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Found 2 results

  1. So I’d like to know this: are there any particular scenes or films which in your view effectively used warming filters? But not only the warming ones, like 81 or 85, but also straw, antique suede, gold, coral, tobacco, or similar. And it also doesn’t have to be a particularly effective, but just something that you liked. Two, are there any cinematographers today who really like the filter look and use them even though you can do a lot in postproduction? Or any cinematographers of the past who loved to use them. Or a cinematographer who is particularly associated with a filter or liked to u
  2. Hi, Been a lurker many years but need some advice on lighting fixtures. We have a Phantom HD Gold in our studio which lives in there all the time. Up until now we've been using a mixture of Kino, Dedo and Colortran fresnels to light scenes using different phases in the studio to negate flicker with the tungsten. Most of the stuff we do is small table top stuff but we now want to be able to light our entire studio cove (5 metres high 10 metres across) and have some money to achieve this. When we've had bigger shoots, lights have always been hired in on a job specific basis. We have
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