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  1. Handbuilt and custom made, my brushless gimbal stabiliser has extended roll axis rods taking a payload of 15lbs making it extremely similar to the Movi M15. Selling due to lack of time to use it and feel it is time to go to a new home and help create some lovely shots! It's condition like new as it has never seen a shoot. £3000.00 GBP ONO located in London. 3 Axis Gimbal Stabiliser 15lbs Payload - Easily takes Red Dragon/Epic Extended Roll Axis Rods - Allowing for longer camera set ups Camera Plate w/ 15mm Rails 3 Control Modes - Thumb Stick Control/Follow Mode/2nd Operator Autotune Bluetooth Connection Tuning Stand Spetrum Wireless Controller Allowing a 2nd operator to control the pan/tilt/roll. 3x 4S 14.8v 2700 Batteries and Charger Canon 7D for reference, not included in sale.
  2. I am selling a brand new Allsteady-7 3 axis gimbal (from TurboAce). It was bought last year, has only been tested 2 times (works flawlessly). I am selling it because for the past year i have devoted my time to photography, thus no longer being in need of some tools that just lye around the house. for details on what it does exactly (it is basically a heavy duty gimbal): http://www.turboace.com/allsteady7.aspx it comes with 2 batteries, charger, monitor arm and balance stand. The item is located in Bucharest, Romania. So i would prefer to sell it in Europe (i guess it would be more convenient for the buyer too). price is 3600$ + transport fees (keep in mind it is new).
  3. Hello, I've recently shot a short film on a red epic in 5K raw. I've been told that .RED footage can be directly imported into adobe premiere, but that it would require a powerful system to edit. Is it necessary to have a good system to edit the footage ? And if that is, would I have to transcode the footage into a lower format (such as prores) to be able to edit ? Thank you for your time.
  4. Hello. I want to take this opportunity to introduce our services at www.seatoskycam.com We offer 1 axis cable cam systems for cinema or broadcast and can carry up to 200 pounds of camera gear. We have multiple systems from small RC cable cam drones to systems that can stretch 2500 feet long and use high speed winches that achieve 55m/hr uphill. We can set up these A to B rigs on any slope from horizontal to vertical. Our office is located in Vancouver B.C. but we are available for service worldwide. Thank you
  5. Is there anyone that have tested the Red Weapon 8K camera? What is the good and bad things about it? Henrik http://www.henrikameyer.com
  6. Hello, i sell my RED Scarlet (eligible for dragon update) : - RED Scarlet MX canon mount, ready to Dragon (430 hours) - RED Touch 5 pouces + Cable - RED Side SSD - RED Sidehandle - RED Sliding Top handle - RED Outrigger handle - REDmag 64go x 2 - RED station USB3/Firewire800 - Sound Adapter x A-Box - Top plate BERKEY SYSTEM - Bottom with 15mm rod adapter BERKEY SYSTEM - V-Lock plate adapter CINEMA OXYD - Bridge plate type TILTA - Dovetail type TILTA - Shoulder rig type TILTA - Adjustable handgrip type TILTA - Baseplate type TILTA with 19mm rod - Topplate type TILTA with 19mm - 4 x 19mm rod - 2 x 15mm rod - Flight case camera - Pelicase accessories Price : 9000 euros more informations and pictures : jchris@me.com
  7. Full set of Schneider Cine-Xenar III's. Canon Mount - AS NEW. Pristine. Not a scratch or smudge. Retail is close to 50k - First 35k takes them home. Free custom made case. These lenses are perfect. not one issue or scratch. I've had them a year and they have a 5 year US warranty through Schneider. feel free to find me at weshowell.com
  8. Hello everybody. It's my first post on lighting here on Cinematography.com I'm looking for a lighting kit to use with my Black magic Pocket Cam and 16mm lenses, that could be affordable, compact, and produce good results. Artificial Lighting is not my strong on Cinematography, I normally improvise with natural light, and have used an Arri Red kit before. Loved the results. I know there's a difference between fluorescent, incandescent and LED... though what would be a good choice in the case of using for small productions? When it comes to buy, its worth ask around for those who understand before go to BH Photo. Please let me know your suggestions. And thanks in advance. Thanks, Flavio
  9. Hi all, Hope you are all well. It would be great to get some feedback on my reel. Any comments are welcome. Cinematography Reel https://vimeo.com/115711277 Kind Regards,
  10. Hello! We just launched the second instalment of our Kin Fables trilogy titled Salvage. Shot on the west coast of Newfoundland on the Red Epic using Zeiss Super Speed lenses. I'd love to hear what this community has to say about the film, on all aspects. Thanks for taking the time to watch! https://vimeo.com/119777338
  11. I've noticed that adding contrast, and darkening warm hues tend to pull colors towards red. I love dark red hues, but I've been wonder what caused this. I had my doubts whether it was a visual illusion, so I put it to a test in Photoshop. Lo and behold. According to photoshop's color science, hues do pull towards a reddish hue when darkening. This test is by no means scientific. And image compression as well as web compression will certainly make the results even less scientific. But visually the results are pretty close. What are your theories? Limited color space with automatic gamut remapping?
