Search the Community
Showing results for tags 'Lens'.
-
Please send pricing and info to sales@broadcastsolutions.com. W.T.B. Leitz Leica M0.8 lens Set
-
Hi, I've recently noticed a small blemish in the top left corner of the image when I use my Angenieux zoom lens (filming with my Arriflex 16mm camera). The blemish does not appear on the other lenses and has only very recently (on my last shoot in January) become apparent. Anybody know what it could be?
-
For lens cleaning, somebody says only lens expert can clean the lens because if non expert clean lens, the coating on lens removes quickly. So he said avoid it. But now it looks really dirty.. i have a question on this moment. can we just clean the lens really often with lens tissue with Panchro? Or should we send the lens to expert? Is there big difference? Do the lens experts in Rental shop have special technic or special lens cleaner?
-
This lens is in excellent optical condition: it's rare to find such a clean 25mm Series III lens with high serial number starting with a 7, making it among the last made, since you won't find any Panchro serial numbers starting with an 8. I'd say this is an excellent candidate for rehousing (ex. TLS). While it has a *tiny* amount of contamination (barely visible), that would be cleaned out during a rehousing. There's only the lightest/smallest cleaning marks (light scratches in the coatings) in the front/rear elements. No haze, no fungus, no yellowing, no oil on the iris blades, no scratches or cracks or pits that I can see. Mechanically, focus and iris are reasonably smooth, but I would always recommend rehousing. I shot a project on a set of freshly serviced (but unrehoused) CSP lenses years ago and they all exhibited some image shift when pulling focus - and I'd guess this lens would be the same. I ended up planning all my shots without focus pulls. This lens is Arri Standard Mount. TLS makes a very nice Arri Standard to PL adapter (Duclos Lenses sell it in the US). But as I said, I always recommend rehousing. In my experience, the PL mount adapters only make the focus movement less smooth, and they sometimes collide with internal baffles on cameras, like Alexas. This lens has been kept in a lens dry box (electronic humidity controlled) since I bought it in mid-2019, and I never got to actually use it besides a quick test. The previous owner clearly had it serviced with fresh yellow paint and focus gear added, but I don't know what year that was, and I noticed there's a bit of a gap where the gear screws together (it may just needs tightening). Front and rear lens caps included. I'd prefer an in-person NYC sale. I can also ship within the U.S. (2nd preference) or abroad (3rd preference) if you pay the PayPal fees and shipping with insurance. I may also be able to coordinate an in-person sale in Los Angeles through a friend. Pictures: https://flic.kr/s/aHsmXbqKyb
-
$3500 AUD I'm located in Sydney, Australia but happy to post anywhere SEE PHOTOS HERE - https://drive.google.com/drive/folders/1aicH2CFb02xUNPTZQrkwJC3l35GU15yL?usp=sharing Anamorphic lens setup in excellent condition! All glass is clean and without dust and fungus. Regretful sale to be perfectly honest. I love this lens setup! See some ungraded framegrabs of a short film I shot with this lens build. ***Canon FD lens NOT INCLUDED*** In photo just to show what attaching a taking lens looks like. Items included: • Kowa 16-H 2x anamorphic projection lens •Rectilux Hardcore DNA single focus diopter + thumbscrew • Redstan 52mm clamp • HTN Lock Ring (replaces the Kowa 16-H metal ring on front of lens to be able to attach to Rectilux HDNA) • Lens caps for all • Vivitar 86mm close-focus diopters (+1, +2, +4, +10) • Waraxe lens support for 15mm rails Again ***Canon FD lens NOT INCLUDED*** Just need a taking lens to attach to the Redstan clamp (52mm male filter thread) and you're ready to roll! Will fit any lens with a 52mm filter thread. I often added a step up ring from some of my lenses with 49mm filter thread as well. Works just as well. Maybe I'll throw in a Mir 1 37mm 2.8 lens + MFT adapter as a little gift for the person who buys at the listed price! -
Exactly what the title says, on the hunt to pick up a beautiful wide Tegea 9.8mm lens. ?
