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Found 3 results

  1. Bill DiPietra

    Red Workflow

    I see that Red now has a plug-in for Final Cut Pro 10 users. Does anyone know if footage from any Red camera system would be compatible with Final Cut Pro 7? Or would one have to use the Red editing platforms that were initially introduced with the Red One? Just trying to get a handle on what the workflow is like these days with those systems. Thanks.
  2. Strange problem I'm having. Maybe someone has seen this before and/or has some insight. I'm working on a shoot and did all the editing in FCP, then did my usual routine and sent to Apple Color from FCP. Loads into Color no problem, I do my grade, everything looks good. The render took waaaaaayyyy longer than I thought it should have for a 5 minute clip. But, figured maybe system resources were low or something. Roundtripped to FCP, and everything was black. Dug into the render files in the Color folder in Finder and all the files were black as well. All codecs are the same, setting
  3. if there is a more appropriate forum or sub-forum for this question, please let me know. i have some documenation footage of a live performance which includes super 8 film projections (18fps) on a screen in the background. the footage was shot with a GH2 at 1080i (60i). i ingested the footage into FCP using the compressor setting for "Pro Res 422 for interlaced material". the footage looks pretty good in the timeline but there is definitely a film flicker which i'm assuming is due to the inconsistency of frame rates between the super8 projection and the frame rate of the GH2 which
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