Search the Community
Showing results for tags 'FILM'.
-
Hi I am empop. I am a singer/songwriter, producer, and recording studio manager from London, UK. I am writing to offer my music for free for film projects! I expect no royalties! If you would like to use my music I just ask that you send me a link to your final film, credit me at the end and also Follow me on Twitter: @empop89 and like my facebook page: www.facebook.com/empopmusic. ;-) My music is quirky, different, happy, catchy, melodic, fun and would work well for TV/Film/Adverts etc! I own all the rights to my music. I have instrumental versions of all my songs too if needed. MAGICAL, UPLIFTING songs: 'The Garden' 'Let It Go': DARK QUIRKY MUSIC: My track 'Night Poem' has the right feel for shows like 'Vampire's Diaries' etc Night Poem: My album was produced by Britney Spears' Musical Director Simon Ellis. You can hear all my music at My website is at https://www.empop.co.uk and my Facebook page is www.facebook.com/empopmusic December 2012 - The 1st song from my new album - 'The Garden' was played on BBC RADIO 6 by Tom Robinson. July 2012 - My song 'Let It Go' was played on BBC RADIO 6 by Tom Robinson. 25th June 2012 - My song 'French Riviera' was played on BBC RADIO 6 by Tom Robinson. In May 2012 I was invited on BBC Introducing at BBC Three Counties Radio to talk about my music and they played 'Whispers In The Night'. Cheer up your day with some empop ;-) Thank you for listening. Love empop xxx EMAIL ME: empop89@hotmail.com SAY HELLO: www.empop.co.uk Twitter: @empop89 www.facebook.com/empopmusic Youtube: empop89 www.soundcloud.com/empop89 email: empop89@hotmail.com -
Here's my latest short film which I did a lot of experiments for regarding Cinematography. http://www.youtube.com/watch?v=V5lJ9C5XWqw
-
Hello. My name is George Skoumas Papanikolaou and I am a 25 years old director. I just made my first movie called "The Designer", a no budget film using only a Canon 550D and a kit lense 18-135 EFS and also a goPro Camera. It's an action short film with car races and a dramatic impact on the end of the film. No professional or amateur actors. Just friends. No script ever written. All in my head. Direction/Editing/Sound Editing/Trailer VoiceOver/Visual Effects all by one person. The music was written by a friend and it's also a home production using orchestral music. It took us a lot of time and a lot of struggle to manage this final result. The movie was started as a small trailer and ended as a middle length 32 minute film. We also won two awards in the Accolade Competition in California. This is my first post in this forum and I am very excited to be here with people that we all share our same passion. Right now I want to start new projects and ideas. I have 2 scripts in my mind and looking for people to cooperate with and shoot something the way it should be. Let's say that this movie was my personal university in filmmaking. It showed me the ways. I now start to walk them. Please come with me. This is the movie trailer: http://www.youtube.com/watch?v=SVoo8MVE3R0 Please WATCH the whole movie here: www.thedesignermovie.com/watch.php You can see information about the movie right here: www.thedesignermovie.com My personal portfolio can be found at www.skoumas.net
-
HI all, I'm very new to Forums and hope I'm doing this right! :) I'm hoping to get into Cinematography after my University course has finished. Just thought I'd share my most resent piece of work. http://www.youtube.com/watch?v=V5lJ9C5XWqw Regards, Aaron Rogers
-
Looks like Kodak wants us to get excited. Here's a video of the assembly line for 50D.
