to apply for Panavision's College Internship Program. I have tried contacting Stephanie Lyons at their Hollywood location, however, my attempts have be fruitless. I am currently a Senior at the University of California Irvine and want to learn about their cameras, as well as 35mm film cameras as a whole, preferably from the grunt-work up. I would like to have an old fashioned mentorship-styled environment where a master of the craft can show me the ropes cleaning and lugging around different pieces of equipment, however, I'm not sure how realistic my hopes are. If you have any information about the program or know anyone who does, I will be eternally grateful. -
THE OUT OF ORDER TOUR WITH ROSS HOCKROW Storytelling and the Editing Process The Out of Order Tour teaches students how to create captivating films through the editing process by focusing on two key concepts: 1) the use of “out of order” storytelling techniques (non-linear storytelling), and 2) how to make decisions about where pieces go instead of simply how to move them into place. Taught by filmmaker, author, and educator Ross Hockrow, this all-day workshop teaches you how to assemble each moment in your film by integrating storytelling theory with specific, practical editing techniques. Designed for the beginner and intermediate filmmaker, the class shows you how to unlock the full potential of your footage by utilizing the principles of story structure, narrative bases, shot selection, pacing, and the psychological effects of shot placement. Ross Hockrow is an award-winning filmmaker, innovative educator, and published author. He has directed 6 feature-length indie films and several short films, the latest of which won the audience choice award for the 2013 48hr Film Festival in Providence, RI. Ross started his career as a screenwriter, and several of his screenplays were optioned by major film companies and television networks. His filmmaking abilities stretch beyond narratives and into commercial work, where he was hired by Fortune 500 companies Skype and Expedia to make on-site event films for their annual company conferences. Ross, an Adobe sponsored speaker, pioneered live filmmaking education with his Get in Motion Tour in 2011—the industry’s first-ever educational workshop tour created exclusively for filmmakers. During the past three years, Ross lectured in over 100 cities during two international tours, and taught platform classes at several major industry tradeshows— appearing at NAB, CES, WPPI, PPA, Photo Video West, Photoshop World, Photo Plus East, and Photo Pro Expo. The Daytime Storytelling Through Editing Workshop begins with an overview of specific types of stories by outlining types of conflict, variable act structure, and plot structure. Ross will explore the concept of non-linear storytelling—telling a story out of order— and will demonstrate several options for rearranging the order of a film to create a better and more intriguing story. Next, you will explore the concept of how to make the viewer experience a film instead of just passively watching it. Finally, Ross breaks down the techniques necessary to effectively edit a conversation, and the importance of creating a constant feeling of anticipation within the viewer through masterful editing. The Evening Editing Techniques Seminar begins with an intensive, step-by-step overview of the complete editing process. The art of the professional cut is explored in detail, focusing on the techniques of L-cutting, cutting on the action, popcorn cutting, and the use of natural and scene-to-scene transitions. Ross then demonstrates his technique for achieving perfection in cycles by focusing on a circular editing process, showing how to subtly discover and constantly enhance the rhythm, pace, and emotional tone of your film. Ross will show you how to use audio and will outline the process of choosing and incorporating a soundtrack into your film. To finish the film, Ross will teach students the principle of “cutting out the fat,” the process of applying subtle tweaks to reduce the length but increase the impact of your film. Daytime Workshops and Evening Seminars take place on the same day, with workshops ($149, up to 100 students) running from 9:00 AM to 4:00 PM and seminars ($59, up to 200 students) running from 5:00 PM to 9:00 PM. A combo ticket costs $199 and includes Ross’s book Storytelling Techniques for Digital Filmmakers, a DVD of the Daytime Storytelling Theory workshop, and a take-home editing project. If interested check out the tour website www.outoforder.com or email antonio@montezucker.com -
