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Found 9 results

  1. HI all, I am currently working of music video and have various scenes where I need to overlay a computer face on an old monitor in after effects. The problem I have been having is that it looks a bit off to me, which you may be able to see from the example I've attached. I think this is in large part due to the shape which need to be three dimensional not looking right. I have used a bulge effect but doesn't seem to give the impression of a symmetrical rounded shape and I think looks slightly off quilter. If anyone has any ideas of how I could improve this I would be very intere
  2. Hello all, About three years ago, I built a computer to do lower-end editing with Premiere and AfterFX. Most of the projects were geared towards my high school AV class, so nothing more than 5 or so minute works with 1080p project files and H.264 codecs. Today, I'm still using the same project files, but I am editing much larger-scale works (15+ minute works, plus incorporating DaVinci Resolve into my workflow). With my most recent project, I have just color graded via Resolve, and I am finding a lot of difficulty in just opening the Premiere file now. Premiere itself crashes quite f
  3. Good evening guys. So, I am looking into optimizing what I get out of my RAW files. And I am not sure I am doing that right now. My workflow now, is 2,5k RAW in Resolve, and then exporting for further editing in Premiere and AFX. What kind of bitrate would you use going from Resolve into Premiere? And what is sufficient for web and cinema use? Thanks!
  4. Hello all, For the current film I'm working on, I had to go through an odd process to do what I needed to it. First, I imported the footage into Premiere so as to trim it down and piece it all together. Then, I opened up After Effects, and imported the project from Premiere into AE so as to do some edits to it that I could only do in this program. Then, after finishing these edits, I opened Premiere back up and imported this AE timeline that I had added the edits to into a timeline on Premiere. Basically, I did all this without ever having to export from a program. Just some spec
  5. This quick tutorial will teach you a very simple technique to batch export multiple clips from Adobe Premiere Pro and CC. If you have any questions feel free to ask.
  6. Hello, I've recently shot a short film on a red epic in 5K raw. I've been told that .RED footage can be directly imported into adobe premiere, but that it would require a powerful system to edit. Is it necessary to have a good system to edit the footage ? And if that is, would I have to transcode the footage into a lower format (such as prores) to be able to edit ? Thank you for your time.
  7. Adobe has made available a substantial update to their CC apps. Highlights include: Output to DCP and AS-11 content packages Enhanced graphics performance, with support for a wider range of GPUs, including GPU debayering for RED media and support for Intel IRIS architecture. Expanded native format support now also includes ARRI Amira, Sony STtP, and broader support for Cinema DNG. https://blogs.adobe.com/premierepro/2014/06/todays-the-day.html
  8. Monte Zucker Photographic Education Presents the Out of Order tour! In Irvine 10/19 And LA 10/20. Out of Order is a film editing tour that is sponsored by Adobe and Canon and tackles editing from the a non-linear storytelling perspective. It’s taught by Ross Hockrow, an award winning filmmaker, educator and author. The full-day class is split in two parts, a daytime Storytelling Through Editing Workshop, and an evening Editing Techniques seminar. In the workshop Ross will demonstrate the principles of “show don’t tell,” will teach you to properly time cuts, to “play” with time, and will fo
  9. Monte Zucker Photographic Education Presents the Out of Order tour! In San Jose 10/12 And San Francisco 10/13. Out of Order is a film editing tour that is sponsored by Adobe and Canon and tackles editing from the a non-linear storytelling perspective. It’s taught by Ross Hockrow, an award winning filmmaker, educator and author. The full-day class is split in two parts, a daytime Storytelling Through Editing Workshop, and an evening Editing Techniques seminar. In the workshop Ross will demonstrate the principles of “show don’t tell,” will teach you to properly time cuts, to “play” with time
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