-
I'm a student at Karelia -university in Finland. I'm writing my thesis on "How to make digital video look like it was shot on film in the 70's". My thesis aims to answer questions like 'why did movies look the way they did in the 70's', 'why and how does deteriorated film look' and 'how can you achieve that look with modern tools'. I focus on the post-production part. If you could answer one or more of the following questions, I'd be most grateful. Or if you know a book or a website (other than Wikipedia) which deals with these subjects, that could help too. 1. How were the colors of the film altered or enhanced in the 70's? If I understand correctly it was done chemically somehow. Could you alter colors separately or would the alteration affect other colors as well? 2. How has film stock improved from the 70's to this day? 35mm film was used back then and it's used nowadays, so what is different? For example, older movies look softer or blurred compared to movies nowadays. Is this due to film stock getting better, or some other factor? 3. Color fading. I've come to understand that the colors of the film stock fade at a different rate. Cyan fades faster than yellow and yellow fades faster than magenta. Still, I have seen older horror movies that are quite heavily blue tinted. Of course I haven't seen them on film, but on DVD or Blu-ray made from the film. Are there some variables to how the colors fade? 4. Why do older movies have more film grain than newer movies? They are caused by silver particles in the film stock, if I'm correct. Is this due to film stock or camera equipment getting better? -
Hey Guys, I'm trying to sell my: Stealth Standard 40.5" Kessler Slider (just sent it to kessler to check out and make sure it's in perfect shape) Custom C300 Gear and a case. Here are my posts on Craigslist: http://newyork.craig...3568283838.html http://newyork.craig...3566544738.html http://newyork.craig...3566435846.html Thanks! I also have some more film gear I'm selling soon on Ebay, so inquire if you have anything else your looking for. I'm shedding weight for my new apartment in NYC that is not as big as the old one. Best, Andrew Wonder
-
http://about.me/adamlcohen *click on the vimeo or youtube links at the bottom of the page to view my reel. Thank you for your time! Adam Cohen
-
Here is my newest short film, ’i love you & goodbye’. Photos in motion, consisting of 4,733 pictures. A relationship between a young couple, from the first I love you to the dreadful goodbye. Let me know what you think! http://www.youtube.com/watch?v=pSqZZrmJcXQ&list=UUsTYaGYnM3BUWm49AEdmAjA Subscribe to my YouTube Channel !! http://www.youtube.com/erichasaids -
Here is my newest short film, ’i love you & goodbye’. Photos in motion, consisting of 4,733 pictures. A relationship between a young couple, from the first I love you to the dreadful goodbye. Let me know what you think! http://www.youtube.com/watch?v=pSqZZrmJcXQ&list=UUsTYaGYnM3BUWm49AEdmAjA Subscribe to my YouTube Channel !! http://www.youtube.com/erichasaids
-
I have my Arriflex 35mm camera package up for sale. I have arranged it to be a film maker's production kit, so it comes with everything you need to get you going. Here is an excerpt from the ebay ad I have up. This is an ARRI 2C camera (rods, matte box, not included) with a flat-base crystal-sync variable speed motor, 50mm Schneider Xenon Lens, Vintage wooden Tripod & Arri 2c Friction Head and LOW RESERVE. Camera comes with Black and White video tap, for you, for your director and/or your actors too. With this kit you can make money with the satisfaction & quality that digital just can't offer you. This motor can speed at 8 fps, 12 fps, 16 fps, 24 fps, 25 fps and 32 fps. It shoots rock steady 24 fps. It can run in either crystal-sync mode or variable mode. It can also run in reverse mode with the flick of a switch. This camera is light tight, I just recently ran a 400ft test roll successfully. No streaks, No light leaks. Camera body with motor weighs less than 8 pounds. This camera package includes: - full 4-perf gate with a 1.37:1 ground glass and a fixed 180 degree shutter. - tilting viewfinder with closeable diopter. - color video tap with AC adapter. - a new 12v Panasonic battery with 4-pin XLR cable - battery charger for 12v camera battery. - battery holder with shoulder strap and belt - Lee Utterbach 400ft Ball Bearing High Speed Magazine - Three Dust Caps for the lens ports and Lens caps for Schneider Xenon All you need is film and you’re ready to roll!! To help out any prospective filmmakers I'll even throw in a few cans of recanned 35mm which I’ve never opened to get you started. 200ft x Kodak 500t 5219 Indoor stock 190ft x Fuji 250D 8563 Outdoor stock 200ft x Fuji 500T 8547 Indoor stock Check out the auction for more pictures and details here: http://www.ebay.com/...=item25791cf94f I'd be willing to offer a special deal for members of the site, $2,500 for the whole kit. Considering The lens alone is worth over $500+ it really works out to be a sweet deal. Let me know if you're interested, Thanks! Peter C.