http://finearts.concordia.ca/officeofthedean/jobpostings/digital-cinema---film-production.php Roy Cross, MFA Associate Professor, Head, Film Production Programme Mel Hoppenheim School of Cinema Concordia University 1455 boul. de maisonneuve ouest Montréal, Québec, H3G 1M8 514.848.2424 ext 4659 cinema.concordia.ca roy.cross@concordia.ca www.roycross.com -
Hello all -- Posting this on this forum in case anyone is interested. The buy-it-now on ebay is no longer available but I will let this one go for $2799 and end the auction early. It's a real steal at this price and am letting it go for cheap. http://www.ebay.com/itm/ARRIFLEX-Arri-SR3-Advanced-Super-16mm-Film-Camera-PL-Mount-S16-/271279445838?pt=LH_DefaultDomain_0&hash=item3f2983d74e Great camera, but there are a few quirks that are cosmetic don't effect the image quality or ergonomics, but I'd prefer to have a camera in better shape, that is why I'm letting it go. Here is a video of it running recently (9/15/13) : Item is located in NY and will ship domestically. Contact: ekyfilms@gmail.com ---- For Sale Arriflex SR3 Advanced Super 16mm Film Camera All items included with this item are pictured. Besides a few cosmetic wear marks this camera is in working condition. This was recently tested at a camera house (9/15/13) and is fully operational and works as intended and runs smoothly. A video can be sent of the camera running. Included items are: • Arriflex SR3 Advanced S16 film camera body • (2) 400 Foot Arriflex SR2 S16 mags • Arri SR3 Handbook • Light-weight Flightcase • 20/80 Prism For a Videotap (no port cap) Features of this camera include: • 5 to 75 fps • Manually adjustable Shutter angles 180°, 172,8°, 144°, 135°, 90°, 45° • 54 mm stainless steel PL mount • Heated Eye Cup
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Hey im still in highschool just going into grade 12 i live in canada and was wondering which film school to go to. I know the everyone says that Ryerson is the best in canada but i just feel like its more theory then hands on (i know that you do do films and such but not as much). My other thoughts were the new york film academy in the US and the national film and television school in the UK. I feel like those schools are a lot more hands on and getting set experience when ryerson is more this is how film began kinda stuff. So my question really is is it worth the extra money to go to a film school outside of canada? Thanks, Eric
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Dead ED - Hundreds of years after a nuclear world war, Khan and his companion, a service-droid, ED set out to purge the nuclear wasteland free of radiation. Friendship is tested and temperance is stretched when the two are pushed to their limits in the deadly country. Hello fellow filmmakers! We are film students who are creating our first independent movie titled DEAD ED. But we need help. We launched a Kickstarter to help secure funds for the project, and we need an extra push. Please help us out by donating or sharing the page. Every little bit helps. www.kickstarter.com/projects/634010533/dead-ed Thank you!
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Really want this. Someday. Anyone own this?
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Hello everyone, I'm new to the forum, after a year of insane work, I finally finished my 20 minute Action/Thriller short film PREY. This is the biggest project I've done so far and it really means a lot to me. So please take some time to watch it and let me know your honest opinion. Every review means the world to us. Thanks again! -
I have a couple of Arri magazines for sale on eBay. Displacement mags for ARRI 35mm IIC type camera ~ fits most ARRI MOS cameras. They are in excellent working condition ~ never had any problems with jams or scratches. See auction here http://www.ebay.com/itm/231026612284?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1586.l2649 Have one more to sell when this auction ends.
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Hello every one. I shot this film in a Nikon r10 . The camera hasn’t been used in 32 years so… as a result of these tests, I will get it checked as far as the lens and the mechanism goes. The thing is, I did expected to see some grain, but this is excessive right? The B&W is a reversal 200 ASA, and the color one is a Negative 250 daylight. I did use the auto exposure meter built in, in the camera. I shot it at 24fps and 59 fps (the b&w). Got it transferred at pro8mm and color corrected scene – to –scene. So, if any one can share his or her ideas, pls do. I want to know what I did wrong not to repeat it again. Thanks every one. this is the link to the video of the film
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Andrij Parekh is one talented guy, and he's young too. There's hope. Not as big of a Ryan Gosling fan as my 21 year old sister, but this is still good, regardless.
