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Hello, just got a 400' reel of 16mm film, Kodak Vision 500T. On the back of the can it says Copyright 1988, so I guess it was made in 1988. Therefore it is 24 years old now. Wow! It sealed around the can with yellow tape, I'm not sure if it's original. Can I shoot it?

I just bought a Bell & Howell Electric Eye 8mm camera, and I'm pretty sure I need double 8mm film, but correct me if I'm wrong... Does anyone know where to get this kind of film? Thanks.

Hello, I have a question about Hawk-Woods MDV Link system. I have a 16mm camera which requires a 12v 5-7A power source with 4-pin XLR out. At the moment I'm using a sealed acid motorbike battery, but it's heavy and it takes ages to charge it. The question is: can I use a Hawk-Woods DV-F970 LLithium-Ion Battery ( which is 7.2V 47W 6600mA) and Hawk-Woods DV-XLRR MDV 12V Step-Up Power Adaptor to power the camera? I'm not really good at electricity, please help me. Thank you.

Very Rare Super 16mm high speed camera package for sale. Camera shoots up to 200 fps! The Milliken's reliability has earned it the highest rating by cinematographers and assistant cameramen worldwide. Picture quality is exceptional at all speeds, made possible by the unique Milliken pin-registered intermittent movement. The register pin stops the film and locks it during exposure. The result of this unique movement is sharpness and steadiness that meets the highest Film and TV Industry standards. This camera has been used on multiple award winning surf films and by some of the worlds best water cinematographers. This is a complete package that comes with 2 lenses, water housing, heavy duty travel bag, and much more! I hate to let this gem go. It's very rare to find a complete S16 mint package of these cameras. - High Speed Super 16mm Milliken DBM 4C Camera • C-Mount re-centered for Super 16 • Camera aperture opened up to Super 16 specifications: (.295 x .492) • Original camera timing light assembly removed. • Camera rewired for RCA power plug. • Intermittent film movement & sprocket rollers modified for single perf. film operation • 2 Batteries • Charger • 3 Shutter Speed Options: 72° (installed), 140°, 160° • 8 200ft. Empty Film Rolls • 7 400 ft. Film Cans • 64, 200fps Motor Installed - Additional 128, 400fps Motor Included • Custom Built External On/Off Switch for easy use out of water - SPL Water Housing This professional housing is constructed of ultra light- weight aluminum, sheared and formed on a sheet metal press brake and then welded solid by a certified welder. All aluminum is hard anodized to protect against salt- water corrosion. The housing is painted with an industrial powder coat paint. Depth rating is 15-20ft. This housing can handle any size surf you have the nuts to swim into. • On/Off Switch • Dual side detachable handles - Milliken Boresight in Original Wooden Box - Porta Brace Camera Bag It's made from 1000 denier Cordura fabric with a comfortable suede shoulder strap. The lightweight, rigid-frame design provides maximum protection for your camera and accessories, and comfortable carrying for you. - Som Berthiot Pan Cinor 17-85mm 1:2 Lens Super sharp and fast zoom lens. Vignettes slightly at the wide end. Viewfinder Included to use camera on land with visual focus and zoom capability. Clean cosmetics, clean optics, no fungus, no separation, no haze, no oil on the aperture blades. The focus runs smoothly. The zoom lever is missing but doesn't effect the lenses operation at all. - Computar 12.5mm 1:1.3 Lens Sharp, Wide, and Fast. Covers the Super 16mm frame easily. Very clean cosmetics, clean optics, no fungus, no separation, no haze, no oil on the aperture blades. The focus runs smoothly. UV filter.

Please take a look at the cinematography of this film and let me know if you have any advice on how to get better shots or how to tell a better story visually. Thank you. https://vimeo.com/54423274

Looking for some advise - I am a producer creating a budget for a feature narrative but with ten minutes of 16mm or 35mm film and I just have no where to start in creating this category. In addition, I need some solid advice on who to go to in Chicago or surrounding areas who is talented with editing. Help? Thank You!

I have an ARRI 2C camera body (lens, tripod, rods, matte box, not included) with a flat-base crystal-sync variable speed motor for sale. The camera is light tight, I just recently ran a 400ft test roll successfully. No streaks, No light leaks. This motor can speed at 8 fps, 12 fps, 16 fps, 24 fps, 25 fps and 32 fps. It shoots rock steady 24 fps. It can run in either crystal-sync mode or variable mode. It can also run in reverse mode with the flick of a switch. This camera package includes: - full 4-perf gate with a 1.37:1 ground glass and a fixed 180 degree shutter. - tilting viewfinder with closeable diopter. - color video tap with AC Adapter. - a new 12v Panasonic battery with 4-pin XLR cable - battery charger for 12v camera battery. - battery holder with shoulder strap and belt - Lee Utterbach 400ft Ball Bearing High Speed Magazine - Three Dust Caps for the lens ports This camera is in perfect working condition and has been lubricated every 5000 feet of film. Recently Tested, 400 Foot test roll came back beautiful, Shot with Schneider Xenon. Camera body with motor weighs less than 8 pounds. $1,500 + Shipping

I was wondering what the protocol or standard practice is on storing processed Super-8 film. Bagged and in the refridgerator seems to be the concensus for undeveloped Super-8 film, but I've been having trouble finding any specific mention of what to do with processed Super-8 film. What do you guys typically do with your processed film?

I'm Sam Foster - I score games, films, and animation. I compose in all genres (orchestral, ethnic, electronic, jazz, etc.). I scored a regional Emmy Award winning PSA campaign. And, I've scored a documentary. For further information (rates, demo reels, credits, contact info, etc.), visit my site: http://www.samanthafoster.net/html