-
ROCHESTER, NY (December 12, 2012) – Kodak is making its KODAK VISION3 50D Color Negative Film 7203 available in the Super 8 mm format. This fine-grained, daylight-balanced stock will be available in January 2013, giving filmmakers more options and flexibility for shooting on location. KODAK VISION3 50D film was introduced last year in the 35mm and 16mm formats. It is a low-speed color negative optimized for capturing images in natural or simulated daylight conditions. The VISION3 Film imaging technology incorporated into the stock makes it the world’s finest grain negative with extended highlight latitude – as much as two stops of additional overexposure – as well as better signal-to-noise performance, especially in over- and under-exposure. It also offers improved color consistency over the entire exposure range. These features provide filmmakers with the ability to shoot challenging high-contrast exteriors, and follow the action into bright highlight scenes without loss of image discrimination. “There are a wide range of Super 8 users around the globe, and this gives them another stock for their toolbox,” says Kodak’s Mike Ryan, director of film technology for the Entertainment Imaging Division. “Now filmmakers turning to the small gauge format can take advantage of the finest grain motion picture technology on the market to craft the distinctive look they desire from a film captured image.” The ability to render images full of color and detail over an extended exposure range through more efficient light utilization also produces cleaner film-to-digital transfers, bringing benefits to the post production process. This enables digital dodging and burning in post to bring out highlight detail and the extraction of additional information from the shadows. With this addition to the Kodak Super 8 film portfolio, filmmakers can choose from three color negatives ranging in speeds from EI 50 to 500, or the KODAK TRI-X Black & White Reversal Film 7266. For more information, visit www.kodak.com/go/motion. Follow Kodak on Facebook (www.facebook.com/KodakMotionPictureFilm), Twitter (@Kodak_ShootFilm) and YouTube (www.youtube.com/KodakShootFilm). -
Hello, this is my film, 64 cents, which won an award for best Drama at the Cal State San Marcos Film Festival. I co-directed, but did all cinematography of this piece. We received a lot of praise for the camera work among teachers and peers, but I'm looking for more opinions, or what i can improve on. It is about a young boy returning to his home, years after an apocalypse following y2k. Feel free to comment on this forum or the video's page. thank you. WWW.vimeo.com/braceylemons/64cents -
Hello, just got a 400' reel of 16mm film, Kodak Vision 500T. On the back of the can it says Copyright 1988, so I guess it was made in 1988. Therefore it is 24 years old now. Wow! It sealed around the can with yellow tape, I'm not sure if it's original. Can I shoot it?
-
I just bought a Bell & Howell Electric Eye 8mm camera, and I'm pretty sure I need double 8mm film, but correct me if I'm wrong... Does anyone know where to get this kind of film? Thanks.
-
Hawk-Woods MDV Link System question. 16mm camera battery.
