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Showing results for tags 'LENS'.
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Looking for a nice 24mm to complete my set, thank you. JF
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I would like to hear your thoughts on what sort of lens is best for photographing something with little to no depth. I'm not considering a multiplane set-up but would be pleased to also hear thoughts on that. -
Angenieux Paris F. 15-300 mm
Cristian Eduardo Ochoa Fica posted a topic in Lenses & Lens Accessories
Hi friends I have a Angenieux Lens F.15-300 mm 1:4.5 - Type 20x15A and my question is.... how much? approximate thankssss ;) -
Hello, We are selling a brand new Angenieux Optimo PL 15-40 zoom lens. This lens has never been rented and is in perfect condition. Item is located in Western Europe but is in US/Feet Scaling. Can be sold to anywhere in the world at buyer's expense. Price: $37.500,00 USD obo. For photos, serial # & further information please contact me here or Nico Franck: info@transrent.lu Thank You.
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Hello, We are selling an almost brand new Angenieux Optimo PL 28-76 zoom lens. This lens has only been rented a few times and is in mint condition. Item is located in Western Europe but is in US/Feet Scaling. Willing to sell to anywhere in the world at buyer's expense. Price: $36.500,00 USD obo. For photos, serial # & further information please contact me here or Nico Franck: info@transrent.lu Thank You.
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I am executing a 3-minute unbroken tracking shot for a music video using a Canon 5D Mark III and a MoVI M5 house with a ring handle. The music video takes place at a house party moving from interior to exterior. Plenty of choreography in each frame and following two main characters. I want depth of field but with soft focus so as to limit the use of pull-focus. Does anybody have an specific suggestions as to what lens would be best for this criteria? I'm thinking a fixed lens like a 35mm f/1.4 Zeiss or a Sigma 30mm f/1.4 but those are my only leads. NEED HELP. Thanks.
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Hi Cinematography.com, I'm a second year film student and an aspiring cameraman/D.O.P. I am currently working as a junior editor at a production house for the summer, and am wondering what I should invest my money on once I've compiled enough when school starts! At the moment, I am wondering if I should invest in two decent lenses, lights, filters, and grip stands instead of a camera body such as GH4 + lens. The reason is because I will have another year of school, which means access to cameras such as F3 (Hell even Bolex h16) till April 2015 + 6 months graduation equipment rental blessing from my college, and by then I'm kind of worried that the next best deal will be released. Also I am not too crazy about 4K resolution or slow-mo... I'd much rather prefer that Wes Anderson X Robert Yeoman look or films by Hirokazu Koreeda. (I am a wide-lens fanatic) So my question is, would it be a wise choice to invest in equipments other than a camera body? Or should I be focusing my attention on something else? I'm hoping whatever I will squeeze out of my 5 grand will help me on the long run rather... If you can help me with my inexperienced and confused self, then it is very much appreciated. THANK YOU. -
We’re currently building and kitting out a studio, largely to be used for shooting products. We’re getting an Alexa, but are stumbling on our lens choice, mostly because the budget is not infinite. Our MUST HAVE primes are 35mm, and 50mm. We are looking at CP.2 super speeds – the cost is attractive, but more than that the speed is important – we often open up to f1.4 to knock the set background out of focus (rather than for exposure). I’m concerned about the performance of these lenses - I’ve not used them much - what are they like wide–open (T1.5)? We’re not looking at cinema projection here, TV or digital is where our shots will be seen, so I’m trying to be pragmatic. Am I worrying about nothing? Is there another line (other brands) of fast lenses that sits between Master Primes and CP.2 super speeds that I’m missing?
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Does anyone know what lenses are being used on the HBO series "The Leftovers"? I've seen some interesting flares and am curious to find out what they are using. Thanks, Alan Gwiz
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Arri S16 11-110 T2.2 (PL Mount) Super 16 Zoom Lens
Alexander Boyd posted a topic in Cine Marketplace
Selling a Arri S16 11-110 T2.2 (PL Mount) Zoom in very good condition. It fully covers the S16-Format and is in very good functional and optical condition. No scratches, no dust or fungus. It works smoothly and has been well cared for. For questions simply message me. Asking price: 5000€ (shipping not included) Located in Vienna, can be shipped within Europe. More pictures upon request.
