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  1. Hi everybody! Recently I had the great privelege of shooting a short film for Arcade Fire which we photographed on a mix of 65mm (intro scene, sleeping closeups, landscapes) and 35mm (5222,5219). To further enhance certain surreal moments, I shot with zeiss super speeds wide open to get halations around bright lights in the quarry. This was also a big reason I pushed to shoot on the 5222 -- because of the lack of the anti halation backing, I was able to get some really interesting effects in the highlights and flares. I felt that the 65mm would help isolate each character from "reality" as they experience their own dream world, so I opted to shoot all their closeups on 65 as well as the ocassional landscape and moment that I felt wanted that heightened reality and shallow DOF. This was obviously also time/budget dependent so it was difficult to shoot everything that way, unfortunately. We did a 4k scan for the 65mm at fotokem and a 2k scan for the 35mm at cinelicious. Both who I might add were incredibly helpful and accommodating!!!! Just wanted to share it and see what you guys think! And also just wanted to hammer home the notion to any of you who may be interested in shooting more film that it is still ABSOLUTELY feasible and actually quite affordable :) Our budget was incredibly small, but by keeping a low shooting ratio (I'd guess we shot about 8000ft total) of 65mm/35mm purchase/process/transfer was possible. Best, Evan
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