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Showing results for tags 'Low key'.
Hello, I've been wondering, for quite a while now, how to replicate this kind of "glowing" underexposed look when lighting frontal. It's pretty easy to obtain this effect when it's a rim light like here (event though it's a day scene you get the idea) You have the specular reflection of the source when that source is placed correctly in direct reflection on the portion of the face you want to enhance. If you have a large white surface (even passive reflection) it works like a charm. I find it quite impossible to obtain when you want to have this kind of effect coming from the camera, with a low key. The ambient light caused by the source is usually killing the specular reflections I want. (Basically I only want the specular reflections on the face not the diffused reflection) When analysing the first 2 images (from the Turkish movie "Three Monkeys") the source is exactly the opposite as what I'd do in rim light, it's a small hard light. On the third image (from a teaser of "Pompeii" coming out soon) it's a much softer source (probably a chimera). It's not quite frontal and much less underexposed but there is still that reflective quality to it. So small or large sources are not relevant here, there is no hard rule I assume. I'm sure one of the key for obtaining this effect is the make up, but despite my various attempts to obtain this with the various make up artists I worked with, I've never managed to obtain that quality... and I guess make up is not all there is to it. I'm looking for any advices and tips from any of you guys to replicate this look... how would you do it ? Type of source, distance, exposure, anything... I think it's a very interesting way to keep a low key image with the face structure from the character very present still, and I'd love to use this on my next project. Thanks for your help Raf
Hi, i am currently coming to the end of my film degree and for my final piece of work i'm writing a research project about film noir's visual style and how different lighting techniques were used and whether the cinematography is ultimately a character. I'm looking to speak to directors/cinematographers/photographers/Gaffers who have used visual techniques from film noir and use replies within my project. (sorry to have to do this on here, i've tried contacting cinematographers directly but i'm just being ignored) My questions: why did you decided to get involved with the project that uses film noir cinematic styles? Why did you use techniques from classic noir? Which lighting set-ups have you used? What were the themes within the scene(s) that you used these techniques? Did you attempt any other lighting set-ups before deciding to use the specific set up for the shoot you were involved in? Would you consider the cinematography of the project you have worked on to be a character? For indoor scenes what type of lights/and how many were used to create the visual 'look'? If you can't answer all the questions thats not a problem, just answers the ones relevant to your project. Also if you could give me details about the project you worked on, or give me a link to the final piece, and your name so i can credit it correctly that would super helpful. If you want to contact me directly, and have the capability on this website (newbie to the forum), please do. I'm running out time on this project and i will greatly appreciate any responses to the questions. Thank you so much for helping out with this, i look forward to hearing from people. Rob