Jump to content

Search the Community

Showing results for tags 'PAR'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • Cine Marketplace
    • Cameras Systems and Formats
    • Lighting for Film & Video
    • Camera Operating & Gear
    • Camera Assistant / DIT & Gear
    • Grip & Rigging
    • Visual Effects Cinematography
    • Post Production
    • Students, New Filmmakers, Film Schools and Programs
    • Lenses & Lens Accessories
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • Directors and Directing
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Business Practices & Producing
    • Camera & Lighting Equipment Resources
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Cinematography News
    • Sound
    • Off Topic
    • Accessories (Deprecated SubForum)
    • Regional Cinematography Groups

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Occupation


Location


My Gear


Specialties

Found 2 results

  1. Hello Everyone, My name is Vicken Joulfayan, and I am a new member here! I am a graduate student at the New York Film Academy in the Masters in Filmmaking program but my focus is primarily on cinematography. I am the DP for seven master thesis film projects, two of which are scheduled to be shot in the next several weeks, and am in need of advice for lighting. Although I have researched a lot and have a general idea of how to light each project, I need your advice in deciding which exact equipment to rent. The projects have budgets but they are minimal. I've embedded links to the first two projects I am working on in June, and they include the location image and overheads. Project 1 : https://drive.google.com/file/d/0ByO5kv_UG9-NQkxDekNQdHZRdkE/view?usp=sharing For the bedroom night scene, we are recreating rain outside the window ( the space is visible in the picture, which is almost 3 feet, and then there is 6 feet downhill grass. The light will be put there at the bottom of the slope). Project 2: https://drive.google.com/file/d/0ByO5kv_UG9-NSnd3eDdLbUNnRjg/view?usp=sharing I am trying to keep it as simple as possible when it comes to lighting this one if it is a possibility. For both projects during day and night scenes, all the locations have big windows. I was thinking of 1.2hmi? par? or maybe Led even? Example aputure lightstorm ls1s) and additional fill IF needed inside, and practicals. Would I need a bigger frame than a 4x4 if i have exterior shots ( backyard shots)? I want to be able to see inside( characters) well exposed yet also have the outside location exposed ( outside logically more but still clear) without having the need to light so much additional light inside (tosco scrim black). Would a small LED be effective to create eye-light? Also we get 10 tiffen filters of our choice, Iwas planning to get these after research: - IR ND 1.2 / 1.5 / 1.8 - ND.6 ND.9 soft grad - Black pro mist 1/8 1/4 1/2 - Soft fx 1/2 - 1 + there is this grant where i can chose 6 full rolls or equivalent from LeeFilters that i am applying for. What do you guys recommend as primary to have!? cto, and ctb i think would be sad to have full rolls of! My choices are: 1- OPAL 2-GRID CLOTH 1/4 .. 3- HIGHLIGHT 4- ND 5- + - green. ? Equipment: Red Scarlet Mysterium X, EF mount. Lens given from school : Rokinon I also have the option of renting (POSSIBLY ) either zeiss CP.2 ,Canon Cine primes or Leica R cine mod. Which do you advise?! I really appreciate any feedback! Thank you in advance! Best, Vicken Joulfayan (818)224-9124 Vicken@joulfayan.com
  2. A replacement Reflector Assembly that intensifies and broadens the output of an ARRI Pocket Par 400 watt HMI fixture. Compatibility Arri Pocket PAR 400 Watt HMI Fixture Mfr # L2.70880.0 EBAY LINK
×
×
  • Create New...