Guest posted a topic in General Discussion
Hello, I have a question about Hawk-Woods MDV Link system. I have a 16mm camera which requires a 12v 5-7A power source with 4-pin XLR out. At the moment I'm using a sealed acid motorbike battery, but it's heavy and it takes ages to charge it. The question is: can I use a Hawk-Woods DV-F970 LLithium-Ion Battery ( which is 7.2V 47W 6600mA) and Hawk-Woods DV-XLRR MDV 12V Step-Up Power Adaptor to power the camera? I'm not really good at electricity, please help me. Thank you. -
Very Rare Super 16mm high speed camera package for sale. Camera shoots up to 200 fps! The Milliken's reliability has earned it the highest rating by cinematographers and assistant cameramen worldwide. Picture quality is exceptional at all speeds, made possible by the unique Milliken pin-registered intermittent movement. The register pin stops the film and locks it during exposure. The result of this unique movement is sharpness and steadiness that meets the highest Film and TV Industry standards. This camera has been used on multiple award winning surf films and by some of the worlds best water cinematographers. This is a complete package that comes with 2 lenses, water housing, heavy duty travel bag, and much more! I hate to let this gem go. It's very rare to find a complete S16 mint package of these cameras. - High Speed Super 16mm Milliken DBM 4C Camera • C-Mount re-centered for Super 16 • Camera aperture opened up to Super 16 specifications: (.295 x .492) • Original camera timing light assembly removed. • Camera rewired for RCA power plug. • Intermittent film movement & sprocket rollers modified for single perf. film operation • 2 Batteries • Charger • 3 Shutter Speed Options: 72° (installed), 140°, 160° • 8 200ft. Empty Film Rolls • 7 400 ft. Film Cans • 64, 200fps Motor Installed - Additional 128, 400fps Motor Included • Custom Built External On/Off Switch for easy use out of water - SPL Water Housing This professional housing is constructed of ultra light- weight aluminum, sheared and formed on a sheet metal press brake and then welded solid by a certified welder. All aluminum is hard anodized to protect against salt- water corrosion. The housing is painted with an industrial powder coat paint. Depth rating is 15-20ft. This housing can handle any size surf you have the nuts to swim into. • On/Off Switch • Dual side detachable handles - Milliken Boresight in Original Wooden Box - Porta Brace Camera Bag It's made from 1000 denier Cordura fabric with a comfortable suede shoulder strap. The lightweight, rigid-frame design provides maximum protection for your camera and accessories, and comfortable carrying for you. - Som Berthiot Pan Cinor 17-85mm 1:2 Lens Super sharp and fast zoom lens. Vignettes slightly at the wide end. Viewfinder Included to use camera on land with visual focus and zoom capability. Clean cosmetics, clean optics, no fungus, no separation, no haze, no oil on the aperture blades. The focus runs smoothly. The zoom lever is missing but doesn't effect the lenses operation at all. - Computar 12.5mm 1:1.3 Lens Sharp, Wide, and Fast. Covers the Super 16mm frame easily. Very clean cosmetics, clean optics, no fungus, no separation, no haze, no oil on the aperture blades. The focus runs smoothly. UV filter. -
Please take a look at the cinematography of this film and let me know if you have any advice on how to get better shots or how to tell a better story visually. Thank you. https://vimeo.com/54423274
-
Looking for some advise - I am a producer creating a budget for a feature narrative but with ten minutes of 16mm or 35mm film and I just have no where to start in creating this category. In addition, I need some solid advice on who to go to in Chicago or surrounding areas who is talented with editing. Help? Thank You!
-
I have an ARRI 2C camera body (lens, tripod, rods, matte box, not included) with a flat-base crystal-sync variable speed motor for sale. The camera is light tight, I just recently ran a 400ft test roll successfully. No streaks, No light leaks. This motor can speed at 8 fps, 12 fps, 16 fps, 24 fps, 25 fps and 32 fps. It shoots rock steady 24 fps. It can run in either crystal-sync mode or variable mode. It can also run in reverse mode with the flick of a switch. This camera package includes: - full 4-perf gate with a 1.37:1 ground glass and a fixed 180 degree shutter. - tilting viewfinder with closeable diopter. - color video tap with AC Adapter. - a new 12v Panasonic battery with 4-pin XLR cable - battery charger for 12v camera battery. - battery holder with shoulder strap and belt - Lee Utterbach 400ft Ball Bearing High Speed Magazine - Three Dust Caps for the lens ports This camera is in perfect working condition and has been lubricated every 5000 feet of film. Recently Tested, 400 Foot test roll came back beautiful, Shot with Schneider Xenon. Camera body with motor weighs less than 8 pounds. $1,500 + Shipping
-
I was wondering what the protocol or standard practice is on storing processed Super-8 film. Bagged and in the refridgerator seems to be the concensus for undeveloped Super-8 film, but I've been having trouble finding any specific mention of what to do with processed Super-8 film. What do you guys typically do with your processed film?
-
I'm Sam Foster - I score games, films, and animation. I compose in all genres (orchestral, ethnic, electronic, jazz, etc.). I scored a regional Emmy Award winning PSA campaign. And, I've scored a documentary. For further information (rates, demo reels, credits, contact info, etc.), visit my site: http://www.samanthafoster.net/html