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Winners Represent Universities from Mexico, Africa, Germany and U.S. (LOS ANGELES, CA) Kodak and the University Film and Video Foundation (UFVF) have named the 2013 recipients of the KODAK Student Scholarship Awards and KODAK Student Cinematography Scholarship Awards, which were selected by a panel of judges led by award-winning cinematographer John Bailey, ASC. This year's winners represent film schools in Mexico, Africa, Germany and the United States. Kodak's annual global competition is designed to recognize emerging talent that demonstrates superior filmmaking skills and creativity. Accredited film schools from around the world nominated up to two students for consideration in each award category. They were judged on a combination of past work, faculty recommendations, and academic achievement. Judging took place in July. The KODAK Student Scholarship winners are: Gold Award - Carlos Eduardo Correa Reynoso from Centro de Capacitación Cinematográfica in Mexico, for his film Mr. Sabas. His award includes a $5,000 Kodak motion picture film product grant, and a $4,000 tuition scholarship. Silver Award - Werner Nortje from the AFDA in Africa for Jericho. The award includes a Kodak $4,000 motion picture film grant, and a $3,000 tuition scholarship. Bronze Award - Nicolas Navia from the American Film Institute (AFI) in the U.S. for his piece The Superman. The award comes with a $3,000 Kodak motion picture product grant and $2,000 tuition scholarship. The KODAK Student Cinematography winners are: First Place - Max Preiss from Deutsche Film Und Fernsehakademie Berlin (DFFB) in Germany for his cinematography on Come and Play. He receives a $5,000 Kodak film product grant and $3,000 to be applied toward his tuition. Honorable Mention - Daniella Nowitz, also from AFI, for her work on Sassafras. The award is a $3,000 Kodak product grant, and $1,500 for tuition. Kodak partners with the University Film and Video Foundation to make this program possible. The UFVF is a not-for-profit organization that engages in and promotes worldwide education, research, innovation, and charitable activities in the arts and sciences of moving images and aural communication. In addition to Bailey, the entries were judged by Melinda Levin, a professor at the University of North Texas and president of the UFVF, and Kodak's Lorette Bayle, who is also an award-winning filmmaker. Kodak introduced its worldwide film school program in 1991. Through the years, the program has grown to include a wide range of initiatives to help both students and educators enrich the development of their skills in the art and craft of filmmaking. For more information, visit www.kodak.com/go/education. About Kodak's Entertainment Imaging Business Kodak's Entertainment Imaging business is the world leader in providing motion picture film and imaging products, services, and technology for the professional motion picture and exhibition industries. For more information, visit www.kodak.com/go/motion. Follow us on Facebook (facebook.com/KodakMotionPictureFilm), Twitter (@Kodak_ShootFilm), and YouTube (youtube.com/KodakShootFilm). # # # Media Contacts: ignite strategic communications 818.303.8088 Lisa Muldowney - direct: 760.212.4130 / lisa@ignite.bz Sally Christgau - direct: 415.238.2254 / sally@ignite.bz -
Hello, I am wondering if anyone knows of a company that can make motion picture perfs on a still stock that I am using to shoot a motion picture film as well as add a key code. I a shooting on a stock that is made for a still camera and the company cuts us rolls of 400 feet. However there is no key code and the perfs are slightly different causing instability. So far I have found one company called Wittner-kinotechnik who provide such a service but there turnaround time is 4 months. I am looking for a company with a shorter turn around time. Thank You, Adiva Koenigsberg -
My goal is to be a master at visual storytelling. I'm captivated by light and shadow, by using moving images to share an idea. I'm a novice filmmaker and have a long way to go before I'm an expert at any aspect of filmmaking -- but the passion and commitment to learn are ever present. What avenues of education and experience do you believe lead to a greater understanding of visual storytelling through film? What are your most powerful memories or impressions of making a film? How have those moments shaped or guided you as a filmmaker? Thank you in advance for what you have to share. I'm excited to learn and grow! Holly -
Anyone have these? Want to get some. This interview is really helpful!
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Hello everyone! I've recently come across a Bell And Howell 200EE camera and I've been dying to try it out. The only problem is that it didn't come with a reloadable mag. If anyone can point me in the right direction to where I could possibly find one, I'd greatly appreciate it.
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HI all, I'm just curious if anyone has shot an iPad on film and has encountered frequency sync issues. Any flicker / roll / etc? Do I need a video sync box? (can I even use one with an iPad....) The project I'm prepping is 2perf 35mm on Panaflex GII or Platinum and there is talk of iPad screens being built into some key set pieces.... I'd test if I had time and budget to, but..... Thanks in advance. Matt
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Is anyone making films in or around Nashville? I would love to have a creative community of filmmakers to work with in this town. Come out, come out, wherever you are!
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http://www.hollywoodreporter.com/news/steven-spielberg-predicts-implosion-film-567604 Spielberg said. "That's the big danger, and there's eventually going to be an implosion or a big meltdown. There's going to be an implosion where three or four or maybe even a half-dozen megabudget movies are going to go crashing into the ground, and that's going to change the paradigm."
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Can someone please enlighten us as to what percentage of the movie - World War Z was shot on film? The processing lab i saw on end credits was Company3.
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Part two of a chat with one of my favourite DPs. The guy behind "Erin Brokovich", "The Limey", and more.
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Hi everyone, greetings! just shot an experimental short, a motivational short film on Running on S16mm. you can have a look at the link below. thanks n regards Prashantt cinematographer Mumbai
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Cool chat about Canon cinema primes. Wanted to share these guys' interviews because they give really good tech. reviews.