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Hello everyone! I'm aware that there are numerous other topics about s16 zoom lenses. However, I'd like to hear your advice/thoughts on these particular PL-mount lenses (some of them only PL Adapters) mentioned below as I'm planning to buy one of them for my Aaton A-Minima PL. The lens will be used for more personal, S16 film projects (hence these "lower-budget" lenses): - Angenieux 9.5-57 T1.6-2.2 | PL Adapter on Arri Bayo Mount - Angenieux 9.5-95 T2.5 | converted to PL mount - Angenieux 12-240 F3.5 | converted to S16 with PL mount - Cooke 9-50 T2.5 | PL Adapter on Arri Mount - Zeiss Vario Sonnar 12.5-75 T2 | S16?? // PL Adapter - Zeiss Vario Sonnar 10-100 F2.8 | S16?? // PL Adapter on Arri Mount Looking forward on reading/hearing your thoughts about breathing, vignetting, combining it with a Minima etc. Thanks in advance, Alex
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Hi. I'm selling my Kowa Prominar 16D Anamorphic Lens. It's in fantastic shape. $599 Free Expedited Shipping. Ebay Listing: http://www.ebay.com/itm/181397691897 -
Hi, I have an old yet in pretty good condition, Angenieux 16-44mm 1:0.95 zoom. Would love some advice from anyone who's familiar with this lens. I tried to google this lens but there's very little information out there. It says 1:0.95, but what's the F & T stop on this lens? How common/rare and good/bad is this lens? I ran few test rolls on my Aaton s16 LTR but I don't know enough to tell if this is any better/worse than other Angenieux zoom lens. What is the mount on this lens? Here's some photos: https://www.dropbox.com/s/4xg2aagb2xqluvh/S_20140521-_MG_1957.jpg https://www.dropbox.com/s/xperqqfoxyjej1m/S_20140521-_MG_1955.jpg https://www.dropbox.com/s/5q5ypon0u61wk3i/S_20140518-_MG_1938.jpg https://www.dropbox.com/s/37tqr6a6ev88r6f/S_20140518-_MG_1943.jpg Any insight would be greatly appreciated! -
Pls check my work and my equipment. Will work and rent worldwide. Thx. Christian Pfeil. https://www.facebook.com/pfeil.christian
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Preferably in PL mount, and from sellers in the UK/EU (as I'm based in the UK), though open to offers from further afield. Kind Regards, Josh
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Pentacon 500mm 5.6 MC PL mount For Sale. Located in san francisco CA. glass in great shape. 65mm coverage. solid PL mount. Can work for about any camera mount. 650$$
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Hello, Good morning. I am a set designer in the film industry who is often asked about the field of view on a particular lens -- so that we can see how much of a set the camera will see. I ask them what camera package they are using, then the aspect ratio, and then the lens. The missing piece of information, it seems to me, is the size of the film frame. Is this correct? If I know the size of the film frame (in inches or millimeters) and the lens (in millimeters, of course) then I can draw a diagram showing the lens in front of the film frame and figure out the field of view (as an angle). I wanted to just confirm that this is correct. Now this applies to celluloid film. Does it also apply to digital cinematography? If I know the size of the chip, would I be able to figure out super-accurately and will full confidence what the field of view angle would be? As you can imagine, when we are designing sets, it is essential that we know how much of the set the camera can see. When we film on location, where we can not wild out a wall, this is, of course, even more important. Thank you. Cosmas Demetriou Member Local 800 -
Hello, There is a pretty considerable price difference between the Angeniuex optimo lens and the DP. Aside from the limitations of the Dp with film cameras, is there a substantial difference in image quality and lens speed between the two? I shoot red one MX.. I understand the housing on the dp is a little "cheapy" but for how much more I will have to pay for an optimo, is the image going to be that much more superior and in what ways? Thanks for the input! Tim
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Selling my used LOMO Anamorphic zoom 35OPF18-1A 20-120mm with anamorphic adapter (back) which makes it a 40-240mm T3.4 anamorphic monster. Its one of the last Lomo Zooms and higly regarded as one of the best. It can match the Lomo roundfronts primes.. Used but glass is clean and zoom and focus is smooth. Will be shipped in wooden box. Its still in original OCT-19 mount but can be made into PL or use an adapter RED, Micro 4/3, Sony and others are available.. I can send pic´s if interested. My price 2000 euros Located in Sweden read more about it here http://www.cinematography.com/index.php?showtopic=36871 -
Hello guys Pls what lens can I use to get a very good and colorful picture Using a 5D to shoot a Short-film? And I'm looking at projecting the final film on a big screen, zoom or prime? Why? And why not? Its a very low-no budget shoot Thanks in advance -
Hello Guys Pls what will be my go to lens to get a very clean and colorful picture using a 5D, for using my short-film. Zoom or Primes, if yea or No, Why? And which maker, plus consider the fact that the short is a low to no-budget project. And pls wat will be the effect if projected on a big screen? Thanks in advance.
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Let me start by saying I just got this Arriflex SR1 about a month ago. I'm a newb. I just got my first lens for it this week. I bought this Schneider Kreuznach Xenon 1:1,9 / 16 Arriflex lens and I can't get it to focus. The SR1 I have has a bayonet mount. The lens I bought is a standard mount. But I can see where there is a little slot in the back of the lens that the tab inside the lens mount slides into. So I got it on and just can't seem to get the thing to focus. I tried focusing from wide open to 5.6. It is better the more I stop down but still not really in focus. I move the little wings to adjust the distance and still no luck. What am I doing wrong? I have 6 bolex lenses for my bolexes and using those are a piece of cake and I've shot (and developed) 10 rolls of film with them so far. The arriflex lens doesn't seem like rocket science but maybe I'm missing something or need to send the lens back. Or maybe I'm not focusing the SR1 correctly. Should I focus the viewfinder without the lens first? Thanks.
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I have a few Schneider Arri standard mount lenses, but I am a little unsure of their history/differences: Of two 16mm lenses, one is labeled only Xenon f1.9/16mm; the other is f2/16mm and is listed as Arriflex-Cinegon. Of two f2/50mm lenses, one says "Made in Germany" and the other "West-Germany," both which also differ with labels of "Arriflex-Cine-Xenon" and "Cine-Xenon" respectively. Can anyone help point out some of the differences? Thanks much, Chris -
Hey guys, We are currently selling a Zeiss Distagon S16 super speed lens, MKII, scale in feet & metric, ARRI PL-Mount, 16mm, T1.2. Let me know if you are interested or have any questions.
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Hi everybody. Urgent question. I'm in the process to get Sponsorship for our documentary, we'll shoot with a BlackMagic Pocket Cam. We have 2 options for the Zoom Lenses we'll going to use: 1. Arri-Zeiss Zoom 11-110 S16mm PL Mount 2. Zeiss Compact Zoom CZ.2 28-80 T2.9 We're aware that both are great lenses. The S35 Compact Zoom would demand a Metabones Adapter, but that's no problem at all. I wonder which would you guys pick and WHY? Of course the S35 one is new, and that might be a benefit. Thoughts? Thanks, F
