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Found 3 results

  1. Great news for film enthusiasts in Australiasia! Archives New Zealand has reached a deal with Park Road Post Production to take ownership of all film laboratory equipment and set up a new film processing laboratory here in Wellington, New Zealand! This has been approved by the NZ government and is to serve Archives in finishing all their restoration needs in the coming years, but also to provide processing for public use. The Archives are taking the ECN and both B+W Neg and Pos machines (No ECP), a number of printers, cleaners etc. This will be a full service laboratory, employing mos
  2. Looking for opinions on the grade and feel. Wishing I lit a few shots differently and used some different focal lengths for a couple of shots, but hey, that's fast paced low budget filmmaking.
  3. Having just got a recorder, I've written an entire blog post about my decision process to buy a recorder/monitor as I've been debating which to get for a long while: http://ironfilm.co.nz/which-recorder-monitor-is-best-for-the-sony-pmw-f3/ Basically my logic process then went, if: a) you have a bit more cash, get the PIX-E5 Because aside from its price (which is pricey relative to a Samurai Blade or Video Assist, however PIX-E5 is cheap compared to any of its direct competitors!) it is practically almost flawless! Especially as I feel 5 inches is the “sweet spot” for an operator’s monitor
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