  12. Put together this interview with Gone Girl DP Jeff Cronenweth for my blog. He breaks down his thinking behind a half-dozen shots from Gone Girl, talks about the Dragon compared to the Epic and reflects on spending time as a kid on the set of Butch Cassidy and the Sundance Kid. Here's the link if anyone's interested.
  13. Selling both a RED ONE (m) and a RED MX with operational accessories. RED ONE (m) with CF Module and PL Mount - $3200 RED MX with CF Module and PL Mount - $4200 Can sell as a Package with the following. RED Power Pack (2 RED Brick Batteries and Charger) Base Production Pack (Top Mounts, Rails, and Top Handle) RED 5" LCD with Cable and 9" Arm V-Lock Battery Mount ET Shockmount 320GB RED Raid Drive Pelican Case RED ONE (m) Package - $5000 RED MX as Package - $6000 Also for sale Libec RSP-850D(s) Pedestal system - $4000 I will send pics to those interested. Paypal or any authorizing payments accepted Buyer pays shipping. Email - empathi.RED@gmail.com Phone - 312-877-7362
  14. Hi! I am looking for a good 1st AC for a very small commercial shoot. Should be a short day. The 27th of Jan. Will be in the bay area. Really looking to meet a new great camera assistant for local ongoing gigs.. My regular contacts are all fleeing to LA! RED Dragon camera. Please have experience. Email me @ obertonejeremy@hotmail.com Let me know your preferred rate and experience. thank you!
  15. Updated reel, some new footage. Opinions, critiques welcomed. If I were to cut it in half what should I loose? TRT 2:09 http://vimeo.com/obertone/reel
  16. Epic-m Dragon for sale. Body only. 20 hours use. very good shape. New OLPF. Make me an offer.
  17. RED Pro Primes 5 Lens Set (25, 35, 50, 85, 100mm) Imperial.Excellent Condition. Kept in air-conditioned private home. Owned by Cinematographer and well taken care of. Footage shot with these lenses provided upon request. We love them but have to invest elsewhere. Great deal. Location: Los AngelesPrice for package $14,500 OBO Case included email: info@colinakoon.com
  18. Hey so I am DPing my second feature, and it's a road trip comedy- and we are considering shooting all the car interior shots on greenscreen as it would save the production money. How should I go about this? I don't have much experience with greenscreen and I would love all the tips and tricks I can get to pull this off so it's Believable. My thoughts My plan is to shoot the car against the green screen outside on a large greenscreen, I'm thinking 20'x40' backed off around 40 or so feet to minimize green spill. I'm planning on shooting east so the sun acts as more of a backlight, and at high noon, flipping around and shooting west to continue the back light I'm seeing if I can get some larger HMI units for add some light to the interior, because based off a pretest I did with a dslr, it's hard to get the car and screen exposed right without loosing one or the other, I'm thinking getting a 2500 or M40 unit, as that is what my budget would allow. What camera should we use? We have a red scarlet we can use for free- as well as red pro primes and zeiss cp2's I'm thinking of using the rpp's because they are sharper in this case. But I'm seeing if we can use the dragon because of More resolution and extended range. But budget wise it looks like I can get a better camera or better lenses(s4mini's, maybe ultra primes) - not both.Should I push for a better camera and use rpp's?, or better lenses and scarlet? Which is best for greenscreen ? Or should I just stick with what I have and save money for bigger lights/larger G&E package? The plan is to do all the greenscreen first, keeping notes on camera height and orientation, and focal length and stop- and replicating these when we get the plates I would love all thoughts and opinions as these are uncharted waters for me Thanks!