-
REDUCED For Sale : Angenieux Optimo 24 - 290 Zoom Lens Price : 29K US Accessories include: - Duclos Carry Handle - Front and Rear Caps - CSE Arri Style Dovetail Plate (24”) - One pair of Element Technica 15 mm. 24” Rods - Arri Lens Support - Custom Flight Case
-
Looking For : Canon 10.5-210mm T2.4 S16 Zoom Lens Please contact me with pricing and details.
-
Looking To Purchase : Canon 10.6 - 180mm T2.7 S16 Zoom Lens
-
For Sale : Zeiss Supreme Prime 150mm Lens (NEW) $23,000.00 USD.
-
Hello Community! I‘m searching for a Canon 8-64mm T2.4 S16 zoom lens. If someone want to sell one please write me! Greetings - Rick
-
Hi, everyone! Gonna be shooting a film with a look rooted in Jazz photography from the likes of William Claxton, Dennis Stock and others known for the marvelous images they created around that beautiful genre. Obviously, the film's aesthetic's going to borrow a hell of a lot from these great photographers... However, what I'm most interested in is the B&W film stocks that were around the time in which the most iconic artists were photographed: the 1950s. So, on the one hand, what I'm wondering is if there's anyone in the room with an idea about the the rolls of B&W film available at that time and their characteristics. But on the other hand, I'd like to know if anyone knows where can I find information on the way these photograpers worked, which is to say the lenses and equipment they used, the way they developed their film and created they final shot in the darkroom, etc. Also welcome is information on the film stocks used to shoot movies or documentaries around the 50s. My guess is even at that time Double-X was the real deal, but... You know. A guess is a guess.
-
Apart from shape of bokeh, what are the pros and cons of having more iris blades ? Cooke S7i (image circle : 46.3 mm) - 9 blades Zeiss CP3 (image circle : 46.3 mm) - 15 blades Zeiss Supreme (image circle : 46.3 mm) - 16 blades Arri Signature (image circle : 44.7 mm) - 11 blades Leica Thalia (image circle : 60 mm) - 15 blades
-
W.T.B. Canon Cine-Servo 50-1000mm PL Mount Send pricing and details to sales@broadcastsolutions.com
-
Hi, I have got for sale Angenieux 28mm f1.1 / T1.2 super fast lens for Super16 Features: custom made 80mm front diameter Arri standard mount nice sharp image Lens is in good used shape, mechanics are a little dry (CLA would definitely help it) and optics was cleaned of fungus a few years ago (you could see the remains), so the price respects overall state. PRICE 550 EUR + shipping costs PAYMENT PayPal SHIPPING I am located in Slovak Republic, EU. And I preferrably would ship within EU.
-
W.T.B. Fujinon XK 20-120mm Cabrio Lens
-
W.T.B. Qty-2 Each / Angenieux EZ-2 15-40mm & EZ-1 30-90mm Lenses
-
W.T.B. Leica Summilux-C 16mm & 135mm Please email sales@broadcastsolutions.com with pricing and details.
-
I have an 8mm Illumina (Optar) lens for sale. It's in B mount for super 16mm sensor/film. I bought this lens to begin a set with but then found a complete set for sale, so this one is no longer needed. I'm asking £1620 + shipping for it. It is a rare lens and in excellent condition. I can provide more pictures if needed. Shipping will be charged at the cost, insured and signed for. I'm also happy to meet the buyer and exchange. I'm based in Hampshire UK, often working in London if that suits the buyer to meet there. This is me.. http://davidcawleydop.com Please contact via email david@davidcawleydop.com Regards, David Cawley DoP
-
Email sales@broadcastsolutions.com for pricing and details.Prime lensesArri Master primes - 18, 21, 25, 32, 40, 50, 75 and 100 - metric scalesCooke S4 classic (not i) 14, 18, 21, 25, 32, 40, 50, 75, 100 and 135mm - metric and imperialArri Ultra Prime 10, 14, 16, 2x20, 24, 28, 32, 40, 50, 65, 85, 100 and 135mm - metricCooke Speed Panchro TLS 18, 25, 32, 50, 75mm - metricCooke Speed Panchro TLS 18,25,32,40,50,75mm - Imperial or metricTokina Vista 18, 25, 35, 50 and 85mmZeiss B-Speed (MkI, Opton version) 18, 25, 35, 50 and 85mmZeiss Super Speed MKIII uncoated 18,25,35,50,85 and 135(T2)Zeiss Stealth HS (Gecko Cam) 18,25,35,50,85Zoom LensesArri Alura 15.5-45Arri Alura 30-80mmAngenieux Optimo 56-152mm AnamoprhicRed Pro Zoom 18-85mmAngenieux Optimo 24-290mm S35Fujinon Cabrio 19-90mmCanon K35 25-120Cooke 20-100 T3.1Specility LensesP+S Technik T-RexOptex Borescope (old version)Canon FD 200mm T1.8 PL Canon FD 300mm T2.8 PL Canon FD 800 5.6 PL