  19. Hi everyone! I have brand new EPIC DRAGON M, Canon mount and ssd side modul, redmini mag. 1. Red minimag 512 g + Redstation Mini-Mag ALMOST NEW* 2. 2x Redvolts + Charger 3. Redmote MINT* 4. DSMC Sidehandle NEW* 5. Module Adaptor MINT* 6. DSCM Fan 2.0 MINT* TOTAL PRICE: Euro 27,000 Thanks Bledi Please mail me in bledar_cili@yahoo.com or up-agency@mail.com PS. I PURCHASED THIS CAMERA JUST 3 MONTHS AGO https://www.flickr.com/photos/23280449@N06/15472457130/ https://www.flickr.com/photos/232804...n/photostream/ https://www.flickr.com/photos/232804...n/photostream/ https://www.flickr.com/photos/232804...n/photostream/ https://www.flickr.com/photos/232804...n/photostream/ https://www.flickr.com/photos/232804...n/photostream/ https://www.flickr.com/photos/232804...n/photostream/
  20. For sale is my personal Lomo anamorphic round front set: 35mm Lomo Anamorphic T2.4, PL-mount 50mm Lomo Anamorphic T2.4, PL-mount 75mm Lomo Anamorphic T2.4, PL-mount All lenses are optically and mechanically in perfect condition, no scratches, no fungus, have stainless PL-mounts and focus gear rings ARRI standard 32 pitch. The lenses were recently serviced and are ready for shooting. Also included: Peli case, ARRI Lens Support LS-7, front and rear caps. Price: $35,000 Contact: c.lang@langfilms.de
  21. Looking to sell my Red 17-50mm lens. Bought it about a year ago from a fellow Red User. I don't freelance anymore and don't really use the lens anymore as well. Looking for $5,500 (negotiable). Let me know if you want to see pictures - I can email them. The lens is in great condition.
  22. The camera package has been well looked after and used only for my own jobs. It has never been rented out. Very very low hours! No scratches or problems. Based in Fresno, California. Overnight shipping included and PayPal accepted! Please email me zackyee12@gmail.com or feel free to shoot me a text 5593412427 I have more pictures to if you want. 1 DSMC SIDE HANDLE 1 RED TOUCH 5.0" LCD 2 REDVOLT 1 REDMAG 1.8" SSD - 64GB 1 RED STATION REDMAG 1.8" 1 DSMC TRAVEL CHARGER 1 SCARLET-X W/SIDE SSD AND LENS MOUNT - Canon ALS
  23. Hello all! I thought I would put a thread up to inform you about new products as they are added to the site: http://mediablackout.net I specialize in making custom cables and accessories. For enquires about custom work, you can contact me at alan@mediablackout.net
  24. Hey all, I'm gearing up to shoot a music video using a Kessler Revolution head as a motion control rig. I'm looking to shoot the band in a large open warehouse that has some windows but I will need to bring in lighting. The finished video will look like a one shot video where the band is performing and the camera pans to the left continuously and each time the band starts to exit frame right they enter frame left, and this happens throughout the video. I have linked a previs video I put together to help explain the concept. My plan is setup the Revolution Head in the center of the warehouse and program it to rotate 360 degrees in 4 minutes and 5 seconds (the length of the song). From here I will shoot a clean plate and shots with the band performing. Each pass that has the band performing I will shift the band to the left in a circular trajectory so I can then layer the shots in post. I'm guessing the post would require some masking but nothing too extreme. My issue is, how will I get the lighting to match and stitch consistently throughout the video. I fear that unless I light the entire space the lighting won't stitch properly. Any information is greatly appreciated. Previs video: https://www.youtube.com/watch?v=vNYeV4WKIPE&list=UU3jj9kfaAsoOB0p_K24jzvA Thanks, Michael
  25. Would it be a good Idea to pull out my student loans to buy the new red scarlet dragon? Currently I'm in my 4th of year of college( it's going to take me 5 years to graduate). I go to a small school in Missouri with 12,000 students and the film department at the school has been weak and disappointing thus far. So almost everything I know about film making and cinematography has been stuff I've had to learn on my own I started cinematography last year and I'm still learning lots of new things about filming/ color grading weekly. 8 months ago I was shooting all my videos on a gopro, then I decided that I need to upgrade my gear if I want to seriously pursue cinematography so I bought a Blackmagic Cinema Camera. Now I want to upgrade my gear again but this time I am going for the best. So I decided to save up and get the Red Dragon Scarlet. I have the great fortune of having College completely paid for. I am really good at track and field so my athletic scholarship pays all my fees and covers my costs of living. So my plan is to just pull out all my student loans for 2 years so I can get a Red Dragon. Personally I don't like having anything hold me back in life. My mindset from playing sports so long has made me become obsessed with the things I do. For the past 3 years I've been able to jump higher and further than everyone in the state of Missouri and I get mad if anybody beats me or get close. I want to aim to be the best at cinematography also. I get angry and frustrated when things are not perfect or close to perfection on video. Ultimately I want to know if this would be a good way to turbo start and give me a great beginning to a life and journey of being a cinematographer? The last video I shot:
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