-
Anywhere you look online, it is stated that Canon K35 lenses were used for Aliens, but I recently had a back and forth with someone in the "Anamorphic Shooters" facebook group that piqued my curiosity. I haven't seen any mention of this in the forums, so I'm interested in what info anyone might have aside from this seemingly sensible hearsay: (names removed) "Aliens was shot on Panavision lenses, most likely rehoused Zeiss HS optics. The K35s story is an internet myth, one that is repeated as gospel by most rehousing and hire companies. The K35s were used simply on the b-camera for cutaways." Me - "Really? I can’t find any source that says that, how do you know?" "A guy I know worked with Adrian Biddle on a commercial project before his death. K35s were not highly regarded lenses until 10 years ago... no one wanted them and there is no way 20th Century Fox would ever let an entire blockbuster with a budget of 18 million be shot on them. Adrian Biddle replaced veteran Dick Bush who was fired by James Cameron. Bush was a very old school DP and there's no way on earth he'd not used Panavison lenses. Aliens was Biddles first movie as a DP and he'd never have been able to send back a full Panavision lens set and replace them with K35s. They had a short schedule and since no one wanted the K35s Biddles was able to get them cheap and have them used on the B-camera for additional coverage. The internet and especially rental houses listings are full of half truths... and myths ... the reality is... a huge number of movies simply used Panavision glass. Panavision were rehousing lenses since the 1950s and still are... and in that time have used Bausch & Lomb, Nikon, Leica and especially Zeiss optics as the basis for their lenses. If you believe the internet: Hitchcocks, "The Birds" was shot on SuperBaltars... even though the movie came out in 1962 and the lenses were released in 1966/67. The Godfather was shot on SuperBaltars... even though a good portion of the lens was shot on Gordon Willis' custom made Panavision 40mm. American Hustle was shot on K35s... well half true, the original casings were so useless they were quickly replaced by Zeiss Superspeeds. Kubrick used K35 on Barry Lyndon... not true... he used an early Canon FD specially rehoused. Aliens being shot on the K35s is yet another one of those myths. In their original unrehoused form they were a pain and in fact 10 years ago a case of lenses would cost you about 5k. ...the K35s are very popular now... but never were at the time... even though they did win an Oscar. All but the 18 and 35mm are basically rehoused FDs (with some improvements to the coatings) which is why they cover a LF sensor. The truth about lens choices pre digital... often it was a lot less sexy and complicated than we think... it was what was there, what worked and what gave the sharpest image on 35mm film. Plus the most reliable mechanics... and that was part of the K35s downfall... and their uneven focus throws. you might find this piece worth a read. Gregory Irwin who worked on American Hustle also AC'd on Joker, Interstellar... his credits list is huge."
-
Hi everyone, I am trying to find out what lenses were used in the shooting of Terrence Malick's Badlands, but there seems to be no info available on this topic. I just know that three cameras were used during the production: Mitchell Bncr, Cameflex, and Arriflex. Badlands was shot in 1972, does anyone know what lenses were common for any of this cameras around that time, specially for the Mitchell? Thanks!
-
For Sale : Arri Alura 18-80 T2.6 Zoom Lens (Feet) $14,900.00 US. Flight Case Included.
-
Email sales@broadcastsolutions for pricing and details. Super 35 + Series. Each lens includes FF conversion kit. 32, 50, 75 & 100mm.
-
I'm selling 2 Arri CLM-2 lens motors. Both are in used condition but perfectly functional. I'm asking €1000 excl. shipping. I'm located in Belgium.
.thumb.jpg.1629b7247b783adc15d4eac19ebd0cc6.